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How ‘Smile 2’ Writer/Director Parker Finn Returned With a Super-Sized, Super-Successful Horror Sequel
It’s the #1 movie in America right now, and the franchise is poised for expansion
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‘Venom 3’ Tries to Make Box Office Lightning Strike One More Time
After doing well during the pandemic recovery period in 2021, Tom Hardy’s antihero returns to theaters in Sony’s best-performing Spidey spinoff series
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Seine Pictures Shines a Spotlight on First-Time and Female Directors: ‘We’re Being a Part of This Positive Change’
Office With a View: The company’s Peruvian founder Ivan Orlic tells TheWrap about his story-driven mission 12 years in the making
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With Toho’s Purchase of GKids, the Domestic Anime Distribution War Heats Up | Analysis
It’s a natural fit for the two companies to be joining forces
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‘Smile 2’ Set for Horror Box Office Showdown With ‘Terrifier 3’
How big is the hunger for horror at the cinema?
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‘Terrifier 3’ Distributor Reveals How ‘David Beat Goliath’ at the Box Office With a $500,000 Marketing Budget
Cineverse CEO Chris McGurk credits the Bloody Disgusting team for helping launch Damien Leone’s slasher sensation to an $18 million No. 1 weekend
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Studio Slump: Lionsgate’s Last 6 Films Have All Been Box Office Busts
“Borderlands,” “Megalopolis” and “The Crow” are among the failures to launch, and trouble lies ahead as “Ballerina” undergoes major reshoots
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How Jason Reitman Brought ‘Saturday Night’ to Life: ‘It’s the Fastest I’ve Ever Made a Movie’
Inside the frantic production that mirrored the 90 minutes before the first episode of “SNL”
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Why ‘Joker: Folie a Deux’ Flopped: A Subversive Sequel No One Was Buying | Analysis
Todd Phillips’ bleak interrogation of Arthur Fleck’s infamous alter ego turned off audiences so much it is now in box office free fall
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‘Joker: Folie A Deux’ Won’t Make $1 Billion, but Can It Still Be a Hit?
The follow-up to the Oscar-winning DC drama hits theaters with a higher budget and lower opening weekend projections
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‘The Wild Robot’ Has What It Takes to Turn $35 Million Opening Into a Long, Successful Run | Analysis
To do that, Universal/DreamWorks’ critically acclaimed film has to defy recent trends for animated science fiction
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Producer Sam Pressman Believes Public Investment and AI Have a Place in Indie Filmmaking’s Future
Office With a View: The Pressman Films head talks about his new public investment platform and what lessons he learned from his famed father, Edward
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How ‘Wild Robot’ Director Chris Sanders Returned to Animation, Challenged the Medium and Made His Best Film Yet
The director of “Lilo & Stitch” and “How to Train Your Dragon” has returned with a wild new tale
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With ‘Transformers One,’ Paramount Looks for More Modest Box Office Grosses From Cybertron
Once the studio’s most lucrative IP, “Transformers” returns to the big screen with a lower budget animated origin tale
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‘Joker: Folie a Deux’ Dances Onto List of Titles Consumers Are Most Excited About | Chart
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