Cannes Report
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Cannes So Far: Filmmakers Go Mega in a Muted Festival
Cannes 2024: At a festival still recovering from a pandemic and strikes, the directors have taken big swings
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Cannes Report -
‘Lula’ Review: Oliver Stone’s Portrait of Brazil’s President Captures a Remarkable Story
Cannes 2024: The legendary director’s latest provides what should only be the start of reflections on Luiz Inácio Lula da Silva
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‘The Substance’ Review: Demi Moore and Margaret Qualley Make Coralie Fargeat’s Sci-Fi Body Horror Double the Fun
Cannes 2024: The festival’s most audacious horror film is sure to send more squeamish audiences running for the exits
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‘Horizon: An American Saga’ Review: Kevin Costner Unveils a Sprawling, Old-Fashioned Western
Cannes 2024: The first of a projected four movies is a corny, rousing epic for people who say they don’t make ’em like that anymore
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Kevin Costner Gets Teary-Eyed During Enthusiastic Ovation at ‘Horizon’ Cannes Premiere | Video
The actor’s sprawling passion project is intended for three additional installments
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Cannes Day 5: Jacques Audiard Returns With ‘Emilia Pérez,’ Studio Ghibli Gets a Palme d’Or
Plus, learn what movies Mubi and Neon have picked up
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Former Cannes Kingpin Harvey Weinstein Calls in Favors at Festival From Prison | Exclusive
The producer still has sway in the south of France, sources tell TheWrap
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‘Jim Henson Idea Man’ Review: Ron Howard Takes a Loving, Honest Look at Muppets Creator
Cannes 2024: Skillful, honest and sympathetic, this is the kind of film you’d want about Jim Henson
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‘Rumours’ Jokes About Looming Apocalypse – But It Isn’t That Funny, Is It?
Cannes 2024: The film starring Cate Blanchett and Charles Dance is a mix of genres that aims for satire but doesn’t quite achieve coherence
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Cannes Day 4: ‘Kinds of Kindness’ Kind of Confuses
Plus, Judith Godrèche weighs in on Weinstein, Nicolas Cage delights with ‘The Surfer,’ and Neon bets big on Osgood Perkins
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‘Emilia Perez’ Review: Jacques Audiard’s Gonzo Telenovela About a Trans Kingpin Is a Home Run
Cannes 2024: The French director’s latest is a big swing that hits the ball out of the park
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Neon Nabs ‘Seed of the Sacred Fig,’ From Iranian Director Who Fled Flogging in Home Country
Mohammad Rasoulof’s newest film premieres at Cannes on May 24
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‘Caught by the Tides’ Review: Jia Zhangke Stands Up for China but Watches Things Fall Apart
Cannes 2024: The film is an elegy of sorts, at times angry and abrasive but more often gentle and reflective
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‘Universal Language’ Review: Matthew Rankin’s Wonderfully Absurdist Vision Is Mirthful and Melancholic
Cannes 2024: This audacious comedy is as delightfully funny as it is subtly reflective
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‘Oh, Canada’ Star Richard Gere Says ‘Artists Will Find a Way to Communicate’ in the Face of Oppression
Cannes 2024: Gere, Uma Thurman and director Paul Schrader talked about inspiration and impact at the press conference for their new film