Cannes Report
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Cannes’ Message So Far: The World’s Going to Hell, but We Love Movies!
Cannes 2025: The overall tone of this year’s offerings is dark, just as it would be if festival-goers left the theaters, went back to their rooms and switched on the TV news
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Wes Anderson Calls Trump’s Proposed Tariffs ‘Fascinating’: ‘I Feel Like He’s Saying He’s Going to Take All the Money’
Cannes 2025: “Can you hold up the movie in customs?” Anderson asked. “I want to know the details first.”
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‘Peak Everything’ Review: Offbeat Canadian Rom-Com Finds Love in the Face of the Apocalypse
Cannes 2025: Director Anne Émond takes the anxieties that underlie any romantic comedy and blows them up to global proportions
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‘My Father’s Shadow’ Review: Cannes’ First Nigerian Movie Mixes Autobiography and Mystery
Cannes 2025: Akinola Davies Jr.’s drama is a rhapsody of sorts, but a rough one that ends in political turmoil and unanswered questions
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‘Urchin’ Review: Harris Dickinson’s Directorial Debut Is a Devastating, Delicate Drama
Cannes 2025: Frank Dillane gives the best performance of the festival thus far in Dickinson’s addiction story
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Wes Anderson’s Star-Studded ‘Phoenician Scheme’ Cast Walks the Cannes Red Carpet | Photos
Cannes 2025: Benicio Del Toro, Bill Murray, Benedict Cumberbatch, Mia Threapleton, Michael Cera and more turned out for the new Wes
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Cannes Day 5: Jennifer Lawrence Goes Dark
And Richard Linklater issues a love letter to French cinema
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‘The Phoenician Scheme’ Review: Nobody Wes Andersons Like Wes Anderson
Cannes 2025: A tycoon finds God and a nun finds materialism in yet another impeccable, funny, meaningful Anderson diorama
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Mubi Acquires Cannes Drama ‘Die My Love’ Starring Jennifer Lawrence for $24 Million
Lynne Ramsay directs the surreal drama about postpartum depression, which also stars Robert Pattinson
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A Candid Kristen Stewart Unpacks Her 8-Year Journey to Directorial Debut ‘Chronology of Water’: ‘I Wanted to Do This So Badly’ | Video
Cannes 2025: “I didn’t want to make a movie about the things that happened to this woman. I wanted to make a movie about what we can do to the things that happened to us,” the filmmaker tells TheWrap
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‘The Secret Agent’ Review: ’70s Brazilian Romp Includes Wagner Moura and a Rampaging Severed Leg
Cannes 2025: Cohesiveness or coherence are not high on the list of the attributes of Klebel Mendonça Filho’s film, but its messiness is part of its charm
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‘Nouvelle Vague’ Director Richard Linklater Dumps On Trump Tariff Threat, Gushes Over Godard: ‘He Had Such An Interesting Brain’
Cannes 2025: Linklater isn’t worried about Trump’s proposed tariffs on movies that don’t shoot in the U.S.: “That guy changes his mind like 50 times in one day”
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‘Die, My Love’ Star Jennifer Lawrence Says She Was Heartbroken By Postpartum Story: ‘It’s Extremely Isolating’
Cannes 2025: The actress said “extreme anxiety and extreme depression is isolating no matter where you are” at a Cannes press conference
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‘Orwell: 2+2=5’ Review: Angry Documentary Is as Much About Us (and Donald Trump) as About George Orwell
Cannes 2025: Raoul Peck’s film is an artful balancing act that dips in and out of Orwell’s life and work and swings from history to art to the most current of events
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‘Die, My Love’ Review: Robert Pattinson and Jennifer Lawrence Are Outstanding in Haunting Domestic Horror
Cannes 2025: Lynne Ramsay’s adaptation of the novel by Ariana Harwicz is frequently astounding