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Creative Content

Reviews

  • ‘Armstrong’ Film Review: Documentary Celebrates the Astronaut as Reluctant Hero

    Following in the lunar footsteps of “First Man” and “Apollo 11,” David Fairhead’s portrait of Neil Armstrong captures a humble man thrust into greatness

    By

    Candice Frederick
    July 10, 2019 @ 6:00 AM
    Reviews
    6:00 AM
    ‘Armstrong’ Film Review: Documentary Celebrates the Astronaut as Reluctant Hero
  • ‘Midsommar’ Film Review: Ari Aster’s ‘Hereditary’ Follow-Up Feels Muddled and Underwritten

    A fine ensemble, led by Florence Pugh, gets stuck playing the kind of horror characters you want to slap for their stupidity

    By

    Candice Frederick
    July 2, 2019 @ 8:30 AM
    Reviews
    8:30 AM
    ‘Midsommar’ Film Review: Ari Aster’s ‘Hereditary’ Follow-Up Feels Muddled and Underwritten
  • All 13 Danny Boyle Films, Ranked From Worst to Best (Photos)

    Where does “Yesterday” rank in the Oscar-winner’s oeuvre?

    By

    Todd Gilchrist
    June 29, 2019 @ 10:17 AM
    Reviews
    10:17 AM
    All 13 Danny Boyle Films, Ranked From Worst to Best (Photos)
  • ‘Maiden’ Film Review: Extraordinary Women Buck the Odds, Sail Around the World in New Documentary

    Director Alex Holmes vividly captures an all-female crew defying the elements — and sailing-world sexism — to achieve victory

    By

    Monica Castillo
    June 27, 2019 @ 4:08 PM
    Reviews
    4:08 PM
    ‘Maiden’ Film Review: Extraordinary Women Buck the Odds, Sail Around the World in New Documentary
  • ‘The Chambermaid’ Film Review: Mexican Drama Gives Powerful Voice to Invisible Laborers

    Actress Gabriela Cartol and first-time director Lila Avilés bring a hotel maid’s dreams and ambitions to vivid life

    By

    Carlos Aguilar
    June 26, 2019 @ 1:56 PM
    Reviews
    1:56 PM
    ‘The Chambermaid’ Film Review: Mexican Drama Gives Powerful Voice to Invisible Laborers
  • ‘Annabelle Comes Home’ Film Review: Horror Sequel Conjures Up Barely Any Real Scares

    Apart from a few performances (notably Mckenna Grace’s), this third “Annabelle” outing is a lifeless catalog of ineffective spooky stuff

    By

    Elizabeth Weitzman
    June 24, 2019 @ 2:00 PM
    Reviews
    2:00 PM
    ‘Annabelle Comes Home’ Film Review: Horror Sequel Conjures Up Barely Any Real Scares
  • ‘Anna’ Film Review: Luc Besson Repurposes His Own ‘La Femme Nikita,’ But Hey, the Wigs Look Great

    Supermodel-turned-actress Sasha Luss gives a star turn in a tired thriller that feels dreadfully familiar

    By

    William Bibbiani
    June 21, 2019 @ 1:35 PM
    Reviews
    1:35 PM
    ‘Anna’ Film Review: Luc Besson Repurposes His Own ‘La Femme Nikita,’ But Hey, the Wigs Look Great
  • ‘Child’s Play’ Film Review: The Old Doll’s Still Got a Little Life in New Reboot

    Chucky (now voiced by Mark Hamill) is more interesting as a sociopath-in-training than as the third-act slasher he becomes

    By

    Elizabeth Weitzman
    June 20, 2019 @ 9:00 AM
    Reviews
    9:00 AM
    ‘Child’s Play’ Film Review: The Old Doll’s Still Got a Little Life in New Reboot
  • ‘Wild Rose’ Film Review: Jessie Buckley Shines as a Scottish Singer With Nashville Dreams

    This star-is-born tale is old as time, but Buckley’s powerful musical and dramatic performance is a standout

    By

    Yolanda Machado
    June 19, 2019 @ 8:30 AM
    Reviews
    8:30 AM
    ‘Wild Rose’ Film Review: Jessie Buckley Shines as a Scottish Singer With Nashville Dreams
  • ‘The Lavender Scare’ Film Review: Doc Explores Government’s Pre-Stonewall Anti-LGBTQ Discrimination

    Powerful but occasionally muddled film delineates how gays and lesbians were unfairly treated as Cold War-era security risks

    By

    Dan Callahan
    June 18, 2019 @ 1:10 PM
    Reviews
    1:10 PM
    ‘The Lavender Scare’ Film Review: Doc Explores Government’s Pre-Stonewall Anti-LGBTQ Discrimination
  • ‘Toni Morrison: The Pieces I Am’ Film Review: Documentary Captures Legendary Novelist’s Singular Perspective

    Even with a Caucasian filmmaker, this portrait expresses the author’s view that black lives needn’t be defined solely by white eyes

    By

    Candice Frederick
    June 17, 2019 @ 9:53 AM
    Reviews
    9:53 AM
    ‘Toni Morrison: The Pieces I Am’ Film Review: Documentary Captures Legendary Novelist’s Singular Perspective
  • ‘The Spy Behind Home Plate’ Film Review: Documentary Recounts Moe Berg’s Improbably True Life Story

    Baseball, brilliance and espionage (but not sexuality) all surface as topics in Aviva Kempner’s fascinating biography

    By

    William Bibbiani
    June 14, 2019 @ 3:02 PM
    Reviews
    3:02 PM
    ‘The Spy Behind Home Plate’ Film Review: Documentary Recounts Moe Berg’s Improbably True Life Story
  • ‘Our Time’ Film Review: Mexican Visionary Carlos Reygadas Explores the Limits of Fidelity

    This latest masterpiece from the legendary filmmaker asks the hard questions about love and marriage and our fleeting existence

    By

    Carlos Aguilar
    June 14, 2019 @ 8:52 AM
    Reviews
    8:52 AM
    ‘Our Time’ Film Review: Mexican Visionary Carlos Reygadas Explores the Limits of Fidelity
  • ‘Being Frank’ Film Review: Jim Gaffigan Plays a Bigamist — But Is This a Comedy or a Drama?

    Miranda Bailey’s directorial debut feels torn between a serious situation and a farcical script

    By

    Dan Callahan
    June 13, 2019 @ 11:38 AM
    Reviews
    11:38 AM
    ‘Being Frank’ Film Review: Jim Gaffigan Plays a Bigamist — But Is This a Comedy or a Drama?
  • ‘The Raft’ Film Review: Compelling Doc Recounts Seagoing Social Experiment With Unexpected Results

    Participants in an imaginative anthropologist’s perilous 1973 test of isolation and endurance recount their turbulent experiences

    By

    Robert Abele
    June 13, 2019 @ 11:15 AM
    Reviews
    11:15 AM
    ‘The Raft’ Film Review: Compelling Doc Recounts Seagoing Social Experiment With Unexpected Results
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