Reviews
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‘Liberation’ Broadway Review: Women in Search of Answers Gather for the Year’s Best Play
It was great Off Broadway. Now Bess Wohl’s play comes to Broadway where it continues to ask: What the hell went wrong?
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‘Romy & Michele: The Musical’ Off Broadway Review: Laura Bell Bundy and Kara Lindsay Are Beautiful, Very Funny Losers
The high school reunion movie starring Mira Sorvino and Lisa Kudrow has been retooled as a goofy stage musical with colorful bubblegum tunes
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‘Queens of the Dead’ Review: Tina Romero’s Adorable Drag Zom-Com Werks
Queer icons eat their hearts out — not as literally as you’d expect — in a new-ish take on George A. Romero’s zombie genre, directed by his daughter
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‘Talamasca: The Secret Order’ Review: AMC’s Supernatural Procedural Thrives When It Gets Weird
AMC’s Immortal Universe expands with a conspiracy thriller set in the world of Anne Rice’s vampires and witches
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‘Hedda’ Review: Nia DaCosta and Tessa Thompson Are A-Hedda the Game in Tantalizing Drama
The director and star are perfectly attuned in this breathless update of Henrik Ibsen’s classic play
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‘Nobody Wants This’ Season 2 Review: Netflix Rom-Com Gets Sharper, Deeper
Kristen Bell and Adam Brody are as magnetic as ever while the show expands the great characters around them
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‘Shelby Oaks’ Review: The Derivative, Hollow Horror Film You Didn’t Ask for
Writer/director Chris Stuckmann makes his feature debut with a simplistic, underwritten supernatural thriller about a missing YouTuber
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‘Regretting You’ Review: A Winning Cast Makes This Colleen Hoover Adaptation a Successful Tearjerker
“The Fault in Our Stars” filmmaker Josh Boone returns to his romance roots with this story of connection
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‘Chainsaw Man — The Movie: Reze Arc’ Review: Continuation of Hit Anime Series Is for Fans Only
The anime show hits the big screen with a violent, hyperkinetic love story that will please its loyal fanbase
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‘It: Welcome to Derry’ Review: HBO’s Gory Pennywise Prequel Plays Like a ‘Stranger Things’ Knockoff
Chris Chalk, Jovan Adepo and Taylour Paige bring substance to a horror thriller stuffed with obnoxious children
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‘The Hand That Rocks the Cradle’ Review: Looks Like Mary Elizabeth Winstead Picked the Wrong Nanny
Michelle Garza Cervera remakes the classic 1992 thriller as a smart — but not as thrilling — riff on the suburban interloper genre
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‘Ragtime’ Broadway Review: A Revival Staged as if Directed by Spielberg
The numbing up of popular musicals continues with the stage adaptation of E. L. Doctorow’s novel about racism in America
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‘The Black Phone 2’ Review: A Horror Sequel Mostly Done Right
Scott Derrickson’s follow-up is even scarier than “The Black Phone,” but the second half has a bad ring to it
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‘Oh Happy Day!’ Off Broadway Review: Noah’s Ark, but With a Gay Sex Worker and No Animals
Jordan E. Cooper follows his outrageous “Ain’t No Mo’” with an equally audacious comedy
