VFX
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‘Kingdom of the Planet of the Apes,’ ‘Dune: Part Two’ Top Visual Effects Society Awards
“The Wild Robot” triumphed in animation and “Shōgun” dominated in the TV categories
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‘Avatar: The Last Airbender’ VFX Team Used Story as Their North Star
TheWrap magazine: With action sequences designed to function like dialogue, the VFX crew were guided by the idea that “story is king,” EP Albert Kim says
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How the ‘I’m a Virgo’ VFX Team Made Jharrel Jerome a Giant
TheWrap magazine: Series creator Boots Riley “wanted to make it feel like it was made in the ’80s, maybe the ’70s,” says visual effects supervisor Todd Perry
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‘Ted Lasso’: How Its Emmy-Nominated VFX Team Fills Those Stadiums
TheWrap magazine: “We had 258 shots of football to turn over and a lot of other visual effects shots as well,” supervisor James MacLachlan says
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IATSE Sets Marvel Studios VFX Union Voting Period
The election will begin Aug. 21 with results announced Sept. 12
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Double Strike’s Impact on Hollywood Supply Chain Is ‘Real and Dire,’ Post-Production Trade Group Warns
“Organizations indispensable to the creation of media are cutting staff… and in some cases, even risk closing,” the Hollywood Professional Association writes
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Marvel Studios VFX Artists Petition to Unionize With IATSE
More than 50 visual effects staffers at the Disney-owned superhero studio took part in the filing
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Harrison Ford Hails De-Aged Self in ‘Indiana Jones 5’ Opening: ‘It’s a Little Spooky’
“This is the first time I’ve seen it where I believe it,” Ford told Empire
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‘The Flight Attendant’ Season 2’s Multiple Cassies Were a Major Acting Challenge for Kaley Cuoco
TheWrap Emmys Magazine: VFX coordinator Elizabeth Rojas on what makes Kaley Cuoco the ultimate pro
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Film Academy Launches VFX Training Track for Young, Underrepresented Talent
Entertainment industry partners are working with AMPAS on the sixth year of its “Gold Rising” program
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How HBO’s ‘The Baby’ Turned a 9-Month-Old Into a Titan of Terror
VFX duo Anne Akande and Owen Braekke-Carroll talk about their unusual challenge, including one thing you can never do with babies in the U.K.
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Peter Jackson’s Weta Digital VFX Tech Division Sold to Unity for $1.625 Billion
Acquisition to put award-winning VFX tools and technology into the hands of millions of creators and artists
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‘The Nevers’: How the HBO Series’ VFX Team Crafted That Impressive Water Battle
Visual effects supervisor Johnny Han on why trampoline technology and non-Newtonian fluid studies informed the Emmy-nominated third episode “Ignition”
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‘Mank,’ ‘Hillbilly Elegy’ Land on Oscars Makeup and Hairstyling Shortlist, ‘Mulan’ and ‘Tenet’ Lead VFX
Other films to advance in the Oscars race include “Birds of Prey,” “Ma Rainey’s Black Bottom” and “The Midnight Sky”
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The Future of VFX During COVID-19: Digital Face Replacement, Social-Distancing Doubles
How will productions handle large crowd and intimacy scenes in the era of social distancing?
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