Steve Pond
Steve Pond
Steve Pond’s inside look at the artistry and insanity of the awards race, drawn from more than three decades of obsessively chronicling the Oscars and the entertainment industry.
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Oscars Set New Inclusion and Diversity Standards for Best Picture Eligibility
The standards are designed to nudge the industry in the direction of increased representation throughout all stages of film production, by using the lure of the movies’ most coveted prize
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‘I Am Woman’ Film Review: Helen Reddy Drama Finds the Soft Side of Music Biopics
The film has plenty of affection for its subject, but it lacks the energy of “Bohemian Rhapsody” or the craziness and artistic license of “Rocketman”
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‘Pieces of a Woman’ Film Review: Vanessa Kirby, Shia LaBeouf Explore Shades of Grief
Venice Film Festival: The film from Cannes-winning director Kornel Mundruczó is an extended meditation on coping with unimaginable loss
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‘All In: The Fight for Democracy’ Film Review: Stacey Abrams Documentary Is Timely and Terrifying
Lisa Cortés and Liz Garbus’ doc focuses on Abrams’ campaign for governor of Georgia but expands far past that to encompass nearly 200 years of voter suppression
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‘The Broken Hearts Gallery’ Film Review: Rom-Com Is a Pleasant Diversion in a Tough Situation
One of the first studio films released back into theaters, the breezy romance with Geraldine Viswanathan and Dacre Montgomery is coming out at an odd time for a movie that celebrates community and connection
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‘Mulan’ Film Review: Epic Disney Remake Ditches the Songs and the Dragon but Has Heart
The expensive Disney+ release veers further from its source than any of the studio’s other recent live-action remakes of its animated films
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‘The Owners’ Film Review: Maisie Williams Is in Big Trouble – Again
Based on a French comic book, “The Owners” escalates from creepy to ludicrous over the course of 92 deliberately unpleasant minutes
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Fall Film Festivals Struggle for Relevance in the Year of Coronavirus
Scaled-down Venice and Toronto festivals and MIA movies will likely mute the impact of the events that usually launch awards season
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Awards
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Chadwick Boseman’s Manifesto: ‘I Want to Break Barriers in Every Way I Can’
“As an African American artist and filmmaker, that’s my goal, every time,” the actor told TheWrap
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Business
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‘The Personal History of David Copperfield’ Film Review: Armando Iannucci Meets Charles Dickens
The creator of “Veep” and “The Death of Stalin” has fun with a color-blind take on Dickens’ large and wacky cast of characters
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Keanu Reeves Recalls 7-Hour ‘Orgy’ of Auditions for Original ‘Bill & Ted’ in Unpublished 1987 Interview (Exclusive)
“I have other interests, but none as all-consuming as this godawful job,” a 22-year-old Reeves said in this previously unpublished interview
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Here’s an Excellent Flashback: Keanu Reeves and Alex Winter’s Earliest ‘Bill & Ted’ Interviews (Exclusive)
“I’m pretty bad,” Reeves said of his acting on the set of the cult classic from 33 years ago
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Awards
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‘Bill & Ted Face the Music’ Film Review: Our Heroes Battle an Excellent Midlife Crisis
Alex Winter and Keanu Reeves return in a long-awaited third “Bill & Ted” movie that would rather be charming than frantic, and ups the stakes without feeling the need to get louder or more aggressive
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‘I’m Thinking of Ending Things’ Film Review: Charlie Kaufman Is Messing With Our Heads Again
Watch out, “Tenet” — Christopher Nolan is not the only director making long, stylish brain-teasers these days
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‘You Cannot Kill David Arquette’ Film Review: Enjoy the Documentary, But Don’t Trust It
The film about Arquette’s return to professional wrestling sends up plenty of red flags, but it’s also a robust (albeit bloody) piece of entertainment
