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‘Five Nights at Freddy’s 2’ Picked the Perfect Weekend to Hit Theaters
Blumhouse’s video game horror sequel won’t have long legs, but should turn out its devoted fans for one big successful weekend north of $40 million
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5 Takeaways From a $300 Million Thanksgiving Box Office Weekend
Disney and Universal provided the hit sequels as promised, but the rest of the marketplace isn’t pulling its weight
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‘Zootopia 2’ Has Everything It Needs to Be a $1 Billion Hit
Reviews are strong, hype is building, and unlike nearly every other Hollywood film today, China is buying tickets in droves
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How ‘Sisu’ Went from Cult Finnish Export to Sony’s Holiday Counter-Programming
Jalmari Helander breaks down his bigger and more violent sequel “Sisu: Road to Revenge” and his take on the “Rambo” franchise
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‘Wicked: For Good’ to Kick Off a Huge Winter Box Office With $150 Million-Plus Opening
The second half of Jon M. Chu’s Broadway blockbuster is expected to surpass its 2024 predecessor
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How Edgar Wright and Glen Powell Made ‘The Running Man’ Without Missing a Step
The Stephen King adaptation survived twin strikes, a truncated post-production schedule and approvals from the author himself
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‘Wicked: For Good’ Flies Past ‘Stranger Things’ as Title Audiences Are Most Excited About | Chart
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With ‘The Running Man,’ Glen Powell Will Try to Cement His Leading Man Status
After helping drive “Anyone But You” and “Twisters” to success, the popular actor gives R-rated action a try
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‘Predator: Badlands’ Box Office Was Fueled by Millennials and Gen X — Can Disney Lure Gen Z, Too?
Older audiences drove the sci-fi blockbuster’s $40 million opening weekend. Will teens and college students follow?
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Netflix’s Opposition to Movie Theaters Cracks as Pressure Mounts From Exhibitors and Talent | Analysis
The relationship between Netflix and theaters is warming as the streamer risks continuing to lose filmmaking talent with its model, insiders tell TheWrap
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How ‘Predator: Badlands’ Director Dan Trachtenberg Reinvented the Franchise – Again
The “10 Cloverfield Lane” director rejuvenated the monster franchise with “Prey” and, now, “Badlands”
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‘Anime Isn’t Alternative Content Anymore’: Lessons From Crunchyroll’s Breakout Autumn
“Demon Slayer” and “Chainsaw Man” have made a combined $168 million in the U.S., bolstering the box office during a slow October
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Cinemark Q3 Revenue Slips 7% Annually Despite Warner Bros. Boost
While not as strong as past years, the theater chain still posted quarterly revenue of $858 million
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Warner Bros.’ Sale Is a ‘Red Alert’ Moment for Theaters
Theaters have already been calling on Hollywood to give them more films, but Warner’s acquisition could crush those hopes
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‘The Mastermind’ Director Kelly Reichardt on What It Takes to Be an Independent Director These Days
Her new film, now in theaters, stars Josh O’Connor as an unassuming art thief
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