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‘Stranger Things’ Dethrones ‘Wicked: For Good’ as No. 1 Title Audiences Are Most Excited About | Chart
ScreenShare: A data partnership between ScreenEngine/ASI & TheWrap
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WrapPRO
Available to WrapPRO members
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‘Black Phone 2’ Should Snap Blumhouse’s Box Office Losing Streak
The sequel to Scott Derrickson’s 2022 horror hit is expected to be Blumhouse’s first film to open above $12 million in two years
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Box Office
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Inside Netflix’s Bid to Supercharge Faster, More Efficient VFX Through Virtual Production and AI | Exclusive
The streamer is merging its research lab Eyeline with longtime VFX house Scanline to create a one-stop shop for digital tools to better help creatives
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WrapPRO
Available to WrapPRO members
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Pete Hegseth’s Pentagon Lockout: What’s Lost When Reporters Leave the Building | Analysis
As media outlets from the New York Times to Fox News reject new access rules, journalists talk to TheWrap about the coming media exodus – and holding the military accountable
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WrapPRO
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Netflix’s ‘Monster: The Ed Gein Story’ Snatches 20.7 Million Views in Week 2, Up Slightly From ‘Menendez’
“The Woman in Cabin 10” debuted as the week’s No. 1 movie with 21.2 million views
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TV
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The Reset: What to Expect in the 4Q Homestretch
Five headaches and opportunities on the path to finish out 2025
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Business
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Why CBS Bosses Are Doubling Down on Scripted Shows as Other Networks Scale Back | Exclusive
Entertainment president Amy Reisenbach and studio chief David Stapf tell TheWrap about building the “strongest lineup in the company’s history” while ratings still justify the cost
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WrapPRO
Available to WrapPRO members
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Fox News’ Trey Yingst on Covering the Israel-Hamas Cease-Fire: ‘Certainly a Turning Point for the Middle East’
‘It’s nice every once in a while when there are these moments of light amid a very dark story,” Yingst, the network’s chief foreign correspondent, tells TheWrap
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Media
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After Limp ‘Ares’ Box Office Opening, ‘Tron’ Remains in Franchise Limbo
The sci-fi series about digital worlds has become too big to be a truly “cult” series, yet not big enough to be a major cultural force
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WrapPRO
Available to WrapPRO members
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Inside Blur, the Indie VFX Animation Studio ‘By Artists, for Artists’ That’s Defying the Odds
Co-founder and owner Tim Miller and president Nan Morales talk about why they prefer to stay small and the studio’s next phase
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Movies
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Riyadh Comedy Festival Raises Question: Do Situational Ethics Count in Cash-Rich Saudi Arabia?
Entertainers reckon with performing in a country known for oppressing its critics as U.S. freedoms face their own challenges
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WrapPRO
Available to WrapPRO members
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The Witcher’ Has Made $930 Million for Netflix, But Enthusiasm for Season 4 Is Lagging | Charts
The streamer made a billion-dollar gamble on recasting its star, and early data from Parrot Analytics points to some cause for concern
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WrapPRO
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Warner Bros Discovery Faces Fateful Crossroad: Will It Sell to Paramount?
From sale to split, we lay out what could happen to the massive media company
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Business
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How Taylor Swift’s Media Strategy Broke an Untouchable Album Record | Analysis
Swift’s grasp on culture and her focus on fans has created a rare monoculture in a media environment marked by fragmentation
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Business
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Ryan Murphy’s Latest Gruesome Season of ‘Monster’ Debuts at No. 1 on Streaming Top 10 | Chart
Meanwhile, “The Voice” settles into No. 1 on linear and claims multiple spots on this week’s list
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TV
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