Reviews
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‘Alicia Keys: Girl From Hell’s Kitchen’ Review: Celebratory Doc Offers Glimpses of a Girl, Recollected by a Star
Tribeca 2026: The documentary chronicles the Grammy-winning artist’s Broadway musical and career as a whole
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‘Stop! That! Train!’ Review: If a Comedy Is Bad on Purpose, It Can Still Be Bad
The brilliant cast of “Drag Race” can’t save this ramshackle disaster parody, which proves not all silly jokes are funny
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‘Dreams of Violets’ Review: An AI-Generated Movie Is Worrisome for All the Right Reasons
Tribeca 2026: Writer-director Ash Koosha’s answer to modern filmmaking lands at Tribeca with a thud rather than a revolutionary bang
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‘I Am Frankelda’ Review: Gorgeous World-Building Can’t Support Thin Characters
Despite stunning animation, the Netflix feature gets bogged down in announcing its themes rather than telling a captivating story
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‘The Death of Robin Hood’ Review: Hugh Jackman Deconstructs a Superhero, Again, and It Works, Again
The original vigilante was a mass murderer who may not deserve redemption in Michael Sarnoski’s smart, somber reimagining for A24
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‘The Furious’ Review: Good Luck Finding a Better Action Movie in 2026
It’s too early to call Kenji Tanigaki’s brutal brawler the best action movie of the year — but if it’s not, we’ll be surprised
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‘Every Year After’ Review: Prime Video Romance Fans Deserve Better
After creative highs like “Heated Rivalry,” this 15-year-long romance feels like settling
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‘Disclosure Day’ Review: Steven Spielberg’s ‘X-Files’ Riff Wants to Believe a Little Too Much
Josh O’Connor and Emily Blunt star in a propulsive summer thrill ride with naive ideas about how conspiracies work in the 2020s
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‘Finnegan’s Foursome’ Review: Edward Burns’ Passion Project May Be a Rough Go for Non-Golfers
Tribeca Film Festival 2026: Burns writes, directes, produces and stars in this Ireland-set family dramedy
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‘Bob and David Climb Machu Picchu’ Review: Bob Odenkirk and David Cross Take a Charming Bucket-List Trip
The essential goal of this lo-fi Tribeca doc was to capture a real experience for posterity – as a ride-along, it works
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‘Doc Meets World’ Review: ‘Boy Meets World’ Stars Reconnect for a Warm Mix of Nostalgia, Reflection and Fan Service
This Tribeca doc doesn’t quite access the complex material – nor does it solve the Ben Savage mystery – but it works
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‘Next Life’ Review: Emilia Clarke’s Sliding Doors Romance Needs One More Alternative Existence
Tribeca 2026: What if you had the potential to experience two lives, but neither of them was particularly exciting?
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‘The Revisionist’ Review: Dustin Hoffman Handily Revives a Weary Drama
Tribeca 2026: While the Oscar winner shines as a capricious writer, director/writer Alex Vlack fails to give Alison Brie anything of substance
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‘The Amazing Digital Circus: The Last Act’ Review: Gooseworx Brings Her Animated Masterpiece to a Powerful Conclusion
The final two episodes of the online animated sensation brings audiences together with an emotional finale that respects you, and sees you
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‘She Keeps Me Young’ Review: A Mid-Life Crisis Sputters Towards Madness in Deceptively Modest Indie
Tribeca 2026: First-time filmmaker Doron Max Hagay’s indie is undeniably slight but unexpectedly sharp
