At the Haldwell School, the posh Pennsylvania boarding school that serves as the location for Tayarisha Poe’s “Selah and the Spades,” they call the student cliques that dominate campus life “factions.” But they might as well call them “families,” because a few minutes at Haldwell in Poe’s quietly commanding film will convince you that these five factions run the show in a way that isn’t too far removed from the way the Mafia’s five families ran the underworld in New York City starting in the 1930s.
Sure, there are fewer things like contract killings in this particular story, but “Selah and the Spades” takes the model of high-school movies like “Clueless” and “Pretty in Pink” and throws in a hefty dose of “The Godfather.” Poe’s feature debut, though, has a style all its own, spare but rich and able to make the umpteenth teen movie we’ve all seen feel fresh.
The film is premiering on Amazon Prime on April 17, 15 months after its world premiere at the 2019 Sundance Film Festival.
An opening voiceover that’s breezier than anything that follows sets up the premise: At Haldwell, the five factions control everything that goes on behind the administration’s back. One is made up of teachers’ pets who help other students cheat, one is in charge of gambling, one oversees all illegal parties, one keeps the school officials “blissfully unaware” and one, the Spades, deals in “the most classic of vices: booze, pills, powders, fun.”
The five factions have a sometimes uneasy coexistence, with one rule binding them all together: nobody rats anybody out. Naturally, though, there are power plays and infighting – particularly since the leader of the Spades, 17-year-old Selah (Lovie Simone), is adamant that she should be the one who runs the show at all times, with a little help from her sidekick Maxxie (Jharrel Jerome).
Selah also heads the school’s spirit squad, a group of cheerleaders who choose their own outfits, choreograph their own routines and do everything they can to control their own destinies. “When you’re a 17-year-old girl, you’ve got the whole world telling you what to do with your body,” Selah announces. “You’ve gotta grab onto that power whenever you can.”
So she does, which causes resentment among the party faction, the Bobbys. (Selah is black and the head Bobby is white, but race is never an issue in the film, at least not overtly.) At the same time, Selah is trying to groom a successor to take over the Spades when she graduates at the end of the school year, latching onto a sophomore photographer, Paloma (Celeste O’Connor), who proves to be quite capable and uncomfortably (for Selah) ambitious.
Simone makes for a fiercely assertive Selah, but she lets the strain of being that fierce show: When she tells her mother over the phone that she got a 93 on her calculus test and her mom responds, “What happened to the other seven points?” she stammers and slips and knows how inadequate her answer seems.
But she’s determined not to show weakness, to the point where she refuses to date because she sees other girls crying in the bathroom over boys and could never allow herself to be that vulnerable. When things get tense between her and Maxxie, who has made what she considers an unforgivable mistake, or when Paloma becomes too assertive a protégé for Selah’s taste, she has no option but to get harder, meaner and more controlling. (Her drive to have agency in her own life makes her a real heroine to root for … until she’s not.)
By this point, the lightheartedness in the film’s early stages is long gone, not that Poe ever seemed interested in spending any real time in traditional teen-comedy territory. “Selah and the Spades” is stylish and controlled, with Poe and cinematographer Jomo Fray reveling in the shadows, playing with angles and unafraid to back off from their characters.
It also makes striking, judicious use of music, with Japanese-born composer Aksa Matsumiya’s sparse, sometimes eerie score dropping out for long stretches and then comes back to play a central role every so often. The sound design is also subtle but tremendously effective, particularly in a druggy, doomy party scene that moves to heavy beats layered deep in the background.
At times the storytelling may make the story look and feel more interesting than it is, particularly in an ending that feels as if it rushes to find a bit of forced redemption. But Poe is an assured first-time director who has created a high-school movie that feels distinct from all the high-school movies that preceded it.
And distinct from the mob movies, too.
All the Hollywood Films Arriving on Demand Early Because of the Coronavirus
Since most U.S. movie theaters have shuttered in response to the coronavirus pandemic, studios are rushing out VOD home releases of movies that were only just in theaters.
Disney/Warner Bros./Universal
"Trolls World Tour"
The sequel to the 2017 animated hit announced it would be available for digital download on April 10 -- the same day it was supposed to land in theaters. Now it's a VOD exclusive.
Universal Pictures
"Birds of Prey"
The Margot Robbie spinoff of 2017's "Suicide Squad" debuted on demand on March 24. The film grossed $84 million since opening on Feb. 4.
Warner Bros.
"The Hunt"
The Universal/Blumhouse horror film was first delayed from release last fall due to controversy over its violent content -- and then sidelined after its March 13 opening by the coronavirus. It's available to stream now.
Universal Pictures
"The Invisible Man"
The Universal horror film starring Elisabeth Moss grossed nearly $65 million since its Feb. 26 release in theaters. It's available to stream now.
Universal Pictures
"Emma."
Focus Features' adaptation of the Jane Austen novel opened in limited release Feb. 21 -- and picked up $10 million in ticket sales until the pandemic shut down theaters. It's available to stream now.
Focus Features
"Bloodshot"
The Vin Diesel comic-book movie opened March 6 and grossed $10 million before theaters shut down. It's available on VOD now.
Sony Pictures
"I Still Believe"
Lionsgate's biopic starring K.J. Apa as Christian music star Jeremy Camp hit VOD on March 27 -- just two weeks after it opened in theaters.
Lionsgate
"The Way Back"
Warner Bros. released the Ben Affleck drama "The Way Back" -- which grossed $13 million in theaters since its March 6 opening -- on VOD less than three weeks later, on March 24.
Warner Bros.
"Onward"
Disney and Pixar’s animated feature was made available for purchase on Friday, March 20, and the film hit Disney+ on April 3.
