Reviews
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All 10 Wes Anderson Features Ranked, Worst to Best (Photos)
With “The French Dispatch” hitting theaters, here’s a look at his oeuvre to date
By
William Bibbiani -
‘The First Wave’ Film Review: Harrowing, Intimate Documentary Revisits the Beginning of the Pandemic
Hamptons International Film Festival 2021: Matthew Heineman unflinchingly captures the horror of the moment and the steadfast labors of health-care professionals at one New York hospital
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‘Lamb’ Film Review: Chilling Icelandic Folk Horror Is a Hybrid in More Ways Than One
First-time helmer Valdimar Jóhannsson guides Noomi Rapace through a child-rearing scenario of wonder and weirdness
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‘Wife of a Spy’ Film Review: Gripping Japanese Thriller Explores Married Couple Embroiled in Espionage
Kiyoshi Kurosawa’s first period film is a tense, well-acted and clever spy drama with contemporary resonance regarding Japan’s imperial past
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‘Everybody’s Talking About Jamie’ Film Review: Teen-Drag Stage Musical Maintains Dazzle as a Movie
A star is born with Max Harwood’s absolutely fabulous yet thoroughly heartfelt turn as the unapologetic Jamie
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‘Cry Macho’ Film Review: Clint Eastwood’s Latest Neo-Western Offers Less Grit, More Sentiment
The 91-year-old star-director eases his way into the uneven but heartfelt Mexico-set story of a grizzled ex-rodeo star and a troubled boy
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‘The Eyes of Tammy Faye’ Film Review: Jessica Chastain Applies Heart and Soul to Televangelist Biopic
Toronto 2021: Sympathetic (and not unfunny) look at Bakker scandals is also a rollicking tale of religious hypocrisy
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‘Language Lessons’ Film Review: Mark Duplass and Natalie Morales Zoom Into a Platonic Love Story
The actors and co-writers use online communication as a metaphor for imperfect human connections
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‘Malignant’ Film Review: James Wan Breaks All the Horror Rules, With Gusto
The “Conjuring” director sucks viewers into his mad monster vortex of sketchy ideas and viscera
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‘The Card Counter’ Film Review: Oscar Isaac’s Gambler Is Haunted by His Torturous Past
Paul Schrader once again plumbs the themes that typify his screen output, but he finds new grace notes along the way
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‘Blood Brothers: Malcolm X & Muhammad Ali’ Film Review: Civil Rights Doc Examines the Personal and the Political
This blisteringly honest account provides background for the friendship between these two icons and a context for their roles in the ongoing struggles for Black freedom
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‘The Capote Tapes’ Film Review: Truman Capote’s Friends and Frenemies Speak for Themselves in New Doc
George Plimpton’s recordings for his bio of Capote made it into print, but the film shows that hearing people speak packs more punch than reading them being quoted
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‘Small Engine Repair’ Film Review: Bromantic Hangout Tale Works Better as Comedy Than Drama
Playwright-director-costar John Pollono brings his work to the big screen, and it’s most effective when he and Jon Bernthal and Shea Whigham get to bust each other’s chops
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‘Becoming Led Zeppelin’ Film Review: Like the Band, the Movie Is Potent and Excessive
Venice Film Festival 2021: Bernard MacMahon’s documentary includes rare interviews with the surviving members of the band
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‘The Lost Daughter’ Film Review: Maggie Gyllenhaal Captures the Secret Life of Mothers
Venice 2021: Her debut as a writer-director (adapting Elena Ferrante’s novel) is a masterpiece of mood and subtlety














