Oscars
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Death of the Great Oscars Makeover of 2018
The Academy’s Board of Governors introduced four ideas to remake the Oscar show
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Pre-Oscar Awards Scorecard: ‘Parasite’ Won the Most, but ‘1917’ Won the Big Ones
With the Hollywood guilds picking their favorites, eight of the nine Best Picture nominees have gone home with at least one award
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Oscars Endgame: Unpacking the Final Ads for ‘1917,’ ‘Parasite,’ ‘Jojo Rabbit’ and More
“Once Upon a Time … in Hollywood” and “Jojo Rabbit” have gone with new angles, while other films are sticking with the imagery that got them this far
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Oscars’ Streaming Site Goes Down One Day Before Voting Ends
The members-only site was down for a few hours on Monday, but the Academy says voting hub was not affected
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‘1917’ Composer Thomas Newman on Cousin Randy and Growing Up in Oscars’ Most Nominated Family
TheWrap Oscar magazine: “It was always a musical family,” Thomas Newman says of the clan’s 93 Oscar nominations, all in the music categories
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How Producers David Heyman and Emma Tillinger Koskoff Each Landed 2 Best Picture Oscar Noms
TheWrap Oscar magazine: Two successful producers on the challenges of multitasking, pleasing directors and Netflix
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Inside ‘Parasite’ Director Bong Joon Ho’s ‘Embarrassing’ Oscar Season
TheWrap Oscar magazine: “I tend to get shy easily,” the South Korean director says of the acclaim he’s received on this year’s awards circuit
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How ‘Little Women’ Writer-Director Greta Gerwig Was Inspired by Louisa May Alcott – and David Cronenberg
TheWrap Oscar magazine: Director Gerwig and producer Amy Pascal talk about making only the third Best Picture nominee written, directed and produced solely by women
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The Oscars Homestretch: ‘1917’ Is on Top as Voting Begins
The race is uncertain, and the contenders are exhausted
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Editor Thelma Schoonmaker Is Surprised by How Long ‘The Irishman’ Is Too
TheWrap Oscar magazine: “When we screened it for the first time, people had no problem with the length, and we were astounded,” Martin Scorsese’s longtime editor says
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How ‘Joker’ Composer Hildur Guðnadóttir Used ‘Macho Chords’ to Get Inside the Character’s Head
TheWrap Oscar magazine: “He’s almost like the only character in the story,” the Icelandic composer says
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‘2020 Oscar Shorts: Animated’ Film Review: Nominated Cartoons Run the Gamut from Heartfelt to Heartbreaking
There’s the adorable “Hair Love,” and then four powerful shorts that will put you through the wringer
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Quentin Tarantino on What Happened to Leonardo DiCaprio’s Character After ‘Once Upon a Time … in Hollywood’
TheWrap Oscar magazine: “He starts becoming in demand again,” director says of Rick Dalton after the events in the film’s finale
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‘2020 Oscar Shorts: Documentary’ Film Review: Traditionally Intense Category Wields a Slightly Lighter Touch This Year
There’s tragedy but also hope within this year’s crop of non-fiction short subjects
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‘2020 Oscar Shorts: Live Action’ Film Review: Nominees Represent Various Genres, But All Are Effective
The comedy “The Neighbor’s Window” stands apart from more intense honorees, but all merit a look