Disney/Pixar
"Sonic the Hedgehog"
Paramount Pictures' "Sonic the Hedgehog" set a new record for video game adaptations with a $58 million domestic opening weekend on Feb. 14 and has grossed $306 million worldwide theatrically. It's available on demand now.
Paramount Pictures
"The Call of the Wild"
20th Century Studios' feel-good film starring Harrison Ford and a giant CGI dog is available on demand now.
20th Century
"Downhill"
Barely escaping an avalanche during a family ski vacation, a married couple (Julia Louis-Dreyfus and Will Ferrell) is thrown into disarray as they are forced to reevaluate their lives and how they feel about each other. It's available on demand now.
Fox Searchlight
"Never Rarely Sometimes Always"
"Never Rarely Sometimes Always" is the story of two teenage cousins from rural Pennsylvania who journey to New York City to seek an abortion. The film premiered at the Sundance Film Festival and walked away with a Special Jury award. It's available for VOD now.
Focus Features
"Endings, Beginnings"
"Endings, Beginnings," a romantic drama from Drake Doremus starring Shailene Woodley, Sebastian Stan and Jamie Dornan, opened early on digital on April 17 and on demand on May 1. It was meant to open theatrically on May 1.
Samuel Goldwyn Films
"To the Stars"
"To the Stars," a period drama set in 1960s Oklahoma that stars Kara Hayward, Liana Liberato, Jordana Spiro, Shea Whigham, Malin Akerman and Tony Hale, was bumped up to a digital release on April 24 and an on demand release on June 1. Martha Stephens directed the film that premiered at Sundance in 2019 and was meant to be released theatrically by Samuel Goldwyn Films.
Samuel Goldwyn Films
"Impractical Jokers: The Movie"
truTV's first-ever feature-length film arrived early on digital on April 1. Follow James "Murr" Murray, Brian "Q" Quinn, Joe Gatto, and Sal Vulvano, aka The Tenderloins, playing themselves in a fictional story of a humiliating high school mishap from the early '90s.
truTV
"Artemis Fowl"
Disney's adaptation of the Eoin Colfer fantasy novel "Artemis Fowl" was meant to debut in theaters on May 29 but premiered exclusively on Disney+. The film is directed by Kenneth Branagh and stars Colin Farrell and Judi Dench.
Disney
"The Infiltrators"
The theatrical release of Oscilloscope's docu-thriller "The Infiltrators" has been postponed, and the film was released on both Cable On Demand and Digital Platforms starting June 2.
Oscilloscope
"Working Man"
The March 27 theatrical release of "Working Man" has been canceled due to the theater closures, and the film premiered on May 5 via Video On Demand.
Brainstorm Media
"Jump Shot: The Kenny Sailors Story"
"Jump Shot: The Kenny Sailors Story," a sports documentary executive produced by NBA star Steph Curry, was made available for streaming on the new service Altavod between April 16-18 for $7.99 and is available for pre-order beginning April 9. 10% of all the proceeds will be donated to COVID-19 relief efforts. The documentary tells the story of the player, Kenny Sailors, who pioneered the jump shot, and it features interviews with Curry, Kevin Durant, Dirk Nowitzki, Clark Kellogg, Bobby Knight and more.
Photo by Rob Carr/Getty Images
"Scoob!"
Warner Bros. announced on April 11 that it would release the family animated film “Scoob!” for digital ownership and premium video on-demand on May 15, making it the second film (after Universal's "Trolls World Tour") to cancel a planned theatrical release and head straight to home release pandemic.
Warner Bros.
"The King of Staten Island"
"The King of Staten Island," the comedy starring and co-written by "SNL" star Pete Davidson and directed by Judd Apatow, skipped its theatrical release date of June 19 and opened one week early on VOD everywhere on June 12.
Universal Pictures
"The High Note"
"The High Note," the latest film from "Late Night" director Nisha Ganatra that stars Tracee Ellis Ross and Dakota Johnson, made its premiere on VOD on May 29. It was meant to open on May 8 theatrically.
Focus Features
"Waiting for the Barbarians"
Ciro Guerra's film starring Mark Rylance, Johnny Depp and Robert Pattinson was originally slated for a theatrical release but was picked up by Samuel Goldwyn Films to instead be released via cable on demand and on digital in August
Samuel Goldwyn Films
"Irresistible"
Jon Stewart's latest film, a political comedy called "Irresistible," will skip theaters and make its premiere online for on demand digital rental on June 26. The film from Focus Features stars Steve Carell and Rose Byrne and was meant to open in theaters on May 29.
Daniel McFadden / Focus Features
"My Spy"
The Dave Bautista action comedy "My Spy" was originally meant for a theatrical release from STXfilms and was due to hit theaters in March. Amazon then acquired the film from STX and will now release it on streaming on June 26.
Amazon Studios
"The One and Only Ivan"
The animated Disney film based on Thea Sharrock's best-selling children's book "The One and Only Ivan" is the latest feature to skip theaters and move to Disney+. The movie features the voice talent of Angelina Jolie, Danny Devito, Sam Rockwell, Bryan Cranston and Helen Mirren. The film was previously slated for theatrical release on August 14 but will now debut on Disney+ one week later on Aug. 21.
Disney
"The Secret Garden"
The re-imagining of the book "The Secret Garden" was meant to open in UK theaters in April but delayed its theatrical release until August. But STXfilms will now release the StudioCanal and Heyday Films movie on PVOD for $19.99 on August 7 in North America. "The Secret Garden" stars Colin Firth, Julie Walters and Dixie Egerickx.
STXfilms
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”Irresistible“ joins a list of big films heading to digital home entertainment platforms early
Since most U.S. movie theaters have shuttered in response to the coronavirus pandemic, studios are rushing out VOD home releases of movies that were only just in theaters.