TheWrap Magazine
-
Composer Daniel Blumberg Says the Wild Music of ‘The Testament of Ann Lee’ Had to Be ‘As Extreme as Possible’
TheWrap magazine: “It was very experimental in all senses of the word,” Blumberg says
-
How Hannah Beachler Made the ‘Sinners’ Juke Joint a Place That ‘Holds All the Stories’
TheWrap magazine: The Oscar-winning production designer wanted to infuse that set with Mississippi Delta culture
-
Diane Warren Wrote a Song to Her 14-Year-Old Self – Who, if She’d Heard It, ‘Would Have Told Me to F–k Off’
TheWrap magazine: “Maybe I would have listened, but at that time I didn’t listen to a lot of people,” says the 15-time Oscar nominee
-
How the ‘Train Dreams’ Production Designer Built a Cabin That Became an Anchor for Memories
TheWrap magazine: As Joel Edgerton’s character moves through life, his humble home remains the center of it
-
Inside ‘I Love LA’ and Its ‘Attainable’ Gen Z Fashion
TheWrap magazine: “We wanted the show to feel fresh and approachable,” costume designer Christina Flannery says
-
How the ‘The Girlfriend’ Editors Handled a Tricky Timeline and Dueling POVs
TheWrap magazine: “You can have some real fun getting the most out of revisiting [a] scene from the other character’s perspective,” editor Mark Davis says
-
The Casting Directors of Awards Season 2025-2026
The behind-the-scenes creatives with a sixth sense are getting their own category at the 98th Academy Awards. Here’s to the ones who worked on some of the year’s best movies
-
‘No Other Choice’ Director Park Chan-wook on Finding Humor and Irony in Very Dark Places
TheWrap magazine: The Korean filmmaker’s acclaimed new comedy about unemployment could be his Oscar breakthrough
-
‘Bugonia’ Cinematographer Robbie Ryan on Filming Bees, Basements and Emma Stone’s Bald Head
TheWrap magazine: The Oscar-nominated Irish DP takes us inside his latest fantastical journey with director Yorgos Lanthimos
-
How ‘Springsteen: Deliver Me From Nowhere’ Sound Engineer Used Hidden Mics to Capture Bruce’s Isolated Voice
TheWrap magazine: “We were trying to find that exact feeling that makes Bruce’s work so powerful,” says six-time Oscar nominee Tod A. Maitland (“A Complete Unknown”)
-
How ‘One Battle After Another’ Production Designer Found the Perfect Tree Trunk Outhouse for Leonardo DiCaprio
TheWrap magazine: Oscar nominee Florencia Martin scouted locations in deserts, forests and cities for Paul Thomas Anderson’s modern epic
-
How Makeup Artist Kazu Hiro Turned The Rock Into The Smashing Machine
TheWrap magazine: The Oscar-winning craftsman breaks down Dwayne Johnson’s transformation into MMA fighter Mark Kerr
-
Bringing ‘Frankenstein’ to Life: How Did Guillermo del Toro’s Crafts Team Do It?
TheWrap magazine: The film’s cinematographer, production and costume designers, composer and makeup artist on creating a new kind of monster (but don’t call him that)
-
Here’s Why ‘A House of Dynamite’ Is So Damn Tense
TheWrap magazine: Editor Kirk Baxter, sound designer Paul N.J. Ottosson and composer Volker Bertelmann explain how they gave Kathryn Bigelow’s film its breathless drive
