Steve Pond
Steve Pond
Steve Pond’s inside look at the artistry and insanity of the awards race, drawn from more than three decades of obsessively chronicling the Oscars and the entertainment industry.
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‘The One and Only Ivan’ Film Review: Disney+ Movie Puts a ‘Tiger King’ Spin on ‘Dumbo’
Director Thea Sharrock’s adaptation of the children’s book isn’t afraid to explore the human exploitation of animals, which gives it an unexpected melancholy
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First Ladies Storm the Emmys: Behind Hillary Clinton and Michelle Obama’s Nominated Shows
TheWrap Emmy magazine: The Hulu nonfiction series about Hillary Clinton and the Netflix documentary on Michelle Obama are both in the running this year
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How Dread of Donald Trump Inspired Robin Thede’s ‘A Black Lady Sketch Show’
TheWrap Emmy magazine: “Trump’s going to get us all killed, so why don’t we just extrapolate that into an end-of-the-world scenario?” Thede says of a running sketch in her Emmy-nominated comedy series
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How Quibi Overcame a Rocky Start to Dominate Emmy Nominations in Short-Form Categories
TheWrap Emmy magazine: Actors Christoph Waltz and Jasmine Cephas Jones talk about the new service that landed as many Emmy nominations as all other short-form providers combined
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Awards
Available to WrapPRO members
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How ‘Hollywood’ Star Jim Parsons Tried to Find the Heart of a ‘Despicable Character’
TheWrap Emmy magazine: “The job as an actor is to see the most seemingly despicable characters as the humans they are,” says the actor who played talent agent Henry Willson in Ryan Murphy’s miniseries
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How Regina King Drew on ‘All My Experiences as a Black Woman’ for ‘Watchmen’
TheWrap Emmy magazine: “It was not lost on me that our show definitely shined a big spotlight on racists who have come out of the woodwork,” says the three-time Emmy winner
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‘What We Do in the Shadows’ Writer Stefani Robinson’s Secret to Success: ‘Charming Stupidity’
TheWrap Emmy magazine: “I was aware of the fact that the premise is absurd, and there were a couple of moments when I thought it might be too stupid,” the Emmy-nominated writer says
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Emmy Season in Time of Pandemic: 3 Things We’ve Learned So Far
TheWrap Emmy magazine: Ties are rare, TV movies are endangered and the Television Academy has irked the guilds
Available to WrapPRO members
Awards
Available to WrapPRO members
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‘Unhinged’ Film Review: Russell Crowe Is a Very Bad Man, and the Movie’s Not So Good Either
Crowe’s character is revealed as a psychopathic monster even before the opening credits roll, and there’s nothing left for him to do but to keep it up until somebody stops him
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‘Skin: A History of Nudity in the Movies’ Film Review: The Naked Truth?
The filmmakers fit 150 different clips of on-screen exposure into the two hour movie, but they aren’t as completist when it comes to issues surrounding nudity
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‘Spree’ Film Review: Joe Keery Starts Out as an Annoying Loser and Goes Downhill From There
Director Eugene Kotlyarenko’s satiric blast of cinematic hyperactivity is notable mostly for its messy energy
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‘Apocalypse ’45’ Film Review: World War II Documentary Is an Elegy to Those Who Were Lost
Director Erik Nelson finds a way to trade in the typical war-doc toolkit for something more personal and more striking
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‘Project Power’ Film Review: Let’s All Get High on Jamie Foxx’s Superhero Pills
Foxx and Joseph Gordon-Levitt star in Henry Joost and Ariel Schulman’s imaginative, garish, occasionally corny and generally entertaining riff on the superhero genre
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‘Boys State’ Review: Even Teen Politics Is a Dirty Business in Sundance-Winning Documentary
Directors Jesse Moss and Amanda McBaine’s film pays lip service to finding common ground but winds up illustrating how impossible that has become
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‘The Tax Collector’ Film Review: Shia LaBeouf Got His Torso Tattooed for This?
David Ayer’s brutal drama about gangs in South Central Los Angeles trots out a lot of posturing and a lot of gang-movie clichés, but flails instead of giving us much reason to care
