Steve Pond is TheWrap’s Executive Editor, Awards and has been writing and overseeing awards coverage on the site since 2009. He spent decades writing about film, television, music and the entertainment industry for the Los Angeles Times, Washington Post, Rolling Stone, Premiere, New York Times, Playboy and many other publications. He is the author of the L.A. Times bestseller “The Big Show,” a behind-the-scenes look at the Academy Awards based on 15 years of unprecedented access to that show.
Experience:
Resides In:
Los Angeles
Education:
Steve received a Bachelor of Arts degree in Journalism from California State University, Long Beach.
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Awards Season Revs Up on Golden Globes Weekend: ‘It’s F—king Crazy’
The AFI, Spirit Awards and BAFTA piggyback to make Golden Globes weekend a wild few days of schmoozing
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Tony Yang, Rajee Samarasinghe, Tatti Ribeiro Win Indie Spirit Emerging Filmmaker Awards
The three categories are the only Spirit Awards to carry cash prizes rather than just trophies
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Who’s the Boss? Jeremy Allen White and Scott Cooper Dissect Their Springsteen Movie
TheWrap magazine: “I would give Bruce a hug in the morning and a hug in the evening, and we would text each other at the end of the day,” says White
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‘One Battle After Another,’ ‘Hamnet,’ ‘Sinners’ Continue Awards-Season Roll With Producers Guild Nominations
Other nominees include “Marty Supreme,” “Frankenstein,” “Train Dreams,” “Bugonia,” “Sentimental Value” and two surprises — “F1” and “Weapons”
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‘Come See Me in the Good Light’ Named Best Documentary at Cinema Eye Honors
Other awards go to “The Tale of Silyan,” “Seeds” and “The Perfect Neighbor”
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How Sara Bareilles Joined the ‘Lesbian Avengers’ to Write a Song for ‘Come See Me in the Good Light’
The Oscar-shortlisted song is a collaboration between Bareilles, Brandi Carlile and the late poet Andrea Gibson
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Paul Mescal on the Healing Power of ‘Hamnet’: ‘It’s Not Grief Porn’
The Golden Globe nominee also explains that, as an Irish actor, he used to have “a chip on my shoulder” about Shakespeare
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317 Films Qualify for the Oscars, But Only 201 Are Eligible for Best Picture
“KPop Demon Hunters” is one of the film not eligible in the Academy’s top category, which requires filmmakers to submit diversity and inclusion forms
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Going Inside the Music of ‘Sirât’: Radical, Experimental – and Maybe Even Comical?
“It was one of the boldest moves I’ve ever done,” says composer David Letellier, aka Kangding Ray
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‘One Battle After Another’ Leads Actor Awards Nominations (Complete List)
Paul Thomas Anderson’s epic set a new record with seven nods. Meanwhile, SAG-AFTRA remains aloof to international films, shutting out “Sentimental Value” and “The Secret Agent”
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‘Frankenstein,’ ‘Sinners,’ ‘Wicked: For Good’ Nominated for Art Directors Guild Awards
The ADG unveiled nominees in feature film, television, commercial and music video categories
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Guillermo del Toro and Jacob Elordi on Why ‘Frankenstein’ Feels Autobiographical
TheWrap magazine: “The theme that I always wanted to decipher … is fathers and sons,” says the director of his lifelong passion project
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The Key to Making Music for ‘Hedda’: Getting the Cast and Crew to Breathe and Sing Together
Composer Hildur Guðnadóttir created a makeshift choir out of cast members, extras, gaffers and production staffers
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How Nick Cave Wrote the Theme to ‘Train Dreams’ in His Sleep
“Really, this just never, ever happens to me,” says the Australian rock icon of writing the Oscar-shortlisted song while on vacation
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‘KPop Demon Hunters,’ ‘Elio’ Lead Annie Award Nominations
The awards for animated films, TV programs and other projects also gave multiple nominations to “Little Amelie” and “Zootopia 2”
