Reviews
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‘Have a Nice Day’ Film Review: Chinese Animated Noir Is a Wry, Cool Money Chase
Steeped in the realities of modern China, Liu Jian’s bleak pop thriller about a sought-after bag of cash is a gritty animated gem
By
Robert Abele -
‘Hostiles’ Film Review: Christian Bale Leads Mournful Tale of Settlers and Native Americans
This Old West saga’s tale of racism and the near-impossibility of redemption rings all too true today
By
James Greenberg -
‘The Final Year’ Film Review: Obama Doc Reminds Us What a Difference a Few Months Make
Watching intelligent, stable adults work on foreign policy may cause pangs of painful nostalgia
By
Elizabeth Weitzman -
‘Mom and Dad’ Film Review: Nicolas Cage Is Crazy for His Kids in Horror-Comedy
Stressed parents start attacking their own children in this midnight-movie slice of suburban hell
By
Robert Abele -
‘Den of Thieves’ Film Review: Heist Caper Steals from ‘Heat,’ Pulls Off the Job
Gerard Butler and Pablo Schreiber face off in a film that apes Michael Mann’s crime classic to surprising success
By
Todd Gilchrist -
‘Phantom Thread’ Film Review: Paul Thomas Anderson, Daniel Day-Lewis Strike a Pose
The disruptive love between a British designer and his young muse is explored with sophistication and humor in PTA’s latest masterpiece
By
Robert Abele -
‘Mary and the Witch’s Flower’ Film Review: Studio Ghibli Vets Make Magic
Studio Ponoc teams with director Hiromasa Yonebayashi for an animated fantasy of sweep and drive
By
Ray Greene -
‘My Art’ Film Review: Portrait of the Artist as an Under-Recognized Woman
Writer-director-star Laurie Simmons — Lena Dunham’s artist mom — crafts her own sometimes awkward, sometimes attuned, mildly amusing indie ode to the creating of art
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Robert Abele -
‘Saturday Church’ Film Review: Character Study of a Young Black LGBT Man Feels Too Tentative
First-time writer-director Damon Cardasis approaches his characters and their world at arm’s length
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Dan Callahan -
‘Paddington 2’ Film Review: Get Ready for More Teddy in This Delightful Romp
This is the rare sequel that’s even better than its predecessor
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Nicholas Barber -
‘In Between’ Film Review: Compelling Drama Explores the Lives of Young Arab-Israeli Women
Writer-director Maysaloun Hamoud captures the vibrant lives of a trio of Arab-Israeli women daring to be independent
By
Elizabeth Weitzman -
‘In the Fade’ Film Review: Germany’s Oscar Entry Stars Diane Kruger as a Justice-Seeking Widow
Acclaimed director Fatih Akin explores the aftereffects of xenophobic hate crime through Kruger’s gripping portrayal
By
Robert Abele -
‘Father Figures’ Movie Review: Owen Wilson and Ed Helms Find No Laughs in Their Daddy Hunt
Coasting from tired situation to tired situation, this mealy road trip comedy strains one’s patience for raunchy bickerfests
By
Robert Abele -
‘Bright’ Film Review: Will Smith Struggles in Astoundingly Bad New Sci-Fi Movie
Even star’s irrepressible charisma can’t compete with muddy production design, poorly-conceived characters and a profoundly stupid racial metaphor
By
Todd Gilchrist -
‘The Greatest Showman’ Film Review: Hugh Jackman’s Barnum Musical Is an Empty Tent
Forgettable songs, ADHD pacing and cardboard characters make for a shallow biopic of the circusmaster
By
Robert Abele














