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Steve Pond

Steve Pond

Position

Executive Editor, Awards

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Experience:

Steve Pond is TheWrap’s Executive Editor, Awards and has been writing and overseeing awards coverage on the site since 2009. He spent decades writing about film, television, music and the entertainment industry for the Los Angeles Times, Washington Post, Rolling Stone, Premiere, New York Times, Playboy and many other publications. He is the author of the L.A. Times bestseller “The Big Show,” a behind-the-scenes look at the Academy Awards based on 15 years of unprecedented access to that show.

Resides In:

Los Angeles

Education:

Steve received a Bachelor of Arts degree in Journalism from California State University, Long Beach.

  • Look Inside the Academy Museum, From Rosebud and ‘ET’ to Studio Ghibli and ‘Midsommar’ (Photos)

    The long-delayed venture will open to the public on Sept. 30

    By

    Steve Pond
    September 21, 2021 @ 6:58 PM
    Movies
    6:58 PM
    Look Inside the Academy Museum, From Rosebud and ‘ET’ to Studio Ghibli and ‘Midsommar’ (Photos)
  • Emmy Voters Have Tunnel Vision, and It Hurt the Show | Analysis

    Emmys 2021: As the TV landscape explodes and the amount of content becomes downright overwhelming, voters turn more and more to familiar favorites

    By

    Steve Pond
    September 19, 2021 @ 8:40 PM
    Awards
    8:40 PM
    Emmy Voters Have Tunnel Vision, and It Hurt the Show | Analysis
  • Emmy Records to Watch: Netflix, ‘Ted Lasso’ and Bo Burnham Could All Make History

    Here are some of the landmark wins that could take place on Sunday

    By

    Steve Pond
    September 19, 2021 @ 6:40 AM
    Awards
    6:40 AM
    Emmy Records to Watch: Netflix, ‘Ted Lasso’ and Bo Burnham Could All Make History
  • Emmys 2021 Predictions in All 26 Major Categories (Photos)

    TheWrap awards editor Steve Pond breaks down the winners — will “The Crown” and “Ted Lasso” completely dominate?

    By

    Steve Pond
    September 19, 2021 @ 6:15 AM
    TV
    6:15 AM
    Emmys 2021 Predictions in All 26 Major Categories (Photos)
  • Emmy Predictions 2021: Just How Dominant Will ‘Ted Lasso’ and ‘The Crown’ Be?

    Those two shows and “The Queen’s Gambit” should be the big winners, but Emmy voters like to throw in a few surprises every year

    By

    Steve Pond
    September 19, 2021 @ 6:05 AM
    Awards
    6:05 AM
    Emmy Predictions 2021: Just How Dominant Will ‘Ted Lasso’ and ‘The Crown’ Be?
  • ‘Belfast’ Wins Toronto Film Festival’s People’s Choice Award

    Toronto 2021: 12 of the last 13 films to win the award have been nominated for the Best Picture Oscar, and five have won it

    By

    Steve Pond
    September 18, 2021 @ 4:51 PM
    Awards
    4:51 PM
    ‘Belfast’ Wins Toronto Film Festival’s People’s Choice Award
  • ‘Listening to Kenny G’ Film Review: Entertaining Documentary Won’t Make You Stop Hating the Guy

    TIFF 2021: Penny Lane’s film lets Kenny G make a case for himself, but it also gives lots of screen time to people who can’t stand his music

    By

    Steve Pond
    September 17, 2021 @ 12:32 PM
    Movies
    12:32 PM
    ‘Listening to Kenny G’ Film Review: Entertaining Documentary Won’t Make You Stop Hating the Guy
  • ‘Blue Bayou’ Film Review: Justin Chon’s Timely Immigration Story Slips From Lyrical to Overwrought

    The family drama tackles important U.S. policy issues but gets undercut by the melodrama

    By

    Steve Pond
    September 16, 2021 @ 7:15 AM
    Cannes Report
    7:15 AM
    ‘Blue Bayou’ Film Review: Justin Chon’s Timely Immigration Story Slips From Lyrical to Overwrought
  • ‘The Survivor’ Film Review: A Haunted Ben Foster Dominates Real-Life Drama

    Toronto 2021: Barry Levinson most substantial film in years stars Foster as Holocaust survivor Harry Haft

    By

    Steve Pond
    September 13, 2021 @ 5:00 PM
    Movies
    5:00 PM
    ‘The Survivor’ Film Review: A Haunted Ben Foster Dominates Real-Life Drama
  • Toronto So Far: It’s Good to Be Back, but Where’s the Buzz?

    Toronto 2021: In a weird year, crowds are deliberately small and nothing has broken out as a sure-fire awards contender

    By

    Steve Pond
    September 12, 2021 @ 6:12 PM
    Report From Toronto
    6:12 PM
    Toronto So Far: It’s Good to Be Back, but Where’s the Buzz?
  • ‘The Year of the Everlasting Storm’ Film Review: Bold Anthology Examines Life in the Pandemic

    Seven directors offer wildly different perspectives in this disquieting snapshot of our time

    By

    Steve Pond
    September 9, 2021 @ 7:45 AM
    Cannes Report
    7:45 AM
    ‘The Year of the Everlasting Storm’ Film Review: Bold Anthology Examines Life in the Pandemic
  • ‘Becoming Led Zeppelin’ Film Review: Like the Band, the Movie Is Potent and Excessive

    Venice Film Festival 2021: Bernard MacMahon’s documentary includes rare interviews with the surviving members of the band

    By

    Steve Pond
    September 4, 2021 @ 3:43 PM
    Reviews
    3:43 PM
    ‘Becoming Led Zeppelin’ Film Review: Like the Band, the Movie Is Potent and Excessive
  • ‘King Richard,’ ‘Cyrano,’ ‘C’mon C’mon’ to Premiere at Telluride Film Festival

    The Colorado festival, which announces its lineup the day before it begins, will also include the documentaries “Fauci,” “Becoming Cousteau” and “The Rescue”

    By

    Steve Pond
    September 1, 2021 @ 8:07 AM
    Movies
    8:07 AM
    ‘King Richard,’ ‘Cyrano,’ ‘C’mon C’mon’ to Premiere at Telluride Film Festival
  • Ethan Hawke on Paul Newman, Marvel and What’s Wrong With Today’s Movies

    Karlovy Vary Film Festival: “Paul Schrader says a really great movie starts when you walk out of the theater, but most contemporary movies end when the credits roll,” says the actor

    By

    Steve Pond
    August 31, 2021 @ 4:38 PM
    Movies
    4:38 PM
    Ethan Hawke on Paul Newman, Marvel and What’s Wrong With Today’s Movies
  • ‘As Far as I Can Walk’ Wins Top Prize at Karlovy Vary Film Festival

    The Czech festival also gave awards to “Zatopek” and “Every Single Minute”

    By

    Steve Pond
    August 28, 2021 @ 10:42 AM
    Awards
    10:42 AM
    ‘As Far as I Can Walk’ Wins Top Prize at Karlovy Vary Film Festival
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