Office With a View
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For Don’t Tell Comedy’s CEO, There’s ‘Never Been a Better Time’ for Stand-Up Than After COVID
Office With a View: “Social media democratized comedy,” the events and production org’s founder Kyle Kazanjian-Amory tells TheWrap
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How Talon Entertainment’s Steven Demmler Brought a Texas Movie Studio Into the 21st Century
Office With a View: The son of a longtime “SNL” propmaster talks about the refurbishment of South Side Studios
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Kino Lorber President Sees More Arthouse Opportunity as Big Streamers Go Mainstream
Office With a View: Ed Carroll tells TheWrap about expanding the label to international TV with the acquisition of MHz Choice
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Breaking Down ColorCreative’s 360 Management Approach With President Talitha Watkins
Office With a View: “It is really a relay and a baton pass when it comes to real, symbiotic successful representation,” the former CAA executive tells TheWrap
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CEO Matthew Segal Says the ‘Secret Sauce’ to Social Video Giant ATTN: Is Trying ‘Not to Traffic in Anger’
Office With a View: “I’m happy to trick people into being informed,” Segal tells TheWrap
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How UP Entertainment Finds ‘Right Balance’ in Ecosystem of SVODs, Linear Channels: ‘Content Is Still King’
Office With a View: CEO Charley Humbard tells TheWrap about diversifying the independent network’s portfolio and why cable is still profitable
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Oprah Winfrey’s Go-To Reality TV Producer Carlos King Says a Show’s Success ‘Lives and Dies’ by Its Cast
Office With a View: The longtime EP shares how he went from “Real Housewives” to launching his own production company, Kingdom Reign Entertainment
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Carnival Films CEO Gareth Neame Sold Peacock’s ‘Day of the Jackal’ to an ‘Unusually Strong’ 200 Territories – Here’s How
Office With a View: The chief exec behind the U.K. company of “Downton Abbey” talks strategy, trends and leveling up
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UTA News Co-Heads Urge Media Vets to Be ‘Multi-Platform’ to Survive Shifting Landscape
Office With a View: Marc Paskin and Ryan Hayden predict more journalists will strike a balance between traditional news outlets and independent platforms
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From ‘Gangs of New York’ to ‘Conclave,’ Producer Michael Jackman on the ‘100 Different Things’ That Make or Break a Movie’s Success
Office With a View: The veteran producer tells TheWrap why some movies hit where others falter
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Magnolia Network President Talks Harnessing ‘Evolving’ Streaming Audience Amid Unscripted Slowdown
Office With a View: Allison Page discusses how the Chip and Joanna Gaines-founded brand has shifted to reach “the broadest audience possible” while maintaining linear favorites
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Seine Pictures Shines a Spotlight on First-Time and Female Directors: ‘We’re Being a Part of This Positive Change’
Office With a View: The company’s Peruvian founder Ivan Orlic tells TheWrap about his story-driven mission 12 years in the making
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Monkeypaw President Win Rosenfeld Predicts a ‘Real Evolution’ in Genre Entertainment Away From ‘Endless Sequels’
Office With a View: From “Nope” to “Scare Tactics,” the genre hitmaker tells TheWrap why his Jordan Peele-founded company worships “at the altar of story”
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Producer Sam Pressman Believes Public Investment and AI Have a Place in Indie Filmmaking’s Future
Office With a View: The Pressman Films head talks about his new public investment platform and what lessons he learned from his famed father, Edward
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Theresa Kang’s Passion for ‘Pachinko’ Led Her to Founding Blue Marble Pictures and Management
Office With a View: The CEO who represents Alfonso Cuarón and Gillian Flynn says she “felt a bit of a calling” to producing
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