Drew Taylor is a senior film reporter at TheWrap, writing broadly across topics including blockbuster films, production, animation and with a side passion for Hollywood’s theme parks. Before joining the site in 2021, Drew was a film journalist with a keen interest in animation and Disney history. Drew has been covering film, television and theme parks for 15 years, writing for the New York Times, the New York Daily News, Time Out New York, Collider, The Playlist, Polygon, Vulture, Box Office Magazine, AOL Travel and Syfy.
Experience:
Resides In:
Toluca Lake, California
Education:
Drew received his Bachelor of Arts degree in Literary Studies from Eugene Lang College of Liberal Arts at The New School in New York, New York.
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11 Most Anticipated Animated Films of 2023, From ‘Chicken Run’ to ‘Spider-Verse’
New “Teenage Mutant Ninja Turtles”, a CG “Super Mario and more are on tap for this year
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‘1923’ Cast and Character Guide: Who’s Who in the ‘Yellowstone’ Prequel? (Photos)
The Taylor Sheridan universe is expanding
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‘Glass Onion’ Ending Explained: Unpacking the Mystery
We peel back the layers of Rian Johnson’s murder mystery
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The 25 Best New Movies to Stream in December 2022
Oscar hopefuls, stylish actioners and the highest-grossing film of the year are newly streaming this month
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41 Most Anticipated Movies of 2023
New films from Greta Gerwig, Martin Scorsese, Nia DaCosta, David Fincher and more are on tap next year
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What Sony Pictures Animation’s First 20 Years Say About Where It’s Headed Next (Exclusive)
On the studio’s anniversary, TheWrap takes an inside look at the past, present and bold future of SPA
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The 9 Best Final Shots of 2022 in Film
From “The Fabelmans” to “Aftersun”, these are the endings we couldn’t stop thinking about
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25 Most Anticipated TV Shows of 2023
From returning favorites like “Succession” to new releases “The Last of Us” and “Secret Invasion”
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The Making of ‘Avatar: The Way of Water’
For TheWrap magazine, James Cameron and his collaborators pull back the curtain on how they crafted the innovative sequel
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The Cinematography of ‘Avatar: The Way of Water’ — New Tech Meets Old Tricks
TheWrap magazine: “You could be on a set in the 1940s and see the same thing,” says cinematographer Russell Carpenter of some battle-tested techniques
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Inside the Complexity of Editing ‘Avatar: The Way of Water’
TheWrap magazine: “Every sequence is at the highest level of difficulty,” says editor Stephen Rivkin
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Every ‘Avatar: The Way of Water’ Costume Was Made in Real Life Before Being Scanned Into a Computer
TheWrap Magazine: Costume Designer Deborah L. Scott explains why it was crucial to create every piece of clothing and jewelry in physical form
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‘Avatar: The Way of Water’ VFX Team Reveals the Secret to One of the Film’s Most Eye-Popping Shots
TheWrap Magazine: The “Avatar” sequel’s VFX team explains how live-action photography was used in a shot of Jake Sully gripping a leather strap
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