Awards reporter • joe.mcgovern@thewrap.com • @jmcgvrn
Experience:
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How ‘Minari’ Star Yeri Han Came to Sing the Lullaby-Like Closing Tune (Video)
TheWrap Awards magazine: Composer Emile Mosseri praises the actress’ “beautiful, poetic vocal performance”
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Director of French Oscar Entry ‘Two of Us’ on Finding an Ending ‘Between Tragic and Happy’
TheWrap magazine: Filippo Meneghetti, whose film has been nominated for a Golden Globe Award, talks about the making of his tender gay romance
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‘Ma Rainey’s Black Bottom’ Cinematographer on Chadwick Boseman: ‘I Cried as We Were Filming His Performance’
Tobias Schliessler, veteran cinematographer of “Dreamgirls” and “Beauty and the Beast,” tells TheWrap about working with the late actor
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‘Nomadland’: How Frances McDormand Got Amazon to Agree to Shooting in a Real Warehouse
“It fell right into our color palette,” cinematographer Joshua James Richards says
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‘Minari’: Listen to 2 Tracks From the Korean American Family Drama’s Score (Exclusive)
Composer Emile Mosseri talks to TheWrap about creating music for the new “universal, poignant, intimate film about family”
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‘Mank’ Costume Designer Trish Summerville Draped a Sheet Between Banana Trees to Screen the Film
“We got popcorn and champagne,” the Oscar-nomination favorite Summerville tells TheWrap
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‘The Prince of Tides’ Cinematographer Debunks ‘Vaseline-Coated’ Smear of Barbra Streisand
It was “cynical and unfair,” says Stephen Goldblatt, who earned an Oscar nomination for his work on 1991 film
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‘One Night in Miami’ Costume Designer Explains How She Dressed 4 Iconic American Figures
“If the actor is wearing something that has meaning, the performance flows with even more authenticity,” says veteran costumer Francine Jamison-Tanchuck
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The Design of ‘Mank’: How Costumes and Sets Energized David Fincher’s Homage to Old Hollywood
TheWrap magazine: Costume designer Trish Summerville and production designer Donald Graham Burt take us behind the scenes
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‘Emma.’ Costume Designer Explains How She Spun Clothes With the ‘Power of Sugared Macarons’
Oscar winner Alexandra Byrne, an industry veteran of historical dramas and superhero film, deployed bold colors in the Jane Austen adaptation
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‘Collective’ Director on Documentary’s Curious Link to Orson Welles’ 1949 Classic ‘The Third Man’
“It was natural to follow the script that life was writing for us,” Alexander Nanau says of how his acclaimed Oscar hopeful took shape
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‘Wild Mountain Thyme’ Cinematographer On Reunion With ‘Joe Versus the Volcano’ Director: ‘We Got on Great’
Cameraman Stephen Goldblatt reunited after three decades with director John Patrick Shanley for a mystical romance set in Ireland
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‘Palm Springs’ Editor Details the Alternate Beginning You Didn’t See
For veteran editor Matt Friedman, the time loop aspect of the Andy Samberg-Cristin Milioti film was “the cherry on top”
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Steve McQueen on How John Boyega’s ‘Star Wars’ Experience Shaped His ‘Small Axe’ Role
TheWrap magazine: Oscar winner also shares the inspiration behind his other “Small Axe” stories
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‘Time’ Director Garrett Bradley Explains How She Exposed Mass Incarceration Via One Woman’s Fight
TheWrap magazine: The film has been named Best Documentary by the New York Film Critics Circle and the Los Angeles Film Critics Association.
