Steve Pond
Steve Pond
Steve Pond’s inside look at the artistry and insanity of the awards race, drawn from more than three decades of obsessively chronicling the Oscars and the entertainment industry.
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Emmy Nomination Predictions, Drama: Who’ll Fight for That Empty Throne?
The shows that will battle it out now that “Game of Thrones” is gone should include “Succession,” “Ozark,” “The Handmaid’s Tale,” “The Crown” and “Pose”
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Awards
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‘Radioactive’ Film Review: Rosamund Pike Glows as Marie Curie in Curious Biopic
The boldest strokes in director Marjane Satrapi’s film also seem to be its most random ones, and its default mode is a certain verbal and visual melodrama
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‘The Painted Bird’ Director Explains Why His ‘Brutal’ WWII Film Is Timelier Than ‘The Avengers’
TheWrap Oscar magazine: “I don’t want to live in the world of the Avengers, I do this for the real world,” writer-director Vaclav Marhoul says
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‘Father Soldier Son’ Film Review: Military Documentary Is Sobering, Disturbing
Even-handed New York Times filmmakers want us to understand where former soldier Brian Eisch comes from, where his family is going and what that says about the state of American manhood, particularly in the heartland
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Emmy Nominations 2020: 10 Things to Watch, From Greedy Shows to Dead Nominees
From “Saturday Night Live” to the Duchess of Sussex to Pete Buttigieg to Fred Willard, here are some areas of interest as the Emmy nominations approach
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Awards
Available to WrapPRO members
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‘Showbiz Kids’ Movie Review: Child Stars Tell Troubled Tales in Sobering Documentary
Evan Rachel Wood, Jada Pinkett Smith, Henry Thomas, Wil Wheaton or Milla Jovovich aren’t casualties by any means, but their stories make Alex Winter’s film a powerful lesson in why kids might want to steer clear of Hollywood
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‘Palm Springs’ Film Review: Andy Samberg Puts an Indie Rom-Com Spin on ‘Groundhog Day’
The comedy starring Samberg and Cristin Milioti finds a freshness playing with the time-loop premise and messing with romantic comedy tropes
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‘Bloody Nose, Empty Pockets’ Film Review: Sad, Boozy Reverie Looks for Truth and Beauty in a Dive Bar
The Ross brothers movie is “The Iceman Cometh” transplanted to the outskirts of Las Vegas, a fiction/nonfiction blend where verité meets improv and the whole thing is shot through with the skid-row romanticism of a Tom Waits song
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Can the Emmys Buck This Year’s Trend of Terrible Awards Shows?
TheWrap Emmy magazine: Even before the coronavirus and the George Floyd protests, this year’s awards shows dealt with widespread criticism and record low ratings
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Awards
Available to WrapPRO members
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How ‘The Great’ Star Elle Fanning Handled Producing, Comedy and That Peeing Scene (Video)
“Most everyone that I talked to, what they know her for is this rumor that she had sex with a horse, which is so reductive and sad,” Fanning says of Russian ruler Catherine the Great, whom she plays in the Hulu series
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‘Greyhound’ Film Review: Tom Hanks Battles Nazi Submarines in Old-Fashioned War Movie
Written by Hanks, directed by Aaron Schneider and originally scheduled to be released theatrically by Sony, the drama is a minimalist war film that treats combat as a job to be done
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‘The Old Guard’ Film Review: Charlize Theron Is Back in Warrior Mode in Melancholy Comic-Book Adventure
Gina Prince-Bythewood becomes the latest director who doesn’t seem particularly suited to the world of comics, but who brings a new sensibility to that world
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Nicole Kidman on Her ‘Big Little Lies’ Battle With Meryl Streep: ‘Intimidation Was a Wonderful Thing’
TheWrap Emmy magazine: “It’s not superwoman stuff — it’s real human behavior that you’re watching,” Kidman says
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New Emmy Rules Aimed at ‘More Inclusiveness’ Will Reduce the Number of Nominees This Year
30 categories will have more nominees this year than they did last year, but 36 others will have fewer nominees
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Awards
Available to WrapPRO members
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How ‘Hunters’ Director Alfonso Gomez-Rejon Found a Personal Connection in Story of Nazi Hunters
TheWrap Emmy magazine: “I identified with the bigger theme of people who are marginalized searching for justice or a voice in the world, fighting for their existence,” says the Mexican-American director
