Awards
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How ‘Top Chef’ Cast the Best of the Best for Its ‘World All-Stars’ Season
TheWrap magazine: Some cheftestants took convincing while others were an easy yes, casting director Ron Mare says
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John Oliver’s in a New Category — But Strikes Keep His Former Emmy Talk Show Competitors From Taking Advantage
The guy who always won has moved, but the nominees can’t campaign for the empty throne
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What Lena Waithe Learned From Mary Tyler Moore: ‘I Was Inspired to Write Timeless Television’
TheWrap magazine: The “Master of None” star served as one of the producers on the Emmy-nominated documentary “Being Mary Tyler Moore”
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‘Moonage Daydream’: What Quadruple Emmy Nominee Brett Morgen Borrowed From David Bowie
TheWrap magazine: “We were trying to use Bowie’s methods for creation to construct a movie about David Bowie,” the director says
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‘Ted Lasso’: How Its Emmy-Nominated VFX Team Fills Those Stadiums
TheWrap magazine: “We had 258 shots of football to turn over and a lot of other visual effects shots as well,” supervisor James MacLachlan says
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Jeff Probst Tries to Explain Why ‘Survivor’ Got an Emmy Nomination After a 17-Year Shutout
TheWrap magazine: The show is finally back in the Outstanding Reality Competition Program category for the first time since 2006
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How ‘George & Tammy’ Made Things Personal With Live Performances From Michael Shannon and Jessica Chastain (Exclusive Video)
“We wanted to find a visual language that would represent their struggles,” Emmy-nominated cinematographer Igor Martinovic says
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‘Life Below Zero,’ ‘Secrets of the Elephants’ and ‘The Territory’ DPs Keep National Geographic Dominating the Emmys
TheWrap magazine: The trio of nonfiction projects represent powerful, vastly different examples of the network’s advocacy-forward programming
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How Joni Mitchell’s PBS Special Captures the New Voice of a Musical Icon
TheWrap magazine: “It’s nothing short of a miracle that she’s back to where she is,” Emmy-nominated musical director Greg Philinganes says
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How ‘Still: A Michael J. Fox Movie’ Kept Things Short and Bittersweet
“Michael had one rule for us. No violins,” Emmy-nominated editor Michael Harte tells TheWrap
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Don’t Tell Natasha Lyonne She Makes Acting Look Easy in ‘Poker Face’
TheWrap magazine: “Probably because I have big hair and a New York accent, it seems like it all comes naturally,” the Emmy nominee says. “I’m actually a pretty neurotic, uptight New Yorker”
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Anthony Carrigan Hasn’t Yet Processed His ‘Barry’ Goodbye
TheWrap magazine: The Emmy-nominated actor says he’s “still in the grieving phase of it”
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Why ‘Untucked’ Is Integral to Each ‘RuPaul’s Drag Race’ Queen’s Story – and the Queer Community
“They’re going through every emotion as a human being, not as a character, ” executive producer Kenneth Leslie says
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Giant Cabbage and Raining Raisins: Behind the Scenes at ‘Last Week Tonight With John Oliver’
TheWrap magazine: “It’s almost hard not to get nominated with the infrastructure they set up for you,” says director Paul Pennolino
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Is Oliver Platt’s Uncle Jimmy Secretly the MVP of ‘The Bear’?
TheWrap magazine: “It was just different from other good scripts—there was something so specific and incredibly personal about it,” the fan-favorite and Emmy nominee says of his ace role
