Report From Venice
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Venice Jury President Alexander Payne Denies Rumors Juror Threatened to Quit Over ‘Voice of Hind Rajab’ Snub
The allegations are “unfair,” he says after “Father Mother Sister Brother” won the top prize, adding, “we wish both of those films a long and important life”
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‘Orphan’ Review: László Nemes’ Period Epic Is Slow as Molasses
Venice Film Festival: The 1957-set film from the “Son of Saul” filmmaker takes place in the wake of Budapest’s uprising against the Communist regime
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‘In the Hand of Dante’ Review: Oscar Isaac’s Julian Schnabel Collab Is Too Self-Serious to Be Taken Seriously
Venice Film Festival: The Oscar-nominated filmmaker debuts a bizarre saga of crime and reincarnation
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‘The Stranger’ Review: François Ozon Deepens the Psychology of Camus’ Antihero
Venice Film Festival: This adaptation of the landmark novel expands on its source material while still ringing true
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‘Remake’ Review: Ross McElwee’s Beautifully Constructed Doc Pays Moving Tribute to His Son
Venice Film Festival: The filmmaker’s incorporation of his late son’s own footage elevates this beautiful, tragic movie from powerful to profound
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Julian Schnabel Defends Gal Gadot and Gerard Butler, Says Being Pro-Israel Is ‘No Reason to Boycott Artists’
“I selected those actors for their merits as actors,” the “In the Hand of Dante” director says at the Venice International Film Festival
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‘A House of Dynamite’ Review: Kathryn Bigelow’s Riveting Thriller Is a Nuclear Nightmare
Venice Film Festival: The director’s story of a potential missile launch aimed at the U.S. delineates the inner workings of the national security apparatus with a muscularity that is all her own
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‘La Grazia’ Set for December Theatrical Release After Venice Premiere
Mubi will bring Paolo Sorrentino’s film to theaters on Dec. 5
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A Toast to Awards Season, Hosted by TheWrap’s Steve Pond at the 2025 Venice Film Festival | Photos
Venice Film Festival: TheWrap’s cocktail event celebrated cinematic excellence at the Venice Film Festival
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‘The Smashing Machine’ Review: A Calm Dwayne Johnson Anchors Raw Martial Arts Drama
Venice Film Festival: Benny Safdie’s debut as a solo director has plenty of bloody fights, but it’s more interested in what comes after
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Cate Blanchett Hits the Venice Red Carpet for ‘Father Mother Sister Brother’ Premiere | Photos
Venice Film Festival: Blanchett, Vicky Krieps and Charlotte Rampling joined filmmaker Jim Jarmusch for the premiere of his new film
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‘Late Fame’ Review: Willem Dafoe Shines as a New York Poet Grappling With Delayed Renown
Venice Film Festival: Kent Jones’ Soho farce is based on Arthur Schnitzler’s posthumous novella of the same name
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‘The Testament of Ann Lee’ Review: Amanda Seyfried Is a Charismatic Prophet in Shaker Musical
Venice Film Festival: Mona Fastvold’s zealous historical music chronicles the rise of a religious leader in 18th century Manchester
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Jim Jarmusch ‘Disappointed’ by ‘Father Mother Sister Brother’ Co-Producer Mubi’s Ties to Israeli Defense Investor Sequoia
But “all corporate money is dirty,” the director tells reporters at the Venice Film Festival
