Matthew Creith is a movie and TV critic based in Denver, Colorado. He’s a member of the Critics Choice Association and GALECA: The Society of LGBTQ Entertainment Critics. He can be found on Twitter: @matthew_creith or Instagram: matineewithmatt. He graduated with a BA in Media, Theory and Criticism from California State University, Northridge. Since then, he’s covered a wide range of movies and TV shows, as well as film festivals like SXSW and TIFF.
Experience:
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‘Love+War’ Review: Harsh Realities of War and Family Center an Enlightening Documentary
TIFF 2025: “Free Solo” directors Elizabeth Chai Vasarhely and Jimmy Chin’s latest presents the two worlds that make up photojournalist Lynsey Addario’s existence
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‘Nuremberg’ Review: Rami Malek and Russell Crowe Lead Thrilling Nazi Courtroom Drama
TIFF 2025: Writer-director James Vanderbilt trades in horror comedies for a historical account of the lengths it took to bring war criminals to justice
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‘Eternity’ Review: Miles Teller, Elizabeth Olsen and Callum Turner Are Stuck in a Hysterical, Poignant Other-Worldly Threesome
TIFF 2025: An ensemble of actors makes life after death feel grounded and affecting in this fantasy rom-com
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‘Good Fortune’ Review: Keanu Reeves Is Fantastically Funny in Aziz Ansari’s Body Swap Comedy With an Angelic Twist
TIFF 2025: Seth Rogen and Reeves elevate a comedy based on an eat-the-rich trope that hardly feels rewarding
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‘California Schemin’ Review: James McAvoy Directs a Whimsical Story Based on a True Lie
TIFF 2025: Samuel Bottomley and Séamus McLean Ross recreate a fake early aughts Scottish rap duo, taking a shot at fame and the music industry
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TIFF Admitted Pulling Oct. 7 Documentary Was a ‘Mistake,’ Director Barry Avrich Says | Video
TIFF 2025: In a conversation with TheWrap at the Glenn Gould theater, the director addressed the controversy over his documentary about a retired general saving his family from the Hamas attack
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‘Steve’ Review: Cillian Murphy’s Netflix Drama Is a Difficult Watch With Strong Performances
TIFF 2025: Director Tim Mielants exposes the pitfalls of a reform school system in 1990s Britain
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‘The Eyes of Ghana’ Review: Ben Proudfoot’s Documentary Charts Forgotten Legacy of African Cinema
TIFF 2025: The documentary from “The Last Repair Shop” team has a new subject, Chris Hesse, who proves that nothing can stay hidden forever
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‘Good Boy’ Review: Stephen Graham Teaches Anson Boon a Lesson in Strange Captivity Thriller
TIFF 2025: The latest genre-bender from director Jan Komasa gives “A Clockwork Orange” a modern twist
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‘Saipan’ Review: Steve Coogan and Éanna Hardwicke Trade Barbs During a Sports-Themed Power Trip
TIFF 2025: The real-life Saipan incident that upended Ireland’s chance at glory at the 2002 World Cup is examined by co-directors Glenn Leyburn and Lisa Barros D’Sa
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‘The Rainmaker’ Review: John Slattery and Lana Parrilla Stand Out in USA Network’s Basic Legal Drama
Milo Callaghan and Madison Iseman complement the main cast of this TV adaptation of John Grisham’s novel
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‘Boy George & Culture Club’ Review: Director Alison Ellwood Dives Into British Pop’s Most Controversial 1980s Band
Tribeca 2025: A behind-the-music look at Boy George’s quest for personal freedom alongside his former bandmates sets the scene for a pop-rock journey
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‘Ginny & Georgia’ Season 3 Review: Netflix YA Drama Takes a Dark but Necessary Turn
Brianne Howey and Antonia Gentry keep the generational trauma alive in the name of poetic justice
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‘Black Mirror’ Season 7 Review: Excellent Cast and Dazzling Sequels Fuel Rich New Batch of Episodes
Will Poulter, Rashida Jones, Chris O’Dowd and Cristin Milioti lead an all-star season that doubles down on Charlie Brooker’s trademark delicious weirdness
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‘Hacks’ Season 4 Review: Max Series Tackles Late Night in Hilariously Vicious Return
Jean Smart and Hannah Einbinder’s new dynamic keeps the Emmy-winning series on top
