‘Concrete Cowboy’ Film Review: Idris Elba Drama Finds Vibrant Life at Street-Corner Stables
Director Ricky Staub uses the real-life Fletcher Street Stables to explore a subculture that has been largely ignored outside of Philadelphia for generations
Director Ricky Staub uses the real-life Fletcher Street Stables to explore a subculture that has been largely ignored outside of Philadelphia for generations
The title may conjure up the supernatural, but this shrewd film contemplates the actual genocide perpetrated against Guatemala’s indigenous population
ChloĆ© Zhao’s film is a gentle, uncommonly rich drama in which the main character hits the road not to get away from home, but to find it
J Blakeson’s black comedy is a nasty little piece of provocation based around scenery-chewing badness from Pike and Peter Dinklage
Muhammad Ali, Malcolm X, Jim Brown, and Sam Cooke spend a memorable evening together in Kemp Powers’ adaptation of his stage play
This incisive and insightful drama about drinking to excess is more about mid-life crises than a sermon about demon rum
The team behind “Song of the Sea” and “The Secret of Kells” deliver another tale that’s charming, exciting, and thought-provoking
The 19th-century romance is a chamber duet by two virtuosos, reined in by a director who embraces the emotional but rarely gets sentimental
Boston mayor Marty Walsh becomes a constant figure in this examination of the good that government can potentially do with community involvement
TIFF 2020: Sam Pollard’s documentary is a densely-packed story about how King was constantly harassed and surveilled by the FBI
TIFF2020: “I think its a really important and often ignored part of the narrative of the pandemic,” director tells TheWrap’s Brian Welk
TIFF 2020: The film highlights former White House photographer Pete Souza’s work and the visible contrast between the Trump and Obama administrations
TIFF 2020: Animated feature from “The Secret of Kells” team finds parallels from modern day to 17th Century
TIFF 2020: “Because it’s so much a portrait of our country and our culture and our people that it is us who need to tell this story”
TIFF 2020: “Nobody really knew who these truffle hunters were,” Dweck tells TheWrap