-
‘Ema’ Film Review: Pablo Larraín’s Latest Dances to Its Own Rhythms
The ”Jackie“ director boldly uses music video aesthetics in setting a character study to a reggaeton beat
-
‘Vivarium’ Review: Jesse Eisenberg Satire Bites Off More Than It Can Chew
Eisenberg and Imogen Poots star in director Lorcan Finnegan’s film set in a purgatorial pre-fab suburb, but it never follows through on its interesting ideas
-
‘Portrait of a Lady on Fire’ Film Review: Ravishing Drama Is a Feminist Tale From a Pre-Feminist World
Laced with bittersweet romanticism, director Céline Sciamma’s strong prize contender is fundamentally about the act of looking
-
‘The Wild Goose Lake’ Film Review: Chinese Action Flick Is Indulgent but Fun
Director Diao Yinan puts his own spin on some familiar action tropes
-
‘Beanpole’ Film Review: Dark Russian Drama Delves Into Postwar Purgatory
Kantemir Balagov won the directing award at Cannes’ Un Certain Regard for a film that plays like a cosmic joke but is wholly untouched by humor
-
‘Little Joe’ Film Review: Horticultural Horror Flick Is a Gonzo Genre Freakout
Jessica Hausner’s English language debut is about a specially-bred flower that develops sinister powers
-
‘Frankie’ Film Review: Isabelle Huppert and Marisa Tomei Shine in Quiet Family Drama
Ira Sachs’ melancholy tone poem follows French and American actors in a picturesque European setting
-
‘The Lighthouse’ Film Review: Robert Pattinson Rocks With a Portrait of Madness
Before he has a chance to don Batman’s cowl, Pattison teams with Willem Dafoe to rip into this black-and-white fever dream with demented glee
-
‘Parasite’ Film Review: Bong Joon-ho Tackles Disparity With Delicious Dark Comedy
Cannes 2019: This darkly funny thriller with a searing social conscience is a remarkable success, but will the jury see past its genre?
-
‘Mosul’ Film Review: Russo Brothers Produce an Action-Packed Tale of Fighting ISIS
Venice 2019: Screenwriter Matthew Michael Carnahan makes his directorial debut about local Iraqi heroes out for vengeance
-
‘Babyteeth’ Film Review: Australian Doomed-Teen Dramedy Hides Its Tougher Questions Behind Frills and Filigree
Director Shannon Murphy’s got style to burn, but an excess of it undercuts her characters and their dilemmas
-
‘Sibyl’ Film Review: Cannes Competition Ends With a Woody Allen-Style Comedy
Cannes 2019: Director Justine Triet draws from a couple of different phases in Allen’s career and offers more proof that Virginie Efira is one of the most interesting French actresses working today
-
‘It Must Be Heaven’ Film Review: Palestinian Comedy Finds Absurdity Around the World
Cannes 2019: The human comedy, says Elia Suleiman’s first film in a decade, recognizes no nationalities and encompasses us all
-
‘Mektoub, My Love: Intermezzo’ Film Review: Abdellatif Kechiche Trolls Cannes With NSFW Excess
Cannes 2019: This sexually explicit three-and-half-hour-long provocation feels like a director self-immolating
-
Cannes Film Festival Opens With More Netflix Drama and Too Few Female Directors (Again)
TheWrap Cannes magazine: Nowhere else in the world does a single ecstatic ovation have the power to change a director’s life
