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With Live Sports and Ad-Tier Flip-Flops, Netflix Shows Never Say ‘Never’ | Commentary
The streaming giant has shown it is not afraid to do a 180, and that unapologetic flexibility has served it well
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Women Recoil in Cannes as Harvey Weinstein Still Looms, While a Sexist System Persists
Only four of the 22 films in the main competition this year — less than 20% — were made by women filmmakers
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How Much Does Netflix’s Catalog Differ Between International Markets? | Charts
You might be surprised which country has the most robust selection of movies and TV
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Ad-Supported Streaming Took a Huge Victory Lap at TV Upfronts 2024
Sports also took center stage as Hollywood returned after last year’s strikes, wooing advertisers with A-list talent and musical performances
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‘Tracker’ Season 1 Finale Dominates Sunday Night With 7.4 Million Viewers
Finales for “CSI: Vegas” and “The Equalizer” boosted CBS to become primetime’s most-watched broadcast network
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Cannes So Far: Filmmakers Go Mega in a Muted Festival
Cannes 2024: At a festival still recovering from a pandemic and strikes, the directors have taken big swings
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‘IF’ Can’t Lift May Box Office Out of Doldrums With $35 Million Opening
John Krasinski’s family film must leg out off its strong audience reception as a slow Memorial Day weekend looms for movie theaters
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Canela Media Founder and CEO Isabel Rafferty Zavala Knew There Was a Market of Latino Viewers All Along
Office With a View: The executive breaks down her media company’s mission of being “led by Latinos, for Latinos”
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Disney+, Max and Hulu Bundle Could Double Netflix Content Demand | Charts
Less than 5% of titles are shared across Max, Hulu or Disney+, underscoring the uniqueness of each catalog
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‘IF’ Heads for $31.5 Million Box Office Opening
Paramount’s original family film has won over audiences but faces a long road to profitability
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Hollywood’s DEI Backslide Does Not Reflect Audience Demand, USC’s Dr. Stacy L. Smith Says
“When execs get nervous, they tend to rely on what they know,” the head of the Annenberg Inclusion Initiative tells TheWrap
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OpenAI Wants To Get Big Fast, and Four More Takeaways From a Wild Week in AI News | Commentary
Ignore the flirty bot, OpenAI’s big strategic play became clearer this week.
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‘Young Sheldon’ Series Finale Wows With 8.9 Million Viewers, Best Audience in 4 Years
CBS’ “Big Bang Theory” spin-off ends its run as the most-watched broadcast comedy series
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Universal Studio Group Exec Hopes ‘Baby Reindeer’ Phenomenon Jumpstarts TV Marketplace: ‘Playing It Safe Isn’t Where We’re Going to See Success’
Universal Content Productions President Beatrice Springborn also tells TheWrap her thoughts on the future of limited series and what she looks for in overall deals
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Why We’re So Addicted to Shows Like ‘Baby Reindeer’: Trauma, Taboo and the Lure of the ‘True Story’
“There is a sense of eavesdropping on real life, of finding out what really happened,” says USC Professor Joe Saltzman
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