‘Beanpole’ Film Review: Dark Russian Drama Delves Into Postwar Purgatory
Cannes 2019: Kantemir Balagov won the directing award in Un Certain Regard for a film that plays like a cosmic joke but is wholly untouched by humor
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‘Sibyl’ Film Review: Cannes Competition Ends With a Woody Allen-Style Comedy
Cannes 2019: Director Justine Triet draws from a couple of different phases in Allen’s career and offers more proof that Virginie Efira is one of the most interesting French actresses working today
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‘It Must Be Heaven’ Film Review: Palestinian Comedy Finds Absurdity Around the World
Cannes 2019: The human comedy, says Elia Suleiman’s first film in a decade, recognizes no nationalities and encompasses us all
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‘Mektoub, My Love: Intermezzo’ Film Review: Abdellatif Kechiche Trolls Cannes With NSFW Excess
Cannes 2019: This sexually explicit three-and-half-hour-long provocation feels like a director self-immolating
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‘The Traitor’ Film Review: Sturdy Mafia Biopic Loses Something in Translation
Cannes 2019: Actor Pierfrancesco Favino delivers an exquisite movie star turn
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‘Parasite’ Film Review: Bong Joon-ho Tackles Disparity With Delicious Dark Comedy
Cannes 2019: This darkly funny thriller with a searing social conscience is a remarkable success, but will the jury see past its genre?
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‘Frankie’ Film Review: Isabelle Huppert and Marisa Tomei Shine in Quiet Family Drama
Cannes 2019: Ira Sachs’ melancholy tone poem follows French and American actors in a picturesque European setting
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‘Portrait of a Lady on Fire’ Film Review: Ravishing Drama Is a Feminist Tale From a Pre-Feminist World
Cannes 2019: Laced with bittersweet romanticism, director Céline Sciamma’s strong prize contender is fundamentally about the act of looking
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‘The Lighthouse’ Film Review: Robert Pattinson Rocks Cannes With a Portrait of Madness
Cannes 2019: Before he has a chance to don Batman’s cowl, Pattison teams with Willem Dafoe to rip into this black-and-white fever dream with demented glee
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‘Vivarium’ Review: Jesse Eisenberg Satire Bites Off More Than It Can Chew
Cannes 2019: Eisenberg and Imogen Poots star in director Lorcan Finnegan’s film set in a purgatorial pre-fab suburb, but it never follows through on its interesting ideas
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‘The Wild Goose Lake’ Film Review: Chinese Action Flick Is Indulgent but Fun
Cannes 2019: Director Diao Yinan puts his own spin on some familiar action tropes
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‘Little Joe’ Film Review: Cannes Gets a Horticultural Horror Flick
Cannes 2019: Jessica Hausner stages a gonzo genre freakout about a specially-bred flower that develops sinister powers
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Cannes Film Festival Opens With More Netflix Drama and Too Few Female Directors (Again)
TheWrap Cannes magazine: Nowhere else in the world does a single ecstatic ovation have the power to change a director’s life
