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‘Wicked: For Good’ Flies Past ‘Stranger Things’ as Title Audiences Are Most Excited About | Chart
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With ‘The Running Man,’ Glen Powell Will Try to Cement His Leading Man Status
After helping drive “Anyone But You” and “Twisters” to success, the popular actor gives R-rated action a try
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‘Predator: Badlands’ Box Office Was Fueled by Millennials and Gen X — Can Disney Lure Gen Z, Too?
Older audiences drove the sci-fi blockbuster’s $40 million opening weekend. Will teens and college students follow?
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Netflix’s Opposition to Movie Theaters Cracks as Pressure Mounts From Exhibitors and Talent | Analysis
The relationship between Netflix and theaters is warming as the streamer risks continuing to lose filmmaking talent with its model, insiders tell TheWrap
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How ‘Predator: Badlands’ Director Dan Trachtenberg Reinvented the Franchise – Again
The “10 Cloverfield Lane” director rejuvenated the monster franchise with “Prey” and, now, “Badlands”
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‘Anime Isn’t Alternative Content Anymore’: Lessons From Crunchyroll’s Breakout Autumn
“Demon Slayer” and “Chainsaw Man” have made a combined $168 million in the U.S., bolstering the box office during a slow October
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Cinemark Q3 Revenue Slips 7% Annually Despite Warner Bros. Boost
While not as strong as past years, the theater chain still posted quarterly revenue of $858 million
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Warner Bros.’ Sale Is a ‘Red Alert’ Moment for Theaters
Theaters have already been calling on Hollywood to give them more films, but Warner’s acquisition could crush those hopes
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‘The Mastermind’ Director Kelly Reichardt on What It Takes to Be an Independent Director These Days
Her new film, now in theaters, stars Josh O’Connor as an unassuming art thief
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Born to Crawl: Why ‘Springsteen: Deliver Me From Nowhere’ Stumbled at the Box Office
The rock star’s older fanbase has been slow to turnout for this quieter, more introspective take on music biopics
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Can Horror Hit ‘Black Phone 2’ Hold Off Anime ‘Chainsaw Man’ at the Box Office?
Colleen Hoover adaptation “Regretting You” and music biopic “Springsteen: Deliver Me From Nowhere” are projected for $10 million openings
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Imax’s Record Q3 Box Office Brings $106.7 Million in Revenue, Fueled by ‘F1’ and ‘Demon Slayer’
The quarter brought $368 million in global box office grosses for the premium format
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‘$1,500 a Day for a Guy to Sit in a Car’: Indie Producers Warn Los Angeles Is a ‘Hostile’ Place to Film
Fees, confusing regulations and disgruntled businesses are among the reasons why producers don’t want to shoot in L.A., and reform, while coming, is a slow process
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Inside Blur, the Indie VFX Animation Studio ‘By Artists, for Artists’ That’s Defying the Odds
Co-founder and owner Tim Miller and president Nan Morales talk about why they prefer to stay small and the studio’s next phase
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SpectreVision’s Elijah Wood, Daniel Noah and Lawrence Inglee on the Importance of the Theatrical Experience
Office With a View: They also talk about “Rabbit Trap,” which is available on digital now
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