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Members Hub: Movies

  • ‘Wicked: For Good’ Flies Past ‘Stranger Things’ as Title Audiences Are Most Excited About | Chart

    ScreenShare: A data partnership between ScreenEngine/ASI & TheWrap

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    November 12, 2025 @ 1:47 PM

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    ‘Wicked: For Good’ Flies Past ‘Stranger Things’ as Title Audiences Are Most Excited About | Chart

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  • With ‘The Running Man,’ Glen Powell Will Try to Cement His Leading Man Status

    After helping drive “Anyone But You” and “Twisters” to success, the popular actor gives R-rated action a try

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    Jeremy Fuster
    November 12, 2025 @ 6:15 AM

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    With ‘The Running Man,’ Glen Powell Will Try to Cement His Leading Man Status

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  • ‘Predator: Badlands’ Box Office Was Fueled by Millennials and Gen X — Can Disney Lure Gen Z, Too?

    Older audiences drove the sci-fi blockbuster’s $40 million opening weekend. Will teens and college students follow?

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    Jeremy Fuster
    November 11, 2025 @ 6:15 AM

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    ‘Predator: Badlands’ Box Office Was Fueled by Millennials and Gen X — Can Disney Lure Gen Z, Too?

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  • Netflix’s Opposition to Movie Theaters Cracks as Pressure Mounts From Exhibitors and Talent | Analysis

    The relationship between Netflix and theaters is warming as the streamer risks continuing to lose filmmaking talent with its model, insiders tell TheWrap

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    Adam Chitwood and Umberto Gonzalez
    November 10, 2025 @ 6:10 AM

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    Netflix’s Opposition to Movie Theaters Cracks as Pressure Mounts From Exhibitors and Talent | Analysis

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  • How ‘Predator: Badlands’ Director Dan Trachtenberg Reinvented the Franchise – Again

    The “10 Cloverfield Lane” director rejuvenated the monster franchise with “Prey” and, now, “Badlands”

    By

    Drew Taylor
    November 7, 2025 @ 6:15 AM

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    How ‘Predator: Badlands’ Director Dan Trachtenberg Reinvented the Franchise – Again

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  • ‘Anime Isn’t Alternative Content Anymore’: Lessons From Crunchyroll’s Breakout Autumn

    “Demon Slayer” and “Chainsaw Man” have made a combined $168 million in the U.S., bolstering the box office during a slow October

    By

    Jeremy Fuster
    November 5, 2025 @ 6:15 AM

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    ‘Anime Isn’t Alternative Content Anymore’: Lessons From Crunchyroll’s Breakout Autumn

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  • Cinemark Q3 Revenue Slips 7% Annually Despite Warner Bros. Boost

    While not as strong as past years, the theater chain still posted quarterly revenue of $858 million

    By

    Jeremy Fuster
    November 5, 2025 @ 4:01 AM

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    Cinemark Q3 Revenue Slips 7% Annually Despite Warner Bros. Boost

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  • Warner Bros.’ Sale Is a ‘Red Alert’ Moment for Theaters

    Theaters have already been calling on Hollywood to give them more films, but Warner’s acquisition could crush those hopes

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    Jeremy Fuster
    November 3, 2025 @ 5:57 AM

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    Warner Bros.’ Sale Is a ‘Red Alert’ Moment for Theaters

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  • ‘The Mastermind’ Director Kelly Reichardt on What It Takes to Be an Independent Director These Days

    Her new film, now in theaters, stars Josh O’Connor as an unassuming art thief

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    Drew Taylor
    October 31, 2025 @ 6:15 AM

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    ‘The Mastermind’ Director Kelly Reichardt on What It Takes to Be an Independent Director These Days

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  • Born to Crawl: Why ‘Springsteen: Deliver Me From Nowhere’ Stumbled at the Box Office

    The rock star’s older fanbase has been slow to turnout for this quieter, more introspective take on music biopics

    By

    Jeremy Fuster
    October 27, 2025 @ 1:31 PM

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    Born to Crawl: Why ‘Springsteen: Deliver Me From Nowhere’ Stumbled at the Box Office

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  • Can Horror Hit ‘Black Phone 2’ Hold Off Anime ‘Chainsaw Man’ at the Box Office?

    Colleen Hoover adaptation “Regretting You” and music biopic “Springsteen: Deliver Me From Nowhere” are projected for $10 million openings

    By

    Jeremy Fuster
    October 23, 2025 @ 9:17 AM

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    Can Horror Hit ‘Black Phone 2’ Hold Off Anime ‘Chainsaw Man’ at the Box Office?

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  • Imax’s Record Q3 Box Office Brings $106.7 Million in Revenue, Fueled by ‘F1’ and ‘Demon Slayer’

    The quarter brought $368 million in global box office grosses for the premium format

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    Jeremy Fuster
    October 23, 2025 @ 4:42 AM

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    Imax’s Record Q3 Box Office Brings $106.7 Million in Revenue, Fueled by ‘F1’ and ‘Demon Slayer’

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  • ‘$1,500 a Day for a Guy to Sit in a Car’: Indie Producers Warn Los Angeles Is a ‘Hostile’ Place to Film

    Fees, confusing regulations and disgruntled businesses are among the reasons why producers don’t want to shoot in L.A., and reform, while coming, is a slow process

    By

    Jeremy Fuster
    October 20, 2025 @ 6:00 AM

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    ‘$1,500 a Day for a Guy to Sit in a Car’: Indie Producers Warn Los Angeles Is a ‘Hostile’ Place to Film

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  • Inside Blur, the Indie VFX Animation Studio ‘By Artists, for Artists’ That’s Defying the Odds

    Co-founder and owner Tim Miller and president Nan Morales talk about why they prefer to stay small and the studio’s next phase

    By

    Drew Taylor
    October 13, 2025 @ 6:15 AM

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    Inside Blur, the Indie VFX Animation Studio ‘By Artists, for Artists’ That’s Defying the Odds

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  • SpectreVision’s Elijah Wood, Daniel Noah and Lawrence Inglee on the Importance of the Theatrical Experience

    Office With a View: They also talk about “Rabbit Trap,” which is available on digital now

    By

    Drew Taylor
    October 9, 2025 @ 10:00 AM

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    10:00 AM
    SpectreVision’s Elijah Wood, Daniel Noah and Lawrence Inglee on the Importance of the Theatrical Experience

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