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Creative Content

Reviews

  • ‘Paris Can Wait’ Review: Diane Lane’s Gourmet Road Trip Is Hard to Digest

    Eleanor Coppola (“Hearts of Darkness”) makes a disappointing narrative debut with a tale that could have been called “Eat, Drive, Bore”

    By

    Claudia Puig
    May 11, 2017 @ 1:27 PM
    Reviews
    1:27 PM
    ‘Paris Can Wait’ Review: Diane Lane’s Gourmet Road Trip Is Hard to Digest
  • ‘Lowriders’ Review: The Cars Are the Real Stars of This East LA Drama

    Demián Bichir gives this earnest family tale his all, but the drama pales next to the gleam of the custom cars

    By

    Elizabeth Weitzman
    May 11, 2017 @ 12:59 PM
    Reviews
    12:59 PM
    ‘Lowriders’ Review: The Cars Are the Real Stars of This East LA Drama
  • ‘The Wall’ Review: Aaron Taylor-Johnson Pinned Down by a Sniper and a Minimalist Script

    Doug Liman’s pared-down, Iraq-set war movie never fully expresses what it has to say about human conflict

    By

    Sam Fragoso
    May 10, 2017 @ 5:51 PM
    Reviews
    5:51 PM
    ‘The Wall’ Review: Aaron Taylor-Johnson Pinned Down by a Sniper and a Minimalist Script
  • ‘Snatched’ Review: Amy Schumer and Goldie Hawn Make an Uneven Duo in Comic Misadventure

    There are sporadic laughs in this haphazard mother-daughter vacation gone wrong, but with this dream comedy pairing — it should be funnier

    By

    Robert Abele
    May 9, 2017 @ 10:00 PM
    Reviews
    10:00 PM
    ‘Snatched’ Review: Amy Schumer and Goldie Hawn Make an Uneven Duo in Comic Misadventure
  • ‘Burden’ Review: Pioneering, Provocative Artist Chris Burden Gently Explained in New Doc

    The late bad boy of death-defying performance and life-affirming sculpture (including those famous L.A. streetlights) remembered warmly and with respect

    By

    Dave White
    May 5, 2017 @ 9:54 AM
    Reviews
    9:54 AM
    ‘Burden’ Review: Pioneering, Provocative Artist Chris Burden Gently Explained in New Doc
  • ‘The Dinner’ Review: Laura Linney, Steve Coogan Cram Too Much on Their Plate

    Oren Moverman (“The Messenger”) overserves the ideas in this topical thriller-satire

    By

    Ben Croll
    May 4, 2017 @ 2:35 PM
    Reviews
    2:35 PM
    ‘The Dinner’ Review: Laura Linney, Steve Coogan Cram Too Much on Their Plate
  • ‘Risk’ Review: Julian Assange Doc Only Scratches Surface of Controversy

    Oscar-winning documentarian Laura Poitras got plenty of access to the WikiLeaks founder, but a full portrait remains maddeningly elusive

    By

    Robert Abele
    May 4, 2017 @ 12:37 PM
    Reviews
    12:37 PM
    ‘Risk’ Review: Julian Assange Doc Only Scratches Surface of Controversy
  • ‘How to Be a Latin Lover’ Review: Gigo-Lowbrow Comedy Disappoints

    Mexican star Eugenio Derbez leads a talented cast doing their best to elevate this broad farce

    By

    Claudia Puig
    April 28, 2017 @ 11:25 AM
    Reviews
    11:25 AM
    ‘How to Be a Latin Lover’ Review: Gigo-Lowbrow Comedy Disappoints
  • ‘Slack Bay’ Review: Merchant Ivory Meets Monty Python in Period Farce

    Juliette Binoche leads a cast having a great time — and that enjoyment is infectious in Bruno Dumont’s latest

    By

    Sam Fragoso
    April 27, 2017 @ 7:15 PM
    Reviews
    7:15 PM
    ‘Slack Bay’ Review: Merchant Ivory Meets Monty Python in Period Farce
  • ‘Sleight’ Review: Promising First Feature Combines Street Magic, Crime and Sci-Fi

    Jacob Latimore is a winning young hero playing a street magician in over his head with criminals in director and co-writer JD Dillard’s confident genre hybrid

    By

    Robert Abele
    April 27, 2017 @ 5:59 PM
    Reviews
    5:59 PM
    ‘Sleight’ Review: Promising First Feature Combines Street Magic, Crime and Sci-Fi
  • ‘Let It Fall’ Review: John Ridley’s Powerful Documentary Examines the 1992 LA Riots

    A combination of enlightening, well-edited interviews and convulsive archival footage weaves a sad, shameful tale of incendiary racial tensions, from fuse to fire

    By

    Robert Abele
    April 21, 2017 @ 4:31 PM
    Reviews
    4:31 PM
    ‘Let It Fall’ Review: John Ridley’s Powerful Documentary Examines the 1992 LA Riots
  • ‘Jeremiah Tower: The Last Magnificent’ Review: Gourmet Doc Serves Delicious Dish

    Despite losing its way in the final courses, this film examines the unsung hero who helped invent the celebrity chef

    By

    Tricia Olszewski
    April 21, 2017 @ 12:15 PM
    Reviews
    12:15 PM
    ‘Jeremiah Tower: The Last Magnificent’ Review: Gourmet Doc Serves Delicious Dish
  • ‘Free Fire’ Review: Ben Wheatley Sends Losers, Guns and Money

    The British writer-director gives us lots of stars (including Brie Larson and Armie Hammer) shooting lots of bullets, to little effect

    By

    Claudia Puig
    April 20, 2017 @ 4:07 PM
    Reviews
    4:07 PM
    ‘Free Fire’ Review: Ben Wheatley Sends Losers, Guns and Money
  • ‘Unforgettable’ Review: Katherine Heigl and Rosario Dawson Fight a Trashy War on Motherhood

    Freed from likability, Heigl tears it up as an obsessive ex with mayhem on her mind

    By

    Dave White
    April 20, 2017 @ 10:00 AM
    Reviews
    10:00 AM
    ‘Unforgettable’ Review: Katherine Heigl and Rosario Dawson Fight a Trashy War on Motherhood
  • ‘Norman’ Review: Richard Gere Schemes His Way Through One of His Greatest Roles

    In the new comedy from the director of “Footnote,” Gere wheeler-dealers his way around Manhattan, even when no one’s listening

    By

    Claudia Puig
    April 14, 2017 @ 6:03 PM
    Reviews
    6:03 PM
    ‘Norman’ Review: Richard Gere Schemes His Way Through One of His Greatest Roles
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