Members Hub: Movies
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‘$1,500 a Day for a Guy to Sit in a Car’: Indie Producers Warn Los Angeles Is a ‘Hostile’ Place to Film
Fees, confusing regulations and disgruntled businesses are among the reasons why producers don’t want to shoot in L.A., and reform, while coming, is a slow process
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Movies
Available to WrapPRO members
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Inside Blur, the Indie VFX Animation Studio ‘By Artists, for Artists’ That’s Defying the Odds
Co-founder and owner Tim Miller and president Nan Morales talk about why they prefer to stay small and the studio’s next phase
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Movies
Available to WrapPRO members
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SpectreVision’s Elijah Wood, Daniel Noah and Lawrence Inglee on the Importance of the Theatrical Experience
Office With a View: They also talk about “Rabbit Trap,” which is available on digital now
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Movies
Available to WrapPRO members
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‘Wicked: For Good’ Trailer Boosts Sequel to No. 1 Title Audiences Are Most Excited About | Chart
ScreenShare: A data partnership between ScreenEngine/ASI & TheWrap
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Movies
Available to WrapPRO members
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‘Tron: Ares’ Will Try to Tide Theaters Over As They Wait for Disney’s Box Office Titans
With “Zootopia” and “Avatar” sequels on the horizon, the third “Tron” film is expected to earn a comparatively modest $45-50 million opening
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Movies
Available to WrapPRO members
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‘Terrifier,’ Hollywood’s Newest Underdog, Makes Its Universal Halloween Horror Nights Debut
A film with a $55,000 budget has grown into a franchise that has joined Universal Studios’ yearly Halloween Horror Nights event
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Movies
Available to WrapPRO members
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Dwayne Johnson’s Dramatic Weight Loss: Why The Rock Is Trading Muscle for Movie Credibility | Analysis
The former WWE wrestler is following the path that Dave Bautista laid out in a bid to earn respect as an actor
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Movies
Available to WrapPRO members
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Beyond the Tilly Norwood Hype, Studio Execs Explain How AI Is Actually Being Used
TheGrill 2025: Execs reject the idea of a synthetic actor and say AI’s arrival in Hollywood is happening in quieter ways
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Movies
Available to WrapPRO members
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Don’t Expect Taylor Swift’s Album Release Party to Be An ‘Eras Tour’-Level Hit for the Box Office
While a welcome replacement for “Michael,” Swift’s “Release Party of a Showgirl” is expected to make a third of her 2023 concert film
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Movies
Available to WrapPRO members
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Can ‘One Battle After Another’ Become Warner Bros.’ Next Original Hit After ‘Sinners’?
Paul Thomas Anderson’s first wide release is the next chapter in Mike De Luca and Pam Abdy’s campaign for big-budget, auteur-driven films
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Movies
Available to WrapPRO members
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‘Him’ Debuts on Top 10 Titles Audiences Are Most Excited About Despite Soft Box Office Launch | Chart
ScreenShare: A data partnership between ScreenEngine/ASI & TheWrap
Available to WrapPRO members
Movies
Available to WrapPRO members
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What Happened to Lionsgate’s Splashy Plan to Make AI Movies With Runway? It’s Complicated | Exclusive
The agreement with the AI startup serves as a cautionary tale of the pitfalls of embracing a technology too early
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Movies
Available to WrapPRO members
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The Rise of ‘Demon Slayer’ Coincides With Hollywood’s Box Office Decline in Asia
The production delays from the pandemic and strikes led countries like Japan to rely more on local fare, and there’s no going back
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Movies
Available to WrapPRO members
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‘Wizard of Oz at Sphere’ Makes Up to $2 Million Per Day. Where Does the Vegas Venue Go From Here?
The AI-enhanced Las Vegas production of the Hollywood classic is drawing stronger crowds than Sphere concerts
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Movies
Available to WrapPRO members
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Why the Cinerama Dome Is Still Closed 5 Years After the Pandemic
The economic hurdles of a diminished box office, an expensive refurbishment and the surrounding business area have kept the historic theater boarded up — will it ever be resurrected?
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Movies
Available to WrapPRO members