Reviews
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‘Eternity’ Review: Miles Teller, Elizabeth Olsen and Callum Turner Are Stuck in a Hysterical, Poignant Other-Worldly Threesome
TIFF 2025: An ensemble of actors makes life after death feel grounded and affecting in this fantasy rom-com
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‘Normal’ Review: Bob Odenkirk Has a Bloody Blast in ‘Die Hard’ Meets ‘Fargo’ Action Romp
TIFF 2025: Ben Wheatley’s latest has a whole lot of fun smashing everything together and keeping us on our toes
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‘Saipan’ Review: Steve Coogan and Éanna Hardwicke Trade Barbs During a Sports-Themed Power Trip
TIFF 2025: The real-life Saipan incident that upended Ireland’s chance at glory at the 2002 World Cup is examined by co-directors Glenn Leyburn and Lisa Barros D’Sa
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‘Wednesday’ Season 2, Part 2 Review: Netflix Hit’s Central Friendship Shines Amid Lackluster Plot
Still, there’s more than just Lady Gaga to look forward to in these last four episodes
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‘The Thursday Murder Club’ Review: Disappointing Netflix Mystery Is Too Posh to Be Quaint
Chris Columbus’ movie wants to evoke cozy British whodunits but has only polish in place of a personality
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‘Mamma Mia!’ Broadway Review: The Bride Has Seen Better Days
The juggernaut jukebox musical returns in a dispiriting touring production
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‘The Pickup’ Review: Eddie Murphy Action Comedy Is Rarely Exciting or Funny
The comedy legend stars alongside Pete Davidson in the Prime Video original
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‘Abraham’s Boys: A Dracula Story’ Review: Joe Hill Adaptation Is (Un)dead on Arrival
Titus Welliver and Jocelin Donahue star as Abraham and Mina Van Helsing in an anemic new take on the vampire classic
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‘M3GAN 2.0’ Review: Killer Robots Are Double the Fun in Action-Comedy Sequel
Gerard Johnstone’s follow-up ditches slow-burn horror for a rollercoaster ride
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‘Everything’s Going to Be Great’ Review: Bryan Cranston and Allison Janney Make the Most Out of Not Making It
Cranston and Janney’s theater family lives on the verge of success — and collapse — in a dramedy with a very accurate title
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‘28 Years Later’ Review: Danny Boyle’s Zombie Opus Is a Corpse to Be Reckoned With
What started as a low-res, grounded George Romero riff has grown into a sprawling, yet personal, national horror epic
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‘Elio’ Review: Pixar’s Colorful Sci-Fi Film Celebrates Weird Kids, but Only Allegorically
This vision of a universe where outsiders are accepted rings false when Disney doesn’t accept queerness in its films
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‘Predator: Killer of Killers’ Review: Animated Hulu Anthology Is a Simplistic Blast From the Past
A viking, a samurai and a World War II aviator battle alien monsters from beyond the stars — is that cool or what?
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‘Friendship’ Review: Tim Robinson and Paul Rudd Are a Riot in the Year’s Best Comedy
The “I Think You Should Leave” star cements his status as a modern comedy genius with writer/director Andrew DeYoung
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‘Real Women Have Curves’ Broadway Review: Latinas Take Cover to Break Free
A timely, feel-good musical brings the 2024-25 theater season to a rousing finish
