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Elizabeth Weitzman

  • ‘Breaking Bread’ Film Review: Feel-Good Documentary Connects Arabs and Israelis Through Cuisine

    First-time documentarian Beth Elise Hawk follows a Palestinian winner of Israel’s “Top Chef” and her culinary brand of diplomacy

    By

    Elizabeth Weitzman
    February 3, 2022 @ 1:52 PM
    Movies
    1:52 PM
    ‘Breaking Bread’ Film Review: Feel-Good Documentary Connects Arabs and Israelis Through Cuisine
  • ‘Rifkin’s Festival’ Film Review: Woody Allen Returns to Spain, and a Very Dry Well, for His 49th Feature

    Wallace Shawn plays a grumpy old man whose tastes have stopped evolving, and it would appear Allen’s have as well

    By

    Elizabeth Weitzman
    January 26, 2022 @ 2:20 PM
    Movies
    2:20 PM
    ‘Rifkin’s Festival’ Film Review: Woody Allen Returns to Spain, and a Very Dry Well, for His 49th Feature
  • ‘Am I OK?’ Film Review: Dakota Johnson Questions a Few Shades of Sexuality in Warmhearted Buddy Comedy

    Sundance 2022: Tig Notaro and Stephanie Allynne make their directorial debut with a crowd-pleaser that has some moments of hesitation

    By

    Elizabeth Weitzman
    January 24, 2022 @ 4:09 PM
    Movies
    4:09 PM
    ‘Am I OK?’ Film Review: Dakota Johnson Questions a Few Shades of Sexuality in Warmhearted Buddy Comedy
  • ‘Stop-Zemlia’ Film Review: Ukrainian Teens Stumble Toward Adulthood in Tender Coming-of-Age Story

    Writer-director Kateryna Gornostai brings a documentarian’s eye to major and minor moments of adolescent life

    By

    Elizabeth Weitzman
    January 19, 2022 @ 3:32 PM
    Movies
    3:32 PM
    ‘Stop-Zemlia’ Film Review: Ukrainian Teens Stumble Toward Adulthood in Tender Coming-of-Age Story
  • ‘The Unforgivable’ Film Review: Sandra Bullock Ex-Con Drama Stuffs a Miniseries’ Worth of Characters Into a Packed Movie

    There’s a lot that works here, from the casting to the production design, but you might have to watch the original U.K. show on Britbox to fill in the blanks

    By

    Elizabeth Weitzman
    December 9, 2021 @ 3:05 PM
    Movies
    3:05 PM
    ‘The Unforgivable’ Film Review: Sandra Bullock Ex-Con Drama Stuffs a Miniseries’ Worth of Characters Into a Packed Movie
  • ‘A Son’ Film Review: Tunisian Family Drama Quietly Devastates

    Mehdi Barsaoui’s revelatory debut feature announces the emergence of a major new talent in the international filmmaking arena

    By

    Elizabeth Weitzman
    December 9, 2021 @ 10:56 AM
    Movies
    10:56 AM
    ‘A Son’ Film Review: Tunisian Family Drama Quietly Devastates
  • ‘So Late So Soon’ Film Review: Up-Close and Intimate Doc Takes Unsparing Look at Aging Artists

    As imperfect and idiosyncratic as the couple it documents, this debut doc goes deep into how an older husband and wife navigate the world, and each other

    By

    Elizabeth Weitzman
    December 8, 2021 @ 10:23 AM
    Movies
    10:23 AM
    ‘So Late So Soon’ Film Review: Up-Close and Intimate Doc Takes Unsparing Look at Aging Artists
  • ‘Becoming Cousteau’ Film Review: Respectful Doc Offers Nostalgic Look at Prescient Eco-Icon

    Liz Garbus’ film burnishes the Jacques Cousteau legend, but it also reminds us how important his oceanic work remains to this day

    By

    Elizabeth Weitzman
    November 24, 2021 @ 12:12 PM
    Movies
    12:12 PM
    ‘Becoming Cousteau’ Film Review: Respectful Doc Offers Nostalgic Look at Prescient Eco-Icon
  • ‘Mayor Pete’ Film Review: Decent Documentary, or Cleverly Crafted Campaign Ad?

    A few sharp edges make their way into a portrait that’s often lacking in deeper insight about Pete Buttigieg’s life and career

    By

    Elizabeth Weitzman
    November 12, 2021 @ 3:00 PM
    Movies
    3:00 PM
    ‘Mayor Pete’ Film Review: Decent Documentary, or Cleverly Crafted Campaign Ad?
  • ‘Love Is Love Is Love’ Film Review: Eleanor Coppola’s Misguided Romantic Triptych Puts Limits on Love

    The title suggests a broad look at romance, but these three vignettes are squarely white, wealthy, heterosexual — and shallow

    By

    Elizabeth Weitzman
    November 10, 2021 @ 9:00 AM
    Movies
    9:00 AM
    ‘Love Is Love Is Love’ Film Review: Eleanor Coppola’s Misguided Romantic Triptych Puts Limits on Love
  • ‘The Beta Test’ Film Review: Indie Satire Takes Sharp Aim at Hollywood

    PJ McCabe and Jim Cummings create a tense, paranoid, and darkly funny vision of the post-Weinstein film industry

    By

    Elizabeth Weitzman
    November 3, 2021 @ 3:30 PM
    Movies
    3:30 PM
    ‘The Beta Test’ Film Review: Indie Satire Takes Sharp Aim at Hollywood
  • ‘Joy Ride’ Film Review: Bobcat Goldthwait and Dana Gould Embrace the Journey in Stand-Up-Comedy Doc

    The seasoned vets reveal new sides of themselves as well as their longtime personal and professional relationships

    By

    Elizabeth Weitzman
    October 28, 2021 @ 2:26 PM
    Movies
    2:26 PM
    ‘Joy Ride’ Film Review: Bobcat Goldthwait and Dana Gould Embrace the Journey in Stand-Up-Comedy Doc
  • ‘Violet’ Film Review: Olivia Munn Can’t Silence Her Inner Critic in Justine Bateman’s Sensitive Directorial Debut

    Justin Theroux provides the self-sabotaging inner voice of Munn’s unhappy studio exec

    By

    Elizabeth Weitzman
    October 28, 2021 @ 10:46 AM
    Movies
    10:46 AM
    ‘Violet’ Film Review: Olivia Munn Can’t Silence Her Inner Critic in Justine Bateman’s Sensitive Directorial Debut
  • ‘South of Heaven’ Film Review: Jason Sudeikis Gets Lassoed into Cheap Genre Thrills

    The actor gets to show off his dramatic chops, but that’s not enough to justify this grimly derivative thriller’s existence

    By

    Elizabeth Weitzman
    October 7, 2021 @ 10:48 AM
    Movies
    10:48 AM
    ‘South of Heaven’ Film Review: Jason Sudeikis Gets Lassoed into Cheap Genre Thrills
  • ‘The Starling’ Film Review: Melissa McCarthy and Chris O’Dowd Have Wings Clipped by Conventional Drama

    Kevin Kline co-stars in this predictable and familiar tale once featured on the Black List

    By

    Elizabeth Weitzman
    September 23, 2021 @ 9:35 AM
    Movies
    9:35 AM
    ‘The Starling’ Film Review: Melissa McCarthy and Chris O’Dowd Have Wings Clipped by Conventional Drama
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