Good Morning, Oscar: Friday

Good Morning, Oscar: Friday

Published: September 04, 2009 @ 8:10 am
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By Steve Pond

Today’s roundup of Oscar news 'n' notes from around the web …

 

At Movie City News, this year’s “Gurus of Gold” kicks off as 16 of us pundits draw on our vast experience and unparalleled insight to pretty much take stabs in the dark about this year’s race. “The Hurt Locker,” “Invictus” and “Nine” come out on top. Much changing-of-minds will follow. (Movie City News)

 

Jeff Wells, not a Guru (he and MCN’s David Poland don’t get along, and Poland says Wells stopped participating mid-season when he was included) picks his “ten likeliest,” nine of which are in the Gurus’ Top 10. He also throws Terrence Malick’s “The Tree of Life” into the mix. Damn, I hope he’s right. (Hollywood Elsewhere)

 

Pete Hammond, whose Oscar blog “Notes on a Season” has been on hiatus since February, returns to The Envelope with assorted musings on these days of industry-wide change. (The Envelope)
 

Todd McCarthy HATES “The Road.” (Variety)  

So, to a more measured degree, does Kris Tapley. (In Contention)  

 

Deborah Young disagrees. (The Hollywood Reporter)  

So does Anne Thompson. (Thompson on Hollywood)  

So does Glenn Kenny, though he's not sure he saw the current version.  (Some Came Running)

So do assorted Brits. (The Guardian) (The Independent) (The Times Online)

For the record, so do I. The movie is grueling and mean and relentless, but there’s a single-minded beauty in that starkness and desperation. Bottom line: it grabbed me and it held me. And, you know, I love Viggo. Tough sell, though, definitely at the boxoffice and probably within the Academy. The audience I saw it with was annoyingly restless, which obviously isn’t a good sign.

 

(Viggo Mortensen and Kodi Smit-McPhee in “The Road.”  Photo: Macall Polay, 2029/ Dimension Films)
 

Tags: Academy Awards, Movies, oscars
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The Odds is an informed, bemused, skeptical and authoritative look at all aspects of the Academy Awards race. Steve Pond, author of the L.A. Times bestseller The Big Show, has been covering this particular circus for more than two decades, much of that time as the only reporter with full backstage and rehearsal access to the Oscar show.

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