Theater
-
‘Squid Game’ Star Oh Yeong-su Backs Out of Stage Play After Sexual Misconduct Charge
Yeong-su is accused of inappropriately touching a woman’s body in 2017
-
‘KPOP’ Broadway Review: A Behind-the-Scenes Musical About Korean Pop – Without BTS
The concert-style show has a pulsing energy but not much plot
-
‘The Hours’ Opera Review: Michael Cunningham’s Three Tall Women Now Sing
The wonderful Virginia Woolf triptych brings together RenĂ©e Fleming, Kelli O’Hara and Joyce DiDonato
By
By Robert Hofler -
‘A Christmas Carol’ Broadway Review: Jefferson Mays Dominates a Dark Adaptation of Dickens Classic
Mays plays dozens of roles in a tour-de-force production
By
By Robert Hofler -
‘Sandra’ Off Broadway Review: Murder, She Wrote Very Awkwardly
A new mystery by David Cale fails to offer much in the way of suspense
By
By Robert Hofler -
‘The Patient Gloria’ Off Broadway Review: Gina Moxley Looks Back at Shrink-Wrapped Abuse
The Irish actress-playwright examines an historic case of abusive psychotherapy and early reality TV
By
By Robert Hofler -
‘& Juliet’ Broadway Review: Max Martin Jukebox Musical Retools the Bard to a Pop Beat
David West Read book reimagines Shakespeare as a sexist hack
By
By Robert Hofler -
‘Camp Siegfried’ Off Broadway Review: A Misguided Play About American Nazis in ’38
Bess Wohl’s new play does not have 20-20 hindsight
By
By Robert Hofler -
‘Downstate’ Off Broadway Review: Bruce Norris Delivers a Great Play About Predators
The author of Pulitzer-winning “Clybourne Park” looks at a group house for sex offenders
By
By Robert Hofler -
‘The Old Man & the Pool’ Broadway Review: Mike Birbiglia Dives Back Into the Deep End
The comedian takes another self-deprecating tour of his personal medical history
-
‘Kimberly Akimbo’ Broadway Review: A Musical Triumph About a Girl Who Looks Like Her Grandma
Victoria Clark stars as a high schooler with Methuselah Syndrome in a show based on a David Lindsay-Abaire play
-
‘Catch as Catch Can’ Off Broadway Review: Mia Chung’s Play Examines Racism at the Coffee Klatsch
Keen dialogue and sharp performances lift the early moments of this new play
By
By Robert Hofler -
‘Where We Belong’ Off Broadway Review: Madeline Sayet Takes Mannahatta
The Mohegan theater-maker offers an expansive TED talk-style monologue on the Native American experience in modern America
-
‘Only Gold’ Off Broadway Review: Dancers Dazzle Despite the Dross
Kate Nash sings, narrates and plays the piano, but only Andy Blankenbuehler’s choreography takes flight
By
By Robert Hofler -
Why Solo Theater Shows Are Having a Moment
“Your audience must become your partner,” Kathleen Chalfant says
By
Michele Willens