Chase Hutchinson is a film and TV critic for TheWrap and has written for the publication since 2024. He is a member of the Seattle Film Critics Society (SFCS).
Experience:
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‘I Play Rocky’ Review: Biopic About the Making of Sylvester Stallone’s Classic Is a Hollow Crowdpleaser
TIFF 2026: Peter Farrelly’s latest is a faint impersonation of a great movie
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‘Edward Said: Between Worlds’ Review: An Essential Voice for Our Times Is Resurrected in His Own Words
TIFF 2026: While one wishes there was more creativity to the filmmaking in this documentary, Said’s words maintain an enduring power
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‘Trash Mountain’ Review: Caleb Hearon Finds Emotional Treasures in Moving, Mirthful Dramedy
Toronto International Film Festival 2026: The comedian, writer and actor shines like never before with his feature writing debut
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‘River’ Review: This Macabre, Magnificent Horror Slasher Will Drown You in Pure Terror
Toronto International Film Festival 2026: Joshua Giuliano’s fantastic feature debut kicks off the Midnight Madness section with a bang
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‘Rapinoe’ Review: Megan Rapinoe Portrait Is More Than Just Another Celebrity Doc
Toronto Film Festival 2026: Exploring Rapinoe’s mindset as an athlete and person, Rebecca Huntt’s documentary isn’t standard hagiographic fare
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‘The Drop: A Snowfall Saga’ Review: FX Series Is Missing Damson Idris, but Still Finds Its Footing
Newcomer Asante Blackk shines in this follow-up to “Snowfall” that explores survival, rap, family and legacy
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‘Star City’ Review: ‘For All Mankind’ Spinoff Is a Mostly Gripping, Darker Space Saga
Starring Rhys Ifans, this Soviet-set series is about space, sex and surveillance, though only occasionally all at the same time
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‘The Joyless Economy’ Review: A Revelatory Reflection on Horror, Sex and Cinema Itself
Cannes 2026: You’re unlikely to see an independent film as thoughtfully crafted and revealing as Marjorie Conrad’s latest
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‘Everytime’ Review: Sandra Wollner’s Delicate, Devastating Portrait of Grief Is One You Won’t Forget
Cannes 2026: Birgit Minichmayr gives a magnificent performance as a mother grappling with an immense loss
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‘La Gradiva’ Review: Astounding Cannes Award-Winning Debut Is One for the Ages
Cannes 2026: Marine Atlan’s film already feels like a new coming-of-age classic
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‘Victorian Psycho’ Review: Maika Monroe Is Maddeningly Good
Cannes 2026: Filmmaker Zachary Wigon conjures a darkly fun yet fleeting period horror starring today’s premier scream queen
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‘The Man I Love’ Review: Rami Malek Shows ‘Bohemian Rhapsody’ Was Just His Opening Act
Cannes 2026: Ira Sachs’ latest drama is a monumental portrait of a queer New York artist facing the end during the AIDS crisis
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‘The Samurai and the Prisoner’ Review: Kiyoshi Kurosawa’s Adaptation Is Both a Murder Mystery and Mesmerizing Epic
Cannes 2026: The prolific director continues to show there’s no one out there making movies like he is
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‘Iron Boy’ Review: This Former Pixar Animator Has Made His Own Magical Hand-Drawn Movie
Cannes 2026: Heads up animation lovers, you’re going to want to get to know the name Louis Clichy
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‘Her Private Hell’ Review: Sophie Thatcher Is Transcendent in Nicolas Winding Refn’s Slippery Sci-Fi Horror
Cannes 2026: It’s no “Citizen Kane,” but Refn’s long-awaited return to feature filmmaking is still worth taking a trip with
