‘Jagged Little Pill’ Broadway Review: Alanis Morissette’s Classic Album Becomes a #MeToo Angst Fest
Oscar-winning writer Diablo Cody and the Tony-winning director Diane Paulus join forces for a super-topical jukebox musical
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‘A Bright Room Called Day’ Theater Review: Tony Kushner Revisits His First, Flawed Play
The author of “Angels in America” rewrites his stage debut, about Nazi Germany, the Reagan Revolution and other things on his mind
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‘The Young Man From Atlanta’ Theater Review: Aidan Quinn Enters Willy Loman’s Turf
The “Elementary” actor recalls the theater’s most beleaguered salesman in this uneven but ultimately moving revival
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‘The Underlying Chris’ Theater Review: Will Eno Goes Full Hallmark
The playwright continues to explore the wondrousness of life, even when it’s downright ordinary
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‘The Half-Life of Marie Curie’ Theater Review: Kate Mulgrew Is Radioactively Great
Lauren Gunderson’s new two-hander gives all the best lines to a woman you probably never heard of
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‘History of Violence’ Theater Review: Edouard Louis’ Best-Seller Makes a Transatlantic Crossing
The French novel is retold in a new German play in which a young man’s mental state is fractured even further in the aftermath of a sexual attack
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‘The Inheritance’ Broadway Review: A Big Gay Mashup Offers Real Suds, Limp Toes
Matthew Lopez’s opus delivers a Homophile 101 course in camp classics and other major works of questionable art
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‘Evita’ Theater Review: Andrew Lloyd Webber’s Eva Peron Is Back and Lovelier Than Ever
Solea Pfeiffer rules by giving the public what it wants: a star and a clothes horse
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‘Tina’ Broadway Review: Adrienne Warren Captures Tina Turner’s Distinctive Bray of a Voice
The new jukebox musical highlights a unique showbiz mother, but otherwise sticks to the rules of the genre
