Reviews
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‘Passenger’ Review: Hitchhiking Ghost Takes the Highway to Ho-Hum
André Øvredal’s supernatural road trip debuts a new cinematic boogeyman, but hits big potholes along the way
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‘The Man I Love’ Review: Rami Malek Shows ‘Bohemian Rhapsody’ Was Just His Opening Act
Cannes 2026: Ira Sachs’ latest drama is a monumental portrait of a queer New York artist facing the end during the AIDS crisis
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‘Dernsie’ Review: Bruce Dern Tells Stories in This Documentary, and That’s All You Need to Know
Cannes 2006: Director Mike Mendez offers a straightforward but entertaining guided tour of a career that has lasted about 70 years
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‘A Man of His Time’ Review: Odd-Duck Docudrama Explores the Gears of Fascism
Cannes 2026: Emmanuel Marre’s film follows the French Collaborators during World War II
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‘Maximum Pleasure Guaranteed’ Review: Tatiana Maslany Is in Over Her Head in Gripping Suburban Tale of Cyber Murder
The Emmy winner continues to earn her television stripes in an Apple series that thrusts divorce, soccer moms and sex work into a complicated love triangle
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‘The Samurai and the Prisoner’ Review: Kiyoshi Kurosawa’s Adaptation Is Both a Murder Mystery and Mesmerizing Epic
Cannes 2026: The prolific director continues to show there’s no one out there making movies like he is
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‘Diamond’ Review: Andy Garcia Puts a Little Heart and Humor in Film Noir
Cannes 2026: Brendan Fraser, Bill Murray, Rosemarie DeWitt, Dustin Hoffman and Vicky Krieps appear in Garcia’s slight but touching take on noir
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‘Bitter Christmas’ Review: Pedro Almodóvar Gives Himself a Hard Time, and It’s Thrilling
Cannes 2026: Almodóvar’s film about two fictional directors ends up brutally interrogating the Spanish auteur’s own work
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‘Iron Boy’ Review: This Former Pixar Animator Has Made His Own Magical Hand-Drawn Movie
Cannes 2026: Heads up animation lovers, you’re going to want to get to know the name Louis Clichy
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‘Minotaur’ Review: The Personal and Political Collide in Andrey Zvyagintsev’s Chilling Drama
Cannes 2026: Violence is a way to assert the self in this story set in 2022’s Russia
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‘The Mandalorian and Grogu’ Review: The Most Purely Entertaining ‘Star Wars’ Movie Since the 1980s
Jon Favreau’s spinoff of the hit Disney+ series lacks ambition, but compensates with heartwarming heroes and breezy, blockbuster adventure
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‘Six Months in a Pink and Blue Building’ Review: Mexican Coming-of-Age Story Puts a Teasing Spin on Reality
Cannes 2026: The twists keep coming in this film based on an incident in Bruno Santamaria Razo’s life
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‘Her Private Hell’ Review: Sophie Thatcher Is Transcendent in Nicolas Winding Refn’s Slippery Sci-Fi Horror
Cannes 2026: It’s no “Citizen Kane,” but Refn’s long-awaited return to feature filmmaking is still worth taking a trip with
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‘Strawberries’ Review: Moroccan Drama Exposes Bleak Lives of Migrant Workers
Cannes 2026: A huge farm in Spain is the setting for modern-day slavery and sexual exploitation in Laila Marrakchi’s film
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‘Fjord’ Review: Sebastian Stan and Renate Reinsve Help Cristian Mungiu Put Ethics on Trial
Cannes 2026: Stan and Reinsive fit intuitively within the Romanian director’s precise machinery
