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Members Hub: Movies

  • Born to Crawl: Why ‘Springsteen: Deliver Me From Nowhere’ Stumbled at the Box Office

    The rock star’s older fanbase has been slow to turnout for this quieter, more introspective take on music biopics

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    Jeremy Fuster
    October 27, 2025 @ 1:31 PM

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    Born to Crawl: Why ‘Springsteen: Deliver Me From Nowhere’ Stumbled at the Box Office

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  • Can Horror Hit ‘Black Phone 2’ Hold Off Anime ‘Chainsaw Man’ at the Box Office?

    Colleen Hoover adaptation “Regretting You” and music biopic “Springsteen: Deliver Me From Nowhere” are projected for $10 million openings

    By

    Jeremy Fuster
    October 23, 2025 @ 9:17 AM

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    Can Horror Hit ‘Black Phone 2’ Hold Off Anime ‘Chainsaw Man’ at the Box Office?

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  • Imax’s Record Q3 Box Office Brings $106.7 Million in Revenue, Fueled by ‘F1’ and ‘Demon Slayer’

    The quarter brought $368 million in global box office grosses for the premium format

    By

    Jeremy Fuster
    October 23, 2025 @ 4:42 AM

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    4:42 AM
    Imax’s Record Q3 Box Office Brings $106.7 Million in Revenue, Fueled by ‘F1’ and ‘Demon Slayer’

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  • ‘$1,500 a Day for a Guy to Sit in a Car’: Indie Producers Warn Los Angeles Is a ‘Hostile’ Place to Film

    Fees, confusing regulations and disgruntled businesses are among the reasons why producers don’t want to shoot in L.A., and reform, while coming, is a slow process

    By

    Jeremy Fuster
    October 20, 2025 @ 6:00 AM

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    ‘$1,500 a Day for a Guy to Sit in a Car’: Indie Producers Warn Los Angeles Is a ‘Hostile’ Place to Film

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  • Inside Blur, the Indie VFX Animation Studio ‘By Artists, for Artists’ That’s Defying the Odds

    Co-founder and owner Tim Miller and president Nan Morales talk about why they prefer to stay small and the studio’s next phase

    By

    Drew Taylor
    October 13, 2025 @ 6:15 AM

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    Inside Blur, the Indie VFX Animation Studio ‘By Artists, for Artists’ That’s Defying the Odds

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  • SpectreVision’s Elijah Wood, Daniel Noah and Lawrence Inglee on the Importance of the Theatrical Experience

    Office With a View: They also talk about “Rabbit Trap,” which is available on digital now

    By

    Drew Taylor
    October 9, 2025 @ 10:00 AM

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    10:00 AM
    SpectreVision’s Elijah Wood, Daniel Noah and Lawrence Inglee on the Importance of the Theatrical Experience

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  • ‘Wicked: For Good’ Trailer Boosts Sequel to No. 1 Title Audiences Are Most Excited About | Chart

    ScreenShare: A data partnership between ScreenEngine/ASI & TheWrap

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    ScreenShare
    October 8, 2025 @ 1:15 PM

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    ‘Wicked: For Good’ Trailer Boosts Sequel to No. 1 Title Audiences Are Most Excited About | Chart

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  • ‘Tron: Ares’ Will Try to Tide Theaters Over As They Wait for Disney’s Box Office Titans

    With “Zootopia” and “Avatar” sequels on the horizon, the third “Tron” film is expected to earn a comparatively modest $45-50 million opening

    By

    Jeremy Fuster
    October 8, 2025 @ 1:00 PM

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    1:00 PM
    ‘Tron: Ares’ Will Try to Tide Theaters Over As They Wait for Disney’s Box Office Titans

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  • ‘Terrifier,’ Hollywood’s Newest Underdog, Makes Its Universal Halloween Horror Nights Debut

    A film with a $55,000 budget has grown into a franchise that has joined Universal Studios’ yearly Halloween Horror Nights event

    By

    Jeremy Fuster
    October 8, 2025 @ 6:15 AM

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    6:15 AM
    ‘Terrifier,’ Hollywood’s Newest Underdog, Makes Its Universal Halloween Horror Nights Debut

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  • Dwayne Johnson’s Dramatic Weight Loss: Why The Rock Is Trading Muscle for Movie Credibility | Analysis

    The former WWE wrestler is following the path that Dave Bautista laid out in a bid to earn respect as an actor

    By

    Umberto Gonzalez
    October 7, 2025 @ 6:00 AM

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    6:00 AM
    Dwayne Johnson’s Dramatic Weight Loss: Why The Rock Is Trading Muscle for Movie Credibility | Analysis

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  • Beyond the Tilly Norwood Hype, Studio Execs Explain How AI Is Actually Being Used

    TheGrill 2025: Execs reject the idea of a synthetic actor and say AI’s arrival in Hollywood is happening in quieter ways

    By

    Jeremy Fuster
    October 2, 2025 @ 6:00 AM

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    6:00 AM
    Beyond the Tilly Norwood Hype, Studio Execs Explain How AI Is Actually Being Used

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  • Don’t Expect Taylor Swift’s Album Release Party to Be An ‘Eras Tour’-Level Hit for the Box Office

    While a welcome replacement for “Michael,” Swift’s “Release Party of a Showgirl” is expected to make a third of her 2023 concert film

    By

    Jeremy Fuster
    October 1, 2025 @ 4:16 PM

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    Don’t Expect Taylor Swift’s Album Release Party to Be An ‘Eras Tour’-Level Hit for the Box Office

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  • Can ‘One Battle After Another’ Become Warner Bros.’ Next Original Hit After ‘Sinners’?

    Paul Thomas Anderson’s first wide release is the next chapter in Mike De Luca and Pam Abdy’s campaign for big-budget, auteur-driven films

    By

    Jeremy Fuster
    September 24, 2025 @ 3:07 PM

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    Can ‘One Battle After Another’ Become Warner Bros.’ Next Original Hit After ‘Sinners’?

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  • ‘Him’ Debuts on Top 10 Titles Audiences Are Most Excited About Despite Soft Box Office Launch | Chart

    ScreenShare: A data partnership between ScreenEngine/ASI & TheWrap

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    September 24, 2025 @ 2:42 PM

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    ‘Him’ Debuts on Top 10 Titles Audiences Are Most Excited About Despite Soft Box Office Launch | Chart

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  • What Happened to Lionsgate’s Splashy Plan to Make AI Movies With Runway? It’s Complicated | Exclusive

    The agreement with the AI startup serves as a cautionary tale of the pitfalls of embracing a technology too early

    By

    Roger Cheng and Jeremy Fuster
    September 22, 2025 @ 6:00 AM

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    6:00 AM
    What Happened to Lionsgate’s Splashy Plan to Make AI Movies With Runway? It’s Complicated | Exclusive

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