Theater
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‘Ain’t No Mo” Review: Jordan E. Cooper’s Satire Is the Best New Play on Broadway This Year
The U.S. government makes an offer that some citizens can’t refuse in this astounding new work
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‘KPOP’ Broadway Review: A Behind-the-Scenes Musical About Korean Pop – Without BTS
The concert-style show has a pulsing energy but not much plot
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‘The Hours’ Opera Review: Michael Cunningham’s Three Tall Women Now Sing
The wonderful Virginia Woolf triptych brings together Renée Fleming, Kelli O’Hara and Joyce DiDonato
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‘A Christmas Carol’ Broadway Review: Jefferson Mays Dominates a Dark Adaptation of Dickens Classic
Mays plays dozens of roles in a tour-de-force production
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‘Sandra’ Off Broadway Review: Murder, She Wrote Very Awkwardly
A new mystery by David Cale fails to offer much in the way of suspense
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‘The Patient Gloria’ Off Broadway Review: Gina Moxley Looks Back at Shrink-Wrapped Abuse
The Irish actress-playwright examines an historic case of abusive psychotherapy and early reality TV
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‘& Juliet’ Broadway Review: Max Martin Jukebox Musical Retools the Bard to a Pop Beat
David West Read book reimagines Shakespeare as a sexist hack
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‘Camp Siegfried’ Off Broadway Review: A Misguided Play About American Nazis in ’38
Bess Wohl’s new play does not have 20-20 hindsight
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‘Downstate’ Off Broadway Review: Bruce Norris Delivers a Great Play About Predators
The author of Pulitzer-winning “Clybourne Park” looks at a group house for sex offenders
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‘The Old Man & the Pool’ Broadway Review: Mike Birbiglia Dives Back Into the Deep End
The comedian takes another self-deprecating tour of his personal medical history
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‘Kimberly Akimbo’ Broadway Review: A Musical Triumph About a Girl Who Looks Like Her Grandma
Victoria Clark stars as a high schooler with Methuselah Syndrome in a show based on a David Lindsay-Abaire play
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‘Catch as Catch Can’ Off Broadway Review: Mia Chung’s Play Examines Racism at the Coffee Klatsch
Keen dialogue and sharp performances lift the early moments of this new play
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‘Where We Belong’ Off Broadway Review: Madeline Sayet Takes Mannahatta
The Mohegan theater-maker offers an expansive TED talk-style monologue on the Native American experience in modern America
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‘Only Gold’ Off Broadway Review: Dancers Dazzle Despite the Dross
Kate Nash sings, narrates and plays the piano, but only Andy Blankenbuehler’s choreography takes flight
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Why Solo Theater Shows Are Having a Moment
“Your audience must become your partner,” Kathleen Chalfant says
