Steve Pond is TheWrap’s Executive Editor, Awards and has been writing and overseeing awards coverage on the site since 2009. He spent decades writing about film, television, music and the entertainment industry for the Los Angeles Times, Washington Post, Rolling Stone, Premiere, New York Times, Playboy and many other publications. He is the author of the L.A. Times bestseller “The Big Show,” a behind-the-scenes look at the Academy Awards based on 15 years of unprecedented access to that show.
Experience:
Resides In:
Los Angeles
Education:
Steve received a Bachelor of Arts degree in Journalism from California State University, Long Beach.
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Children’s & Family Emmys: Complete List of Winners
Jack Black, Tony Hale and “Sesame Street” are among the winners at the last of four weekend Emmy ceremonies
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Golden Globes Voters Threaten Vote Boycott After Being Excluded From Ceremony | Exclusive
More than 60 voters say they won’t cast final ballots to protest their loss of tickets to the awards show
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Children & Family Creative Arts Emmys: Complete List of Winners
Disney wins the most awards, thanks to shows like “The Guardians of the Galaxy Holiday Special” and “Moon Girl and Devil Dinosaur”
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2023 Daytime Emmy Awards – The Complete Winners List
Susan Lucci received a lifetime achievement award while “General Hospital” was named Outstanding Daytime Drama
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‘Ferrari,’ ‘Society of the Snow’ and ‘The Killer’ Deliver the Sound of Trouble
TheWrap magazine: The sound teams on those three movies had to conjure up car wrecks, a plane crash and some assassinations
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‘20 Days in Mariupol’ Director Hopes His Film Can Go Where the News Cycle Can’t
TheWrap magazine: “Even the most important events last for a day or two and then disappear in the sea of other events,” Mstyslav Chernov says
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How Da’Vine Joy Randolph Found ‘Many Dimensions of Grief’ in ‘The Holdovers’
TheWrap magazine: “Grief has many facets. That was something I tried to constantly engage and explore,” the actress says
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How ‘Barbie’ Was Made: Greta Gerwig and Artisans Tell All
It made no sense to hire an indie director to make a movie about a doll, but Greta Gerwig and her crew provided $1.5 billion reasons why “Barbie” was a very good idea
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Meet the Teenage Actors Who Make Italian Oscar Entry ‘Io Capitano’ So Powerful
TheWrap magazine: “It was a big pleasure and pride to represent what immigrants go through,” says Moustapha Fall, who joins Seydou Sarr in Matteo Garrone’s brutal drama
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The Sound of ‘Barbie’: Authentic, Artificial and Sparkly
TheWrap magazine: “Greta (Gerwig) would say things to us like, ‘Put a little sparkle on it,’ and at first I didn’t get what she was saying,” says re-recording mixer Kevin O’Connell
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Greta Gerwig Says Her Goal With ‘Barbie’ Was to ‘Write the Greatest Script Nobody Ever Makes’
TheWrap magazine: “It felt like the exact kind of idea I like, which is just on the edge of ‘how is this even possible?’” says Gerwig
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How to Shoot All That Pink and Other Lessons in ‘Barbie’ Cinematography
TheWrap magazine: “The first day on the set, I discovered that it was really a problem,” says cinematographer Rodrigo Prieto
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How One ‘Barbie’ Dance Song Turned Into a Giant Job for Mark Ronson and Andrew Wyatt
TheWrap magazine: “Everything influenced everything else,” Mark Ronson says of the film’s mixture of songs, score and dance numbers
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How an Existential Crisis Led to Singaporean Oscar Entry ‘The Breaking Ice’
TheWrap magazine: “When you’re stuck, you look to find a new direction,” says director Anthony Chen of the movie that came out of his pandemic melancholia
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Sterling K. Brown Says ‘American Fiction’ Flexes How He’s ‘Much Sillier Than People Give Me Credit For’
TheWrap magazine: Brown, who won Emmys for “This Is Us” and “The People v. O.J. Simpson,” says “I guess I fool them into thinking that I am a serious actor
