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‘Too Many Beasts’ Review: Sarah Arnold’s Rustic Crime Thriller Mixes New With the Old
Cannes 2026: The pigs have gone wild in the French filmmaker’s electric debut of farmers vs. hunters vs. cops
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‘The End of It’ Review: This Messy, Zany Meditation on Aging, Death and Art Heralds the Arrival of a Thoughtful Voice
Cannes 2026: Maria Martínez Bayona directs Rebecca Hall to a cinematic crash out of bleak proportions
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‘The Birthday Party’ Review: A Familiar Thriller Premise Is Heightened by Great Craft
Cannes 2026: The French “Histoires De La Nuit” is the latest from “Five Devils” director Léa Mysius, here telling a back-to-basics home invasion story
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‘La Bola Negra’ Review: A Rousing Testament to Queer Love’s Timeless Resilience
Cannes 2026: Javier Calvo and Javier Ambrossi deliver a decades-spanning odyssey unlike anything you’ve seen
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Nicolas Winding Refn Gets Emotional Over Near-Death Experience During Cannes Presser: ‘I’d Been Given a Gift’
Cannes 2026: “I realized I had maybe 25 years left, but I was going to make damn good use of those 25 years,” the “Her Private Hell” director adds
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‘Minotaur’ Review: The Personal and Political Collide in Andrey Zvyagintsev’s Chilling Drama
Cannes 2026: Violence is a way to assert the self in this story set in 2022’s Russia
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‘The Unknown’ Review: This Disquieting Body Swap Horror Will Rattle You
Cannes 2026: Léa Seydoux plays a man out of body in this uncomfortable, provocative thriller
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‘Hope’ Director Says He’s Already Written a Sequel to His Cannes Creature Feature
Cannes 2026: Na Hong-jin, Michael Fassbender and others talk about crafting one of the festival’s most divisive movies, a 160-minute sci-fi epic
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‘Garance’ Review: Adele Exarchopoulos Shines in Bruising, Formulaic Addiction Drama
Cannes 2026: Jeanne Herry’s alcoholism recovery story is powerful but stilted
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‘Sheep in the Box’ Review: Japanese Film About Grief and Parenting is a Lo-Fi Stunner
Cannes 2026: Hirokazu Kore-eda’s take on sci-fi constantly finds ways to surprise
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‘Gun-Che (Colony)’ Review: This Zombie Actioner Could Make a Great Video Game, But Is a Disappointing Film
Cannes 2026: Despite some wincing sound and production design, Yeon Sang-ho fails to deliver the highs of his best zombie projects
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‘Karma’ Review: Marion Cotillard Fights Her Way Out of Hell in Uneven Religious Cult Thriller
Cannes 2026: Guillaume Canet’s treatise on religious exploitation feels like a sermon we’ve heard one too many times
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‘Club Kid’ Review: Jordan Firstman’s Sincere Yet Vain Dramedy Radiates Queer Joy
Cannes 2026: This outing through New York City’s club scene is heartwarming where it counts
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‘Parallel Tales’ Review: Asghar Farhadi Reckons With Being a Steward of Stories Real and Imagined
Cannes 2026: Led by a dynamic Isabelle Huppert, the secret lives of sound engineers are on full display in this psychosexual drama
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‘Teenage Sex and Death at Camp Miasma’ Review: Watch Flesh, Fluid, and Gummy Candy Collide
Cannes 2026: Hannah Einbinder and Gillian Anderson star in Jane Schoenbrun’s visceral and existential homecoming for those who feel out of body
