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Creative Content

Reviews

  • ‘Colette’ Film Review: Keira Knightley Offers a Tasteful Look at a Rebellious Artist

    The boundary-pushing French author becomes the subject of an effective but tame biopic from Wash Westmoreland (“Still Alice”)

    By

    Elizabeth Weitzman
    September 21, 2018 @ 7:37 AM
    Reviews
    7:37 AM
    ‘Colette’ Film Review: Keira Knightley Offers a Tasteful Look at a Rebellious Artist
  • ‘Life Itself’ Film Review: Canned Tear-Jerker About Destiny Is a Jaw-Dropping Mess

    “This Is Us” creator Dan Fogelman’s gimmicky play for your heartstrings wastes good actors and overdoses on tragedy

    By

    Robert Abele
    September 20, 2018 @ 10:50 AM
    Reviews
    10:50 AM
    ‘Life Itself’ Film Review: Canned Tear-Jerker About Destiny Is a Jaw-Dropping Mess
  • ‘Love, Gilda’ Film Review: Gilda Radner Lives Again in Touching Documentary

    First-time director Lisa D’Apolito captures the comedy and the tragedy of the beloved “SNL” star

    By

    Elizabeth Weitzman
    September 19, 2018 @ 8:30 AM
    Reviews
    8:30 AM
    ‘Love, Gilda’ Film Review: Gilda Radner Lives Again in Touching Documentary
  • ‘House With a Clock in Its Walls’ Film Review: Eli Roth Directs a Fun, Family-Friendly Halloween Frolic

    Cate Blanchett and Jack Black are clearly having a blast as a friendly witch and warlock, and their joy is infectious

    By

    William Bibbiani
    September 18, 2018 @ 6:00 AM
    Reviews
    6:00 AM
    ‘House With a Clock in Its Walls’ Film Review: Eli Roth Directs a Fun, Family-Friendly Halloween Frolic
  • ‘Bel Canto’ Film Review: Julianne Moore Thriller Hits All the Wrong Notes

    Moore (as an opera diva) and Ken Watanabe are held captive in a flailing, pointless adaptation of Ann Patchett’s best-seller

    By

    William Bibbiani
    September 14, 2018 @ 7:21 AM
    Reviews
    7:21 AM
    ‘Bel Canto’ Film Review: Julianne Moore Thriller Hits All the Wrong Notes
  • ‘American Chaos’ Film Review: Day-Late, Dollar-Short Doc Traces Trump’s Rise to the White House

    After endless profiles in The New York Times about What Trump Voters Really Think, the last thing we need is a movie on the same subject

    By

    Todd Gilchrist
    September 13, 2018 @ 5:13 PM
    Reviews
    5:13 PM
    ‘American Chaos’ Film Review: Day-Late, Dollar-Short Doc Traces Trump’s Rise to the White House
  • ‘Mandy’ Film Review: Nicolas Cage Takes a Big Bite Out of This Mad, Metal Midnight Movie

    Panos Cosmatos’ follow-up to “Beyond the Black Rainbow” is a death-metal album cover and van painting brought to ultraviolent life

    By

    William Bibbiani
    September 13, 2018 @ 4:46 PM
    Reviews
    4:46 PM
    ‘Mandy’ Film Review: Nicolas Cage Takes a Big Bite Out of This Mad, Metal Midnight Movie
  • ‘Unbroken: Path to Redemption’ Film Review: Low-Budget Sequel Oversells Its Message

    This in-name-only follow-up to Angelina Jolie’s biopic accentuates the conversion narrative, pushing racism and slamming psychiatry along the way

    By

    Carlos Aguilar
    September 13, 2018 @ 3:03 PM
    Reviews
    3:03 PM
    ‘Unbroken: Path to Redemption’ Film Review: Low-Budget Sequel Oversells Its Message
  • ‘A Boy. A Girl. A Dream.’ Film Review: New Lovers Clash on Election Night 2016

    Meagan Good and Omari Hardwick star in an underwritten one-take film that’s like like an irritating, combative “Before Sunrise”

    By

    Tricia Olszewski
    September 13, 2018 @ 2:25 PM
    Reviews
    2:25 PM
    ‘A Boy. A Girl. A Dream.’ Film Review: New Lovers Clash on Election Night 2016
  • ‘The Predator’ Film Review: Shane Black Further Dumbs Down This Sci-Fi/Horror Franchise

    The worst movie in the “Predator” series that doesn’t have the words “Alien vs.” in the title

    By

    William Bibbiani
    September 13, 2018 @ 1:45 PM
    Reviews
    1:45 PM
    ‘The Predator’ Film Review: Shane Black Further Dumbs Down This Sci-Fi/Horror Franchise
  • ‘Where Hands Touch’ Film Review: Amandla Stenberg Packs Emotion in Earnest Holocaust Drama

    Toronto Film Festival 2018: Director Amma Asante (“Belle”) shares an intimate story of Afro-German persecution during WWII

    By

    Elizabeth Weitzman
    September 13, 2018 @ 12:30 PM
    Reviews
    12:30 PM
    ‘Where Hands Touch’ Film Review: Amandla Stenberg Packs Emotion in Earnest Holocaust Drama
  • ‘The Land of Steady Habits’ Film Review: Nicole Holofcener Turns Her Sharp Eye Toward Masculine Identity Crises

    Toronto Film Festival 2018: Ben Mendelsohn and Edie Falco star as unhappy suburbanites, in an “Ice Storm” for our age

    By

    Elizabeth Weitzman
    September 13, 2018 @ 7:48 AM
    Reviews
    7:48 AM
    ‘The Land of Steady Habits’ Film Review: Nicole Holofcener Turns Her Sharp Eye Toward Masculine Identity Crises
  • ‘White Boy Rick’ Film Review: Real-Life Drug Saga Bolstered by Strong Performances

    Even if Richie Merritt never acts again, he’s made an indelible mark with his naturalist turn as a teenage drug dealer and FBI informant

    By

    Todd Gilchrist
    September 11, 2018 @ 10:23 AM
    Reviews
    10:23 AM
    ‘White Boy Rick’ Film Review: Real-Life Drug Saga Bolstered by Strong Performances
  • ‘A Simple Favor’ Film Review: Anna Kendrick and Blake Lively Mix Martinis and Murder in Disappointing Comedy-Mystery

    Paul Feig’s cocktail of suburban noir and modern laughs misfires when its thriller elements ramp up

    By

    Robert Abele
    September 9, 2018 @ 3:00 PM
    Reviews
    3:00 PM
    ‘A Simple Favor’ Film Review: Anna Kendrick and Blake Lively Mix Martinis and Murder in Disappointing Comedy-Mystery
  • ‘God Bless the Broken Road’ Film Review: Faith-Based Drama Offers More Facile Homilies

    The creator of “God’s Not Dead” returns with another preachy, bigoted sermonette that values messaging over drama

    By

    Carlos Aguilar
    September 8, 2018 @ 8:24 AM
    Reviews
    8:24 AM
    ‘God Bless the Broken Road’ Film Review: Faith-Based Drama Offers More Facile Homilies
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