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Jason Biggs’ time as the king of cinema pie scenes is coming to an end.
The seminal scene in David Lowery’s new “meaning of life” film “A Ghost Story” features a heartbroken Rooney Mara sitting alone on the floor of her kitchen devouring a full pie in real-time take as her dead husband (Casey Affleck) watches from afar as a ghost.
It’s a nine-minute wide shot of Mara in profile that plays out like a single shot … for nine minutes.
Also Read: 'A Ghost Story' Review: Casey Affleck's Ghost in a Bed Sheet Breaks Your Heart
Punctuated by vomit (spoiler alert), it will contend with “Fargo’s” nasty binge-eating villain David Thewlis’ performance for the 2017 pop culture “wretch” award.
David Lowery discusses “A Ghost Story” at the Arclight Hollywood (Mikey Glazer)
Also Read: 'A Ghost Story,' 'City of Ghosts' Make Chilling Entry Into Indie Box Office
“I definitely expected people to walk during it,” Lowery recently told Ethan Alter of Yahoo Movies. “It comes 20 or 25 minutes into the movie, and it’s the longest shot in the movie … it is an opportunity for audiences to decide if they’re with the movie. If they want to bail, that’s a great time to leave,” he added.
Lowery, who wrote, directed and edited the film, spoke to a packed Theatre 4 at the Arclight Hollywood on Tuesday night. The conversation and screening were hosted by Adobe, Lowery’s post-production workflow of choice.
Considering Adobe’s involvement and the glacial pace of the first act — where in addition to the pie scene several other locked off shots fill the screen for extended periods — instead of “bailing,” the Party Report wondered if the hook was that Lowery had forgotten to edit the movie at all.
Also Read: Rooney Mara, Sia Team for Brady Corbet's Pop Star Drama 'Vox Lux'
The “Ain’t Them Bodies Saints” director revealed that Mara’s pie-binge was shot in a single take. Her dietary choice? A vegan chocolate pie, that Lowery took a few bites of at the end.
After being compelled into posting his recent studio film “Pete’s Dragon” via Disney’s post-production infrastructure (the Avid system), Lowery was refreshed to complete all of his “Ghost-post” in Adobe Premiere Pro and After Effects.
“Most of it was cut in my laptop while traveling,” Lowery said. “The bulk of the film came together in a month.”
Also Read: Adobe Launches Audience-Based TV Ad Selling Platform
As for being a nearly one-man-band, he copped to sharing the slack self-motivation shared by many creatives.
“(I would) procrastinate all day. Watch movies. Go running,” Lowery said. “And then at night I’d go ‘I’ll just look at one scene.’ Then I’m up all night cutting.”
Mr. Lowery, consider the “forgot to edit” retraction officially issued.
After a debut at Sundance this year, the A24 release is in theaters now.
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