Cannes Report
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Mary Elizabeth Winstead and Common’s ‘All About Nina’ Plucked by The Orchard
Cannes 2018: Eva Vives’ debut feature premiered last month at the Tribeca Film Festival
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Spike Lee Denounces ‘That Motherf–er’ Trump, Explains Charlottesville Scenes in ‘BlacKkKlansman’
Cannes 2018: “It was a defining moment, and he could have said to the world, not just the United States, that we were better than that,” director says
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‘Asako I & II’ Film Review: Leisurely Japanese Drama Explores Nature of Love
Cannes 2018: director Hamaguchi Ryusuke tells story of a young woman whose first love abandons her, so she finds another man who looks just like him
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Activists, Experts in Hollywood Demand Action to Achieve Greater Gender Equity
Cannes 2018: A panel convened by TheWrap insisted that equality can be achieved
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Spike Lee’s ‘BlacKkKlansman’ Gets Cannes Standing Ovation, Social Media Praise
John David Washington and Adam Driver take on the dim-witted KKK in Lee’s latest
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Cannes Report, Day 6: Harvey’s Ghost, Fainting Over Lars von Trier
“The House That Jack Built” signals a (gross) Matt Dillon comeback
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Jean-Luc Godard’s ‘The Image Book’ Acquired by Kino Lorber
Cannes 2018: Film had its world premiere on May 11
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Gaspar Noe’s ‘Climax’ Lands US Deal With A24
Cannes 2018: Argentine director’s latest stars Sofia Boutella as a dancer
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Cannes Film Festival Signs Pledge for More Women Directors, More Transparency
Cannes 2018: The festival becomes the first to sign the new Programming Pledge for Parity and Inclusion in Cinema Festivals
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Annapurna Wins Nicole Kidman Thriller ‘Destroyer’ in Cannes Bidding War
Cannes 2018: Karyn Kusama directs the L.A. crime thriller, which sold in a mid-seven-figure deal
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Cannes Review: Pope Francis Documentary Is a Modest Film About a Bold Man
Cannes 2018: With “Pope Francis – A Man of His Word,” director Wim Wenders has made a performance film that’s more reverential than revolutionary
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Helen Mirren’s ‘Berlin, I Love You’ Sells to Saban Films
Cannes 2018: Indie franchise heads to Germany with stars Keira Knightley and Jim Sturgess
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The Orchard Picks Up Colombian Film ‘Birds of Passage’
Cannes 2018: Directors’ Fortnight opening film follows the impact of the Colombian drug trade on an indigenous village
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Cannes Report, Day 5: Salma Hayek Sounds Off, Gaspar Noé Redeemed
Hayek says Harvey Weinstein countered her accusations because women of color are “easiest to get discredited”
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Cannes So Far: The Spotlight Belongs to the Women
Cannes 2018: The Palme d’Or is anybody’s game, but the news at this year’s festival has been dominated by women making deals and demanding equality
