Reviews
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‘Gosnell’ Film Review: Dean Cain Investigates Killer in Anti-Abortion Screed Disguised as Drama
“The Trial of America’s Biggest Serial Killer” starts as a balanced look at a tough subject before going virulently anti-abortion rights
By
William Bibbiani -
‘The Guilty’ Film Review: Denmark’s Oscar Entry Spins Breathless Suspense
Focusing entirely on one policeman on the phone, trying to save a desperate woman, Gustav Möller’s directorial debut is thrilling and provocative
By
James Greenberg -
‘Mid90s’ Film Review: Jonah Hill Scores Solid Directorial Debut With Coming-of-Age Indie
Young skateboarders pursue their dreams in a film that hauntingly evokes a very specific era
By
Elizabeth Weitzman -
‘Wildlife’ Film Review: Carey Mulligan Excels in Paul Dano’s Family Drama
Dano’s directorial debut adapts Richard Ford with beautiful, compassionate, visual intelligence, with a career-best Mulligan as a dissatisfied housewife
By
Robert Abele -
‘What They Had’ Film Review: Strong Cast Shines in Tough, Loving Alzheimer’s Tale
First-time writer-director Elizabeth Chomko avoids mawkishness in a story of how one family copes with a mother’s dementia
By
Tricia Olszewski -
‘Halloween’ Film Review: Jamie Lee Curtis Confronts Michael Myers in Stylish Sequel
Director David Gordon Green doesn’t give the franchise a glorious rebirth, but at least it’s a functional facsimile
By
William Bibbiani -
‘Bigger’ Film Review: Bodybuilding Biopic Won’t Pump You Up
The rags-to-riches story of fitness magazine/weightlifting visionary Joe Weider gets rushed, superficial bio treatment
By
Robert Abele -
‘Stella’s Last Weekend’ Film Review: Brothers Nat and Alex Wolff Play Siblings in Love with the Same Girl
Actress-filmmaker Polly Draper skillfully directs her actor sons in a low-key comedy about heartbreak and loss
By
Tricia Olszewski -
‘Bad Times at the El Royale’ Film Review: Chris Hemsworth and Jon Hamm on a Dazzling ’70s Night
This twisty tale from writer-director Drew Goddard (“The Cabin in the Woods”) calls to mind the best, and the worst, of his contributions to “Lost”
By
William Bibbiani -
‘The Kindergarten Teacher’ Film Review: Maggie Gyllenhaal Blurs Boundaries as an Art-Obsessed Educator
The actress gives a powerful performance in this subtle examination of a woman seeking creative fulfillment
By
Elizabeth Weitzman -
‘The Oath’ Film Review: Ike Barinholtz’s Directorial Debut Spins a Timely, Messy Political Parable
The first half of the writer-director-star’s comedy nails the zeitgeist before the narrative loses its way
By
William Bibbiani -
‘Goosebumps 2’ Film Review: Kiddie Horror Franchise Skids Into Sophomore Slump
This “Haunted Halloween” is something of a letdown after its sleeper-hit predecessor, but Wendi McLendon-Covey steals the show
By
William Bibbiani -
‘The Happy Prince’ Film Review: Rupert Everett Gets Under Oscar Wilde’s Skin
The actor isn’t always the most assured writer-director, but he does understand the essence of his troubled, talented hero
By
Dan Callahan -
‘Studio 54’ Film Review: Disco Doc Skims the Surface Like Club Owners Skimming Profits
With the outspoken Steve Rubell gone, we’re left with the guarded Ian Schrager to tell the tale of the legendarily debauched nightspot
By
Dan Callahan -
‘Trouble’ Film Review: Anjelica Huston and Bill Pullman Wage a Family Feud
The performances outweigh the plotting in this gentle tale of siblings clashing over inherited land
By
Tricia Olszewski














