Reviews
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‘Karma’ Review: Marion Cotillard Fights Her Way Out of Hell in Uneven Religious Cult Thriller
Cannes 2026: Guillaume Canet’s treatise on religious exploitation feels like a sermon we’ve heard one too many times
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‘Club Kid’ Review: Jordan Firstman’s Sincere Yet Vain Dramedy Radiates Queer Joy
Cannes 2026: This outing through New York City’s club scene is heartwarming where it counts
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‘All of a Sudden’ Review: Forget the Title, This Ryusuke Hamaguchi Movie Takes Its Time
Cannes 2026: The director of “Drive My Car” defaults to moody resonance over explanation at every turn in his talky drama
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‘Well, I’ll Let You Go’ Off Broadway Review: A Flawed Gem About a Widow’s Grief Ultimately Glistens
Bubba Weiler’s new drama is an unusual examination of the stages of grief with a completely satisfying performance from Quincy Tyler Bernstine
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‘Parallel Tales’ Review: Asghar Farhadi Reckons With Being a Steward of Stories Real and Imagined
Cannes 2026: Led by a dynamic Isabelle Huppert, the secret lives of sound engineers are on full display in this psychosexual drama
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‘Tangles’ Review: An Impressive Voice Cast Gives This Animated Tearjerker Life
Cannes 2026: This unlikely illness drama plays with a winning familiarity that should help it find a wide audience after its Thursday premiere
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‘Dutton Ranch’ Review: Beth and Rip’s ‘Yellowstone’ Spinoff Makes a Slow but Promising Impression
Kelly Reilly and Cole Hauser take Taylor Sheridan’s hit universe to Texas with an entry that lacks “Yellowstone” urgency but features a promising cast
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‘Fatherland’ Review: Sandra Hüller Is Quietly Dazzling in Pawel Pawlikowski’s Latest Trip Through Postwar Europe
Cannes 2026: The Polish director follows “Ida” and “Cold War” with an elegant chamber piece about writer Thomas Mann and his daughter Erika
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‘We Are Aliens’ Review: Agonizing, Astounding Animated Gem Heralds Kohei Kadowaki as an Exciting New Voice
Cannes 2026: This remarkably crafted, deeply painful, coming-of-age portrait is the animation discovery of the festival thus far
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‘Nemesis’ Review: Courtney A. Kemp’s First Netflix Series May Leave You Rooting for the Bad Guys
Matthew Law and Y’lan Noel headline this cat-and-mouse crime drama from the “Power” franchise creator
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‘Teenage Sex and Death at Camp Miasma’ Review: Watch Flesh, Fluid, and Gummy Candy Collide
Cannes 2026: Hannah Einbinder and Gillian Anderson star in Jane Schoenbrun’s visceral and existential homecoming for those who feel out of body
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‘Obsession’ Review: A Supernatural Nightmare With the Strangest Case of Déjà Vu
Writer/director Curry Barker’s terrifying new film unexpectedly evokes the plot of “Wonder Woman 1984”
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‘A Woman’s Life’ Review: Character Study of Middle-Aged Doctor Embraces Complication
Cannes 2026: Charline Bourgeois-Tacquet’s film doesn’t let the driven 55-year-old surgeon off the hook for her faults
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‘Ashes’ Review: Diego Luna Returns to Directing With an Unsettling Character Study
Cannes 2026: Anna Diaz and Adriana Paz star in a quiet film about grief and compassion
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‘Nagi Notes’ Review: Kôji Fukada Sculpts a Fragmented, Fascinating Portrait
Cannes 2026: The director of “Love Life” returns with a drama that mirrors the meticulously-crafted sculptures at its center
