Reviews
-
‘4 Days in France’ Review: Sex-App-Based Road Trip Loses Direction
A gay man uses Grindr to follow his straying lover in an often unfocused trek
-
‘Strange Weather’ Review: Holly Hunter Ferociously Portrays a Grieving Mom
Hunter delivers another exceptional performance as a woman seeking answers after her son’s suicide
-
‘The Last Face’ Review: Charlize Theron Squandered in Sean Penn’s Offensive Message Movie
Theron and Javier Barden play war-zone doctors, but the film is far more interested in their limp romance than in the victims of genocide
-
‘Detroit’ Review: Kathryn Bigelow Powerfully Connects Historic Riots to Modern Discord
This searing historical drama traces the roots — and the devastating aftermath — of the city’s 1967 unrest
-
‘An Inconvenient Sequel’ Review: Al Gore Dominates Otherwise Powerful Doc
This time around, the filmmakers spend too much time on the vice president’s story and not enough on the fate of the planet
-
‘Brigsby Bear’ Review: ‘SNL’ Team Crafts Amusing, Sincere Paean to Pop-Culture Captivity
Kyle Mooney’s sequestered fanboy is at the center of a quirky tale about a misfit’s entry into society and the healing power of creativity
-
‘Girls Trip’ Review: Malcolm D Lee’s Bawdy, Boozy Comedy Showcases a Stellar Sisterhood
Jada Pinkett Smith, Queen Latifah, Regina Hall and Tiffany Haddish make a delightful quartet in this smart, outrageous look at female friendships
-
‘Landline’ Review: Strong Cast Can’t Save Lukewarm Dysfunctional Family Comedy
Gillian Robespierre and Jenny Slate’s follow-up to “Obvious Child” offers a believably fractured family, but never rises above shopworn genre
-
‘The Midwife’ Review: Catherine Deneuve Shines in Otherwise Murky Weepie
Built on the relationship between Deneuve and Catherine Frot’s characters, the film is maddeningly vague about that relationship’s history
-
‘Endless Poetry’ Review: Alejandro Jodorowsky Mixes Memoir, Metaphor and Mythology
This sequel to “The Dance of Reality” continues the fantastic journey of the legendary filmmaker’s screen autobiography
-
‘To the Bone’ Review: Lily Collins Suffers Anorexia in Shallow Drama
In “Buffy” vet Marti Noxon’s directorial debut, the characters don’t register because the movie has little interest in what’s behind their pain
-
‘Lady Macbeth’ Review: Lusty Period Drama Becomes Muddled and Mean-Spirited
Florence Pugh is incandescent as a Victorian-era neglected farm wife, but motivation goes out the window once she goes on a rampage
-
‘False Confessions’ Review: Isabelle Huppert Isn’t Enough Reason to See This Dull Filmed Play
A production of Marivaux’s 18th century romantic comedy, filmed inside Paris’ Odeon theatre, becomes a dreary, stiff exercise
-
‘City of Ghosts’ Review: Syrian Citizen Journalists Fight ISIS in Vital Doc
Matthew Heineman (“Cartel Land”) spent a year in safehouses with brave Syrian refugees who post reports from inside their ISIS-captured hometown
-
‘Spider-Man: Homecoming’ Review: Marvel-Fueled Reboot Has a Good Sense of Spidey
Tom Holland and Michael Keaton are standouts in this funnier, more teen-oriented take on the trials of Peter Parker
