-
‘Child’s Play’ Film Review: The Old Doll’s Still Got a Little Life in New Reboot
Chucky (now voiced by Mark Hamill) is more interesting as a sociopath-in-training than as the third-act slasher he becomes
-
‘Framing John DeLorean’ Review: Meta-Doc Takes Various Tracks to Explore What Drove the Carmaker
Tribeca 2019: Alec Baldwin’s re-enactments don’t work at all, but the film achieves truthfulness when it sticks to traditional documentary
-
‘Mouthpiece’ Review: Two Actresses Bring One Woman’s Duality to Life
Patricia Rozema adapts an acclaimed theater piece into a powerful examination of women’s internal and external conflicts
-
‘Woodstock’ Film Review: Anniversary Doc Takes Boomers on an Evocative Trip Down Memory Lane
Tribeca 2019: Those “Three Days That Defined a Generation” get another look in a movie that pales next to the 1970 classic concert film
-
‘You Don’t Nomi’ Film Review: Documentary Asks, Were We Too Hard on Camp Classic ‘Showgirls’?
Tribeca 2019: Jeffrey McHale’s feature debut works awfully hard to justify both its subject and its mission
-
‘Red Joan’ Review: Not Enough Drama, or Enough Judi Dench, in British Spy Story
Director Trevor Nunn finds no passion, intrigue or motivation in this based-on-a-true-story tale of espionage
-
‘Stockholm’ Film Review: Ethan Hawke and Noomi Rapace Connect in Uneven Heist-Biopic
She’s dignified and he’s mischievous in a film that explores the origins of the Stockholm syndrome
-
‘Working Woman’ Film Review: Israeli Sexual-Harassment Drama Delivers Powerful Sting of Truth
Michal Aviad’s intense film explores #MeToo power dynamics between a working wife and a powerful real-estate mogul
