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When ‘Beale Street’ Hits Close to Home: ‘It Was Terrifying’ (Podcast)

Let’s talk about Barry Jenkins’ beautiful, harrowing ”If Beale Street Could Talk“

Barry Jenkins’ “If Beale Street Could Talk,” based on James Baldwin’s book, draws us in with a deliriously beautiful love story to show how the criminal justice system unjustly targets black men. On our new “Low Key” podcast, Aaron Lanton and Keith Dennie talk about how much the film hit home for them –and not just because they grew up in Memphis, the home of Beale Street. You can listen on Apple or right here:

On every episode of “Low Key,” Keith, Aaron and I talk about low-key pop culture moments we think others may have missed. We hope no one overlooks “If Beale Street Can Talk.” The film uses Memphis’ most-celebrated street as a metaphor for black life in America.

As black men who grew up in Memphis, Aaron and Keith related to the film on many levels — and some resonated painfully.

Aaron’s initial reaction? “I need a hug,” he says near the start of the podcast.

The film focuses on a young couple, Tish (Kiki Layne) and Fonny (Stephan James), who are soon to be parents. They struggle along like most young parents, and the family drama over the pregnancy comes out in an extended meeting of their two families that is tender, sweet, funny and eventually explosive.

“The reason it felt tense, I was like, ‘Oh s—, I’ve seen this fight,'” said Aaron.

We also focus on a key scene with Daniel (Brian Tyree Henry), an old friend of Fonnie’s who has just come home from prison. The scene shows how Daniel was blatantly framed for a crime, and as we watch, we realize how easily it could happen to Fonnie — or countless other young black men.

“When I watched it, I forgot to breathe for a second,” said Keith. “It was terrifying, honestly. … It had that  feel like when someone in a horror movie is telling a ghost story or whatever, and it’s kind of foreshadowing that the same thing’s going to happen to the main character.”

We also talk about my one issue with the movie (which involves Regina King’s Golden Globes-winning performance, but isn’t a criticism of her.)

And we discuss whether Barry Jenkins, Spike Lee and other black directors often carry the unfair burden of explaining American history to white audiences.

“If Beale Street Could Talk” is in theaters now, and it goes without saying that we recommend it.

Here’s another chance to click on the audio: