Reviews
-
‘Heart Eyes’ Review: Josh Ruben’s Rom-Com Slasher Is the Best Emoji Movie Ever
A serial killer ruins Olivia Holt and Mason Gooding’s Valentine’s Day in an exceptional genre hybrid.
-
‘Kinda Pregnant’ Review: Amy Schumer’s Fake Pregnancy Rom-Com Is Kinda Bad
In the Netflix movie, the comedian plays a woman who pretends to be pregnant because she’s miserable — kinda like the audience
-
‘Lurker’ Review: A Compelling Meditation on Young Men’s Need to Belong
Sundance 2025: “Beef” and “The Bear” writer Alex Russell’s debut feature chronicles a hanger-on’s relationship with fame
-
‘You’re Cordially Invited’ Review: No Need to RSVP for Disappointing Reese Witherspoon and Will Ferrell Affair
When it’s over, you’ll either instantly forget it or wonder why you’ve got such a sour taste in your mouth
-
‘Flight Risk’ Review: Mark Wahlberg Hams It Up in Mel Gibson’s Basic Airplane Thriller
Ninety minutes in a confined space with Wahlberg screaming threats of sexual violence? Hard pass
-
‘The Six Triple Eight’ Review: Tyler Perry’s Inspiring World War II Postal Drama (Mostly) Delivers
Clunky storytelling doesn’t get in the way of this important real-life story
-
‘The Day the Earth Blew Up’ Review: A Looney Tunes Movie to Go ‘Woohoo!-Woohoo!-Woohoo!’ Over
Porky Pig and Daffy Duck face off against alien nightmare fuel in a magnificently-animated new feature
-
‘Tammy Faye’ Broadway Review: Elton John Delivers a Very Long Infomercial
The TV Evangelist scam artist with too much makeup is turned into a feminist saint worshiped by gay men
-
‘The Best Christmas Pageant Ever’ Review: Hey! Unto You a Great Christmas Movie Is Born!
Judy Greer and Pete Holmes star in a smart, funny, impressive adaptation of the classic holiday book
-
‘Absolution’ Review: Liam Neeson Is Liam Neeson in Yet Another Liam Neeson Movie
The actor headlines a dreary, monotonous, familiar crime drama about an aging gangster in cognitive decline
-
‘Juror #2’ Review: Clint Eastwood’s Taut, Understated Courtroom Drama Ends Up a Mistrial
The movie overcomes a difficult-to-swallow premise with unsentimental filmmaking and a fine lead performance from Nicholas Hoult before being dismissed on technicalities
By
Michael Ordoña -
‘Venom: The Last Dance’ Review: Tom Hardy Can’t Save Plot-Heavy Sequel
Sony’s third “Venom” movie largely abandons the weirdness that made the first two films enjoyable
-
All 49 Stephen King Movies, Ranked Worst to Best
Where does “The Monkey” place among the many big-screen adaptations of the horror master’s work?
-
‘Apartment 7A’ Review: Julia Garner Leads Paint-by-Numbers ‘Rosemary’s Baby’ Prequel
Fantastic Fest: Dianne Wiest steals scenes in a movie that can’t quite escape Roman Polanski’s shadow
-
‘Speak No Evil’ Review: Creepy James McAvoy Creeps Us Out in a Creepy, Creepy Remake
Mackenzie Davis, Scoot McNairy and Aisling Franciosi co-star in an intelligent and terrifying horror thriller














