Columns
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Peter Chan’s ‘American Dreams in China’ Backfires (Guest Blog)
It’s not really Chan’s film, since it was produced and written by Beijingers more interested in propaganda than storytelling
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Dan Bloom -
‘The Walking Dead’: R.I.P., Whatever Your Name Was
Let us pause in memory of, um…
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‘Rush’ Captures the Testosterone-Driven World of Formula One Racing as I Recall It
My introduction to Formula One was a friendship with Jackie Stewart; Ron Howard got it right
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Carole Mallory -
‘Walking Dead’ Reviews: Anyone Else Kind of Bored?
Character development? Or just a lot of heavy handed seed-planting?
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‘Walking Dead’ Reviews: Was Anyone Else Kind of Bored?
Character development, or just a lot of heavy-handed setup?
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2 Powerful Political Films at the New York Film Festival (Guest Blog)
From “Captain Phillips” to Agnieszka Holland’s “Burning Bush”
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Aviva Kempner -
Bravo to Tucson and Its Appreciation of Mid-Century Art & Architecture (Guest Blog)
Modernism Week was “‘Mad Men’ Comes to Arizona” — a celebration of Tucson’s ’50s, ’60s and ’70s iconic lifestyle
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Carole Mallory -
Thanks, Joseph Gordon-Levitt, for Nailing Men for Objectifying Women (Guest Blog)
Why his “Don Jon” is a perfect 10
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Carole Mallory -
‘Breaking Bad’: What It All Means
Walter White breaks bad to avoid breaking worse — just like you and me
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‘Breaking Bad’ Finale: Just Perfect (Video)
Spoiler alert: That was astonishing
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‘Breaking Bad’ Finale: 5 Things to Know If You’ve Never Seen the Show
Planning to watch the finale cold? Let TheWrap be your guide as you make a huge mistake
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The Music of Film and Television: Is There a Difference? (Guest Blog)
One good melody can carry a whole film, but in serialized TV, it needs to be developed so to not wear out its welcome
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Jeff Cardoni -
‘Alone Together’ Isn’t About the Teddy Getty Gaston That I Knew (Guest Blog)
From J. Paul Getty’s cheapness, to his grandson’s kidnapping, why didn’t biographer Digby Diehl dig?
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Carole Mallory -
Distributing Your Film: Breaking Into Cable, Foreign and the Internet VOD (Guest Blog)
They are not as hard to access as most producers and directors think
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Jerome Courshon











