Reviews
-
‘Sicario: Day of the Soldado’ Film Review: Slick Sequel Ups the Violence But Loses the Point
Josh Brolin and Benicio Del Toro return for a morally and ideologically vacant shoot-em-up
By
William Bibbiani -
‘Three Identical Strangers’ Film Review: Doc Follows Separated Triplets Down Tragic Life Paths
Sundance: The joyous reunion of three brothers eventually gives way to the dark reasons why they were split up in the first place
By
Dan Callahan -
‘Ideal Home’ Film Review: Paul Rudd and Steve Coogan Become Unlikely Dads, Hilariously
Andrew Fleming’s charming tale of two gay men embracing paternity displays the writer-director’s trademark wit and visual style
By
Dan Callahan -
‘Jurassic World: Fallen Kingdom’ Film Review: Dinos Return in a Sequel Drained of Suspense
How hard is it to make running away from a rampaging dinosaur look at least a little exciting?
By
Dan Callahan -
‘The Catcher Was a Spy’ Film Review: Paul Rudd Espionage Saga Strikes Out
The story of a Jewish LGBT genius baseball player spying against the Nazis shouldn’t be this lacking in thrills
By
William Bibbiani -
‘Damsel’ Film Review: Robert Pattinson and Mia Wasikowska Dazzle in Audacious Western
The film skewers gender expectations in a satisfying way, even if it’s the same joke told multiple times
By
William Bibbiani -
‘The Icarus Line Must Die’ Film Review: Punk Tale Takes a Gritty L.A. Snapshot
The Icarus Line’s Joe Cardamone is our guide through a punk scene that’s being supplanted by shiny, empty music
-
‘Boundaries’ Film Review: Vera Farmiga-Christopher Plummer Road Trip Has Its Limits
The stars have their moments as a stressed mom and her delinquent dad, but early promise gives way to by-the-numbers sentiment
By
Robert Abele -
‘Tag’ Film Review: Entertaining Action Comedy Chases in Too Many Directions
It doesn’t quite balance its Jackie Chan slapstick with its James L. Brooks sentiments, but it’s a fun way to spend recess
By
William Bibbiani -
‘Incredibles 2’ Film Review: Pixar’s Superhero Family Is Back, Baby – and What a Baby
Whatever the opposite of phoning in a sequel is, that’s Brad Bird’s progressive-minded, thunderously fun mix of super saves, throwback aesthetics and family comedy
By
Robert Abele -
‘Bernard and Huey’ Film Review: Jules Feiffer’s Cartoon Characters Don’t Translate to 3 Dimensions
The leads, played by David Koechner and Jim Rash, tell you right away they’re neurotic narcissists, and that’s all the film has to say about them
By
William Bibbiani -
‘Half the Picture’ Film Review: Women Directors Tell All in Illuminating, Infuriating Doc
Vets like Ava DuVernay and Catherine Hardwicke share stories from an industry that still suffers from a shocking gender disparity
-
‘Alex Strangelove’ Film Review: Bittersweet Coming-Out Comedy Takes Teens Seriously
Writer-director Craig Johnson (“The Skeleton Twins”) gets the hilarity and the angst just right
By
William Bibbiani -
‘Hotel Artemis’ Film Review: Jodie Foster Heals Criminals, but This Dystopian Thriller Still Ails
A messy, dumb, but occasionally entertaining future-imperfect thriller about a hospital for bad people
By
Robert Abele -
‘A Kid Like Jake’ Film Review: Claire Danes’ and Jim Parsons’ Parental Problems Push the Kid Offstage
Jake likes to dress up as Disney princesses, but he gets too little camera time in this stagebound drama
By
Dan Callahan